This book provides a new critical methodology for the study of landscapes in children's literature. Treating landscape as the integration of unchanging and irreducible physical elements, or topoi, Carroll identifies and analyses four kinds of space — sacred spaces, green spaces, roadways, and lapsed spaces — that are the component elements of the physical environments of canonical British children’s fantasy. Using Susan Cooper's The Dark Is Rising Sequence as the test-case for this methodology, the book traces the development of the physical features and symbolic functions of landscape topoi from their earliest inception in medieval vernacular texts through to contemporary children's literature. The identification and analysis of landscape topoi synthesizes recent theories about interstitial space together with earlier morphological and topoanalytical studies, enabling the study of fictional landscapes in terms of their physical characteristics as well as in terms of their relationship with contemporary texts and historical precedents. Ultimately, by providing topoanalytical studies of other children’s texts, Carroll proposes topoanalysis as a rich critical method for the study and understanding of children’s literature and indicates how the findings of this approach may be expanded upon. In offering both transferable methodologies and detailed case-studies, this book outlines a new approach to literary landscapes as geographical places within socio-historical contexts.

WINNER OF THE BIOGRAPHERS' CLUB SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 'Full of love, wisdom and yearning' Kit de Waal A coming-of-age story set in Birmingham in the 1980s and 1990s, The Go-Between opens a window into a closed migrant community living in a red-light district on the wrong side of the tracks. The adult world is seen through Osman's eyes as a child: his own devout migrant Muslim patriarchal community, with its divide between the world of men and women, living cheek-by-jowl with parallel migrant communities. Alternative masculinities compete with strict gender roles, and female erasure and honour-based violence are committed, even as empowering female friendships prevail. The stories Osman tells, some fantastical and humorous, others melancholy and even harrowing, take us from the Birmingham of Osman's childhood to the banks of the river Kabul and the river Indus, and, eventually, to the London of his teenage years. Osman weaves in and out of these worlds, struggling with the dual burdens of racism and community expectations, as he is forced to realise it is no longer possible to exist in the spaces in between.

A vibrant, growing movement of radical protest is sweeping North America in opposition to high-stakes capitalism and the appalling environmental desecration that accompanies it. At once entertaining, shocking and inspiring, Underminers is the monkey-wrencher's guide to navigating and subverting the industrial machine, showing how symbolic protestors can become real activists; reconnected to one another, and co-creators of a viable future.

A master storyteller, John Marsden is Australia's best known writer for young adults. Marsden first found success with the publication of So Much To Tell You. Since then he has gone on to publish many popular and well-recognized titles, including those in the Tomorrow Series and The Ellie Chronicles. In his books, Marsden explores adolescents caught in a world of opposites, of innocence and guilt, idealism and realism, and joy and despair. Marsden's world view and his faith in adolescents serve as the backdrop for John Noell Moore's critical readings of Marsden's major novels. In John Marsden: Darkness, Shadow, and Light, Moore investigates the full spectrum of Marsden's work, beginning with the author's life as a teacher and writer. Throughout the book, Moore weaves together Marsden's recurring themes, chief among them writing and storytelling as ways of constructing identity in the transition from childhood to adulthood and the ability of young adults to endure hardships and overcome seemingly insurmountable odds. The book is a valuable addition to the current scholarship on young adult literature and will be welcomed by middle and high school English teachers and students alike.

This book is a study of the best-selling writer for children Enid Blyton (1897-1968) and provides a new account of her career. It draws on Blyton’s business correspondence to give a fresh account of a misunderstood figure who for forty years was one of Britain’s most successful and powerful authors. It examines Blyton’s rise to fame in the 1920s and considers the ways in which she managed her career as a storyteller, journalist and magazine editor. There is discussion of her most famous series including the Famous Five, the Secret Seven, Malory Towers and Noddy, but attention is also given to lesser-known works including the family stories she published to acclaim in the 1940s and early 1950s, as well as her attempts to become a dramatist. The book also discusses Blyton’s fluctuating critical reputation, how she and her works were received and how Blyton the person has fared at the hands of biographers and the media.

Enid Blyton is known throughout the world for her imaginative children's books and her enduring characters such as Noddy and the Famous Five. She is one of the most borrowed authors from British libraries and still holds a fascination for readers old and young alike. Yet until 1974, when Barbara Stoney first published her official biography, little was known about this most private author, even by members of her own family.The woman who emerged from Barbara Stoney's remarkable research was hardworking, complex, often difficult and, in many ways, childlike. Now this widely praised classic biography has been fully updated for the twenty-first century and, with the addition of new colour illustrations and a comprehensive list of Enid Blyton's writings, documents the growing appeal of this extraordinary woman throughout the world. The fascinating story of one of the world's most famous authors will intrigue and delight all those with an interest in her timeless books.

When we first meet Payson Wright she is standing frozen with fear on a clear platform jutting out over the Grand Canyon almost a mile in the air. Fear of Heights is the story of Payson, a 43 year old woman whose adventurous trip across the country turns into a remarkable journey of self-discovery. Payson is tasked with driving her sister's 130 pound dog, Yeti, from her home in Washington, DC to Los Angeles, CA where her sister has relocated. The trip will take only ten days but what Payson finds along the way will change her life forever. Although pit stops include a visit to the wacky Corn Palace in South Dakota and a memorable night in Mount Rushmore, not all Payson's detours are of the travel variety. A brief stay in the Badlands of South Dakota proves that sometimes the most forbidding and desolate places on the planet can yield the biggest rewards.

Winner of Australia's Book of the Year Award. Set in Australia and written in the form of a diary, this is the tragic story of the effects of divorce and her parents' anger on a young woman's life. "Remarkable...few readers will come away from the portrait of Marina's ordeal unshaken. "--Publishers Weekly

Enid Mary Blyton was an English children's writer, whose books have been worldwide bestsellers since the 1930s, selling more than 600 million copies. Her books are still enormously popular and have been translated into 90 languages. As of June 2019, Blyton held 4th place for the most translated author. She wrote on a wide range of topics, including education, natural history, fantasy, mystery, and biblical narratives. She is best remembered today for her Noddy, Famous Five, Secret Seven, the Five Find-Outers, and Malory Towers books. CONTENTS: The Famous Five Books Five on a Treasure Island (1942) Five Go Adventuring Again (1943) Five Run Away Together (1944) Five Go to Smuggler’s Top (1945) Five Go Off in a Caravan (1946) Five on Kirrin Island Again (1947) Five Go Off to Camp (1948) Five Get into Trouble (1949) Five Fall into Adventure (1950) Five on a Hike Together (1951) Five Have a Wonderful Time (1952) Five Go Down to the Sea (1953) Five Go to Mystery Moor (1954) Five Have Plenty of Fun (1955) Five on a Secret Trail (1956) Five Go to Billycock Hill (1957) Five Get into a Fix (1958) Five on Finniston Farm (1960) Five Go to Demon’s Rocks (1961) Five Have a Mystery to Solve (1962) Five are Together Again (1963) Famous Five Short Stories The Secret Seven Books The Secret Seven (1949) Secret Seven Adventure (1950) Well Done Secret Seven (1951) Secret Seven on the Trail (1952) Go Ahead Secret Seven (1953) Good Work Secret Seven (1954) Secret Seven Win Through (1955) Three Cheers Secret Seven (1956) Secret Seven Mystery (1957) Puzzle for the Secret Seven (1958) Secret Seven Fireworks (1959) Good Old Secret Seven (1960) Shock for the Secret Seven (1961) Look Out Secret Seven (1962) Fun for the Secret Seven (1963) Secret Seven Short Stories Malory Towers Series First Term at Malory Towers (1946) Second Form at Malory Towers (1947) Third Year at Malory Towers (1948) Upper Fourth at Malory Towers (1949) In the Fifth at Malory Towers (1950) Last Term at Malory Towers (1951) The Adventure Series The Five Find-Outers Books Wishing-Chair Series The Amelia Jane Books The Family Series The Farm Series The Circus Series

Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic Countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.