Originally published: Somerville, Massachusetts: Candlewick Press, 2015.

NEW YORK TIMES BESTSELLER • The past comes back to haunt psychologist Alex Delaware and Detective Milo Sturgis when they investigate a grisly double homicide and uncover an even more unspeakable motive in this riveting thriller from the bestselling master of suspense. Los Angeles is a city of sunlight, celebrity, and possibility. The L.A. often experienced by Homicide Lt. Detective Milo Sturgis and psychologist Alex Delaware, is a city of the dead. Early one morning, the two of them find themselves in a neighborhood of pretty houses, pretty cars, and pretty people. The scene they encounter is anything but. A naked young man lies dead in the street, the apparent victim of a collision with a moving van hurtling through suburbia in the darkness. But any thoughts of accidental death vanish when a blood trail leads to a nearby home. Inside, a young woman lies butchered. The identity of the male victim and his role in the horror remain elusive, but that of the woman creates additional questions. And adding to the shock, Alex has met her while working a convoluted child custody case. Cordelia Gannett was a self-styled internet influencer who’d gotten into legal troubles by palming herself off as a psychologist. Even after promising to desist, she’s found a loophole and has continued her online career, aiming to amass clicks and ads by cyber-coaching and cyber-counseling people plagued with relationship issues. But upon closer examination, Alex and Milo discover that her own relationships are troublesome, including a tortured family history and a dubious personal past. Has that come back to haunt her in the worst way? Is the mystery man out in the street collateral damage or will he turn out to be the key to solving a grisly double homicide? As the psychologist and the detective explore L.A.'s meanest streets, they peel back layer after layer of secrets and encounter a savage, psychologically twisted, almost unthinkable motive for violence and bloodshed. This is classic Delaware: Alex, a man Milo has come to see as irreplaceable, at his most insightful and brilliant.

Hawk, the daughter of Maximum Ride, teams with her mother up to help save their beloved but dangerous city in this action-packed thriller. For Hawk, being a hero weighs heavily on her wings. In the City of the Dead, life happens in the shadows. That's why a war is brewing against an enemy no one can see. Hawk and Maximum Ride never back down from a conflict, or from each other, and they argue more than they agree. But as the dead begin to outnumber the living, a mother's experience and a daughter's instinct can make for one powerful arsenal.

The sequel to one of those most popular zombies of all time in a new, uncut, author's preferred edition In this sequel to THE RISING, cities are overrun with legions of the undead, intent on destroying what's left of the living. Trapped inside a fortified skyscraper, a handful of survivors prepare to make their last stand against an unstoppable, merciless enemy. With every hour their chances diminish and their numbers dwindle, while the ranks of the dead continue to rise. Because sooner or later, everything dies. And then it comes back, ready to kill. Deadite Press is proud to present this uncut, Author's Preferred Edition of Brian Keene's seminal CITY OF THE DEAD

Seventh-grader Molly has always been an outsider, even at New York City's elite Metropolitan Institute of Science and Technology, but that changes when she is recruited to join the Omegas, a secret group that polices and protects zombies.

A rookie cop and a resourceful young woman in search of her brother venture into Raccoon City on the very night that a horrifying viral outbreak has transformed every man, woman, and child into one of the living dead.

Fans of Ian Rankin and Lee Child will relish this thriller from the author of Thou Shalt Kill—the second novel in the heart-pounding series featuring hardened homicide detective Franco Patrese. Daniel Blake more than delivers on the promise of his acclaimed thriller Thou Shalt Kill, bringing back detective Franco Patrese in City of the Dead, “a blood-soaked, full-throttle descent into hell and one of the best thrillers you will read this or any other year” (Lorenzo Carcaterra). “You’re not tainted. You’re not one of them. I need you alone...” The woman who contacted Franco Patrese was the ultimate New Orleans society belle: beautiful, seductive, cunning, and, in this case, desperate. The personal assistant to the city’s most powerful man, she had to meet Patrese in secret. Fearful whispers of “sacrifices” were all Patrese could glean; she didn’t live long enough to tell him any more. Patrese had come to New Orleans, buffeted by the winds of fate, bearing a pain that cops know too well. His native Pittsburgh was still in his bones, while a disaster on a tropical island had shaken his soul. In the thick, hot, exotic world of the Crescent City he began to come alive again. But now he cannot afford to be the new guy, the guy on the outside looking in. A second body has been found, just like the first: Dismembered. A snake, an axe head, a mirror. And blood. A whole lot of blood. Patrese’s partner is a devout New Orleans native with a past she keeps private. By Selma Fawcett’s side, Patrese races in the footsteps of a serial killer who seems steeped in voodoo and linked to a priestess who practices her dark arts in the clear light of day—and the glare of the media. The more he learns about the victims and their connections, the more bizarre the case becomes. Then a veteran-turned-drug dealer takes him one step further, deep into a realm in which murder is only one kind of perversion. Patrese and Selma, traveling from the French Quarter to Natchez and the bayou, don’t realize they are out of time. A tide of corruption and secrecy is rising all around them. They are the tainted ones: two good cops, targeted by a force more malevolent than any one before.

In 1970s New York, a forensic pathologist must use his professional skills to save his own daughter in this “harrowing” award-winning crime novel (The New York Times). In the gritty seventies, Manhattan is a dark, dangerous, and threatening place. One of the bright spots in this decaying metropolis is Paul Konig. As the city’s chief medical examiner, he has developed an impressive reputation for his skills in forensic pathology—skills that will be put to the ultimate test when a dangerous psychopath kidnaps Konig’s daughter. Awakened by phone calls featuring his daughter’s desperate screams each night, Konig finds his life unraveling, not only personally but professionally. Between the case of a serial killer who leaves a trail of severed body parts in his wake, an investigation into the forensic work on an alleged prison suicide, and a nakedly ambitious deputy medical examiner, he is at the end of his rope, and it will take every ounce of his strength to save his own life—as well as his family’s. Perfect for fans of Patricia Cornwell or Kathy Reichs, City of the Dead is a chilling thriller by the author of Crawlspace and a winner of the Grand Prix de Littérature Policière, featuring “a massive amount of authoritative detail” about the life of a coroner (Kirkus Reviews).

NEW YORK TIMES BESTSELLER • Psychologist Alex Delaware and detective Milo Sturgis search for answers to a brutal, decades-old crime in this electrifying psychological thriller from the master of suspense. LAPD homicide lieutenant Milo Sturgis is a master detective. He has a near-perfect solve rate and he’s written his own rule book. Some of those successes—the toughest ones—have involved his best friend, the brilliant psychologist Alex Delaware. But Milo doesn’t call Alex in unless cases are “different.” This murder warrants an immediate call. Milo’s independence has been compromised as never before, as the department pressures him to cater to the demands of a mogul: a hard-to-fathom, megarich young woman who is obsessed with reopening the coldest of cases—the decades-old death of the mother she never knew. The facts describe a likely loser: a mysterious woman found with a bullet in her head in a torched Cadillac that has overturned on infamously treacherous Mulholland Drive. No physical evidence, no witnesses, no apparent motive. And a slew of detectives have already worked the case and failed. But as Delaware and Sturgis begin digging, the mist begins to lift. Too many coincidences. Facts turn out to be anything but. And as they soon discover, very real threats lurking in the present. This is Delaware/Sturgis at their best: traversing the beautiful but forbidding place known as Los Angeles and exhuming the past in order to bring a vicious killer to justice.

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean? Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure. The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.