The Cantor's Daughter is the compelling new collection from Oregon Book Award Winner and recipient of the GLCA's New Writers Award for 2005, Scott Nadelson. In his follow-up to Saving Stanley, these stories capture Jewish New Jersey suburbanites in moments of crucial transition, when they have the opportunity to connect with those closest to them or forever miss their chance for true intimacy. In "The Headhunter," two men develop an unlikely friendship at work, but after twenty years of mutually supporting each other’s families and careers their friendship comes to an abrupt and surprising end. In the title story, Noa Nechemia and her father have immigrated from Israel following a tragic car accident her mother did not survive. In one stunning moment of insight following a disastrous prom night, Noa discovers her ability to transcend grief and determine the direction of her own life. And in “Half a Day in Halifax” Beth and Roger meet on a cruise ship where their shared lack of enthusiasm for their trip sparks the possibility of romance. Nadelson's stories are sympathetic, heartbreaking, and funny as they investigate the characters' fragile emotional bonds and the fears that often cause those bonds to falter or fail.

For the 150th anniversary of the birth of the "Jewish Mark Twain,"a new translation of his most famous works Tevye the Dairyman and Motl the Cantor's Son are the most celebrated characters in all of Jewish fiction. Tevye is the lovable, Bible-quoting father of seven daughters, a modern Job whose wisdom, humor, and resilience inspired the lead character in Fiddler on the Roof. And Motl is the spirited and mischievous nine-year-old boy who accompanies his family on a journey from their Russian shtetl to New York, and whose comical, poignant, and clear-eyed observations capture with remarkable insight the struggles and hopes and triumphs of Jewish immigrants to America at the turn of the twentieth century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This volume presents an outstanding new translation of two favorite comic novels by the preeminent Yiddish writer Sholem Aleichem (1859–1916). The Letters of Menakhem Mendl and Sheyne Sheyndl portrays a tumultuous marriage through letters exchanged between the title character, an itinerant bumbler seeking his fortune in the cities of Russia before departing alone for the New World, and his scolding wife, who becomes increasingly fearful, jealous, and mystified. Motl, Peysi the Cantor’s Son is the first-person narrative of a mischievous and keenly observant boy who emigrates with his family from Russia to America. The final third of the story takes place in New York, making this Aleichem’s only major work to be set in the United States. Motl and Menakhem Mendl are in one sense opposites: the one a clear-eyed child and the other a pathetically deluded adult. Yet both are ideal conveyors of the comic disparity of perception on which humor depends. If Motl sees more than do others around him, Menakhem Mendl has an almost infinite capacity for seeing less. Aleichem endows each character with an individual comic voice to tell in his own way the story of the collapse of traditional Jewish life in modern industrial society as well as the journey to America, where a new chapter of Jewish history begins. This volume includes a biographical and critical introduction as well as a useful glossary for English language readers.

In 1960, a group of friends are plucked from their sixth grade classroom in privileged Great Neck, Long Island and confronted for the first time with the horrors of the Holocaust. They hear a challenge from the past, a cry from history to set the world on a better course; but it is the murder of a much-loved older brother during Mississippi’s Freedom Summer that makes their mission clear. From the front line of the civil rights movement to Andy Warhol’s New York art scene, from comic book superheroes to the violent maelstrom of the Weather Underground, Great Neck immerses us in a charged time not so long ago, and illuminates the lives of those who were shaped by its energies and ideals. Vigorous, funny, profound and altogether gripping, it is a masterpiece of contemporary literature.

Originally published: New York: Simon & Schuster, c1995.

Foreword / Connie Wolf and Alison Gass -- Private to Public / Gretchen Diebenkorn Grant -- Understanding Diebenkorn / Steven A. Nash -- Two Sides of a Coin: Reflections on Artistic Practice / Enrique Chagoya -- The Ace of Spades / Alexander Nemerov -- (With)Drawing from Mastery / Peggy Phelan -- The Sketchbooks -- Notes to Myself of Beginning a Painting / Richard Diebenkorn

THE HIGHLY ANTICIPATED SECOND NOVEL FROM THE WRITER EMILY ST. JOHN MANDEL (STATION ELEVEN) CALLS “SHARP, WITTY, AND IMMENSELY ENTERTAINING” Is a new life possible? Because Shira Greene’s life hasn’t quite turned out as planned. She’s a single mom living with her daughter and her gay friend, Ahmad. Her PhD on Dante’s Vita Nuova hasn’t gotten her a job, and her career as a translator hasn’t exactly taken off either. But then she gets a call from a Nobel Prize-winning Italian poet who insists she’s the only one who can translate his newest book. Stunned, Shira realizes that—just like that— her life can change. She sees a new beginning beckoning: academic glory, demand for her translations, and even love (her good luck has made her feel more open to the entreaties of a neighborhood indie bookstore owner). There’s only one problem: It all hinges on the translation, and as Shira starts working on the exquisitely intricate passages of the poet’s book, she realizes that it may in fact be, well ... impossible to translate. A deft, funny, and big-hearted novel about second chances, Good on Paper is a grand novel of family, friendship, and possibility.

This book offers an excursion through the developmental area of research mathematics. It presents some 40 papers, published between the 1870s and the 1970s, on proofs of the Cantor-Bernstein theorem and the related Bernstein division theorem. While the emphasis is placed on providing accurate proofs, similar to the originals, the discussion is broadened to include aspects that pertain to the methodology of the development of mathematics and to the philosophy of mathematics. Works of prominent mathematicians and logicians are reviewed, including Cantor, Dedekind, Schröder, Bernstein, Borel, Zermelo, Poincaré, Russell, Peano, the Königs, Hausdorff, Sierpinski, Tarski, Banach, Brouwer and several others mainly of the Polish and the Dutch schools. In its attempt to present a diachronic narrative of one mathematical topic, the book resembles Lakatos’ celebrated book Proofs and Refutations. Indeed, some of the observations made by Lakatos are corroborated herein. The analogy between the two books is clearly anything but superficial, as the present book also offers new theoretical insights into the methodology of the development of mathematics (proof-processing), with implications for the historiography of mathematics.

A lively biography of the popular showman Eddie Cantor, with a focus on his involvement in Jewish culture and politics

“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code “Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue USA Today bestselling author Jillian Cantor reimagines and expands on the literary classic The Great Gatsby in this atmospheric historical novel with echoes of Big Little Lies, told in three women’s alternating voices. On a sultry August day in 1922, Jay Gatsby is shot dead in his West Egg swimming pool. To the police, it appears to be an open-and-shut case of murder/suicide when the body of George Wilson, a local mechanic, is found in the woods nearby. Then a diamond hairpin is discovered in the bushes by the pool, and three women fall under suspicion. Each holds a key that can unlock the truth to the mysterious life and death of this enigmatic millionaire. Daisy Buchanan once thought she might marry Gatsby—before her family was torn apart by an unspeakable tragedy that sent her into the arms of the philandering Tom Buchanan. Jordan Baker, Daisy’s best friend, guards a secret that derailed her promising golf career and threatens to ruin her friendship with Daisy as well. Catherine McCoy, a suffragette, fights for women’s freedom and independence, and especially for her sister, Myrtle Wilson, who’s trapped in a terrible marriage. Their stories unfold in the years leading up to that fateful summer of 1922, when all three of their lives are on the brink of unraveling. Each woman is pulled deeper into Jay Gatsby’s romantic obsession, with devastating consequences for all of them. Jillian Cantor revisits the glittering Jazz Age world of F. Scott Fitzgerald’s The Great Gatsby, retelling this timeless American classic from the women’s perspective. Beautiful Little Fools is a quintessential tale of money and power, marriage and friendship, love and desire, and ultimately the murder of a man tormented by the past and driven by a destructive longing that can never be fulfilled.