In the early 20th-century, European avant-garde artists began to look beyond the accepted canons of Western art in a search for new sources of inspiration. "Primitive" art, drawings by children, the art of the insane, and graffiti all opened up new avenues for experimentation and artistic creation. At the end of World War II, leading French artist Jean Dubuffet became interested in the works being produced by psychiatric patients and by other social outcasts. In 1948 he founded the Compagnie de l'Art Brut to document the collections he had begun, and in 1976 the collection moved to its permanent home in Lausanne. This critically acclaimed book traces the history of the concept of Art Brut, a movement which has had a profound effect on artistic and social history. The account is completed by biographical notes on the featured artists and an extensive bibliography. This revised edition contains up-to-date information about modern exponents of Art Brut and the collection itself, including two new images of artist Judith Scott's work. All the works reproduced, most from the collection created by Dubuffet, have retained their subversive freedom, which continues to fascinate and inspire artists and collectors today.

Essays reflecting the present state of Layamon studies, identifying problems and outlining current directions in research.

A comprehensive and objective study of Layamon's sources is long overdue. As a first step Françoise le Saux investigates the English poet's handling of his main source, Wace's Roman de Brut, to determine what principles guided the composition of the English Brut. These established, she is able to distinguish between different sorts of variation from the Roman, thereby providing norms against which to gauge the probability of further, secondary sources. Additional sources are then identified, in the various fields suggested by the poem: historical; literary; and religious writings (or tales) in Welsh, English, Latin and French and perhaps even Scandinavian.

This volume provides an accessible, English prose translation of Wace's Roman de Brut, in which Arthur appears for the first time as king of the Britons.