The poems in Devin Johnston's Traveler cross great distances, from the Red Hills of Kansas to the Rough Bounds of the Scottish Highlands, following weather patterns, bird migrations, and ocean voyages. Less literally, these poems move through translations and protean transformations. Their subjects are often next to nothing in several senses: cloud shadows racing across a valley before dusk, the predawn expectation of a child's birth, or the static-electric charge of clothing fabric. Throughout, Johnston offers vivid glimpses of the phenomenal world: "He describes objects with his hands and his eyes, noting texture, heft, and fit" (Boston Review). Equally, one finds a keen attention to sound in the patterning of subtle rhymes and rhythms, demonstrating "care and precision with line and pause" (Poetry).

Travelers Leaving for the City is a long song of arrivals and departures, centered around the murder of the poet’s grandfather in 1955 in a Pittsburgh hotel, exploring how such events frame memory, history and language for those they touch. The poems probe the anonymity of cities, and the crucible of travel. The historical impact of arousal, rage, regret, and forgiveness is seen in visions of interrogations and hotels. These poems explore how family bonds, and disruptions shape, the mind and language, all the while urging the reader to listen for traces of ancestors in one’s own mind and body.

Throughout life's journey Are gathered from joy and sorrow Trials and tribulation These thoughts now put into words May the reader of this collection of poems Experience a rose that was born Amidst a bed of thorns.

Poems for Travellers transports the reader to lands far and near in the company of some of our greatest poets such as Walt Whitman, John Keats and Christina Rossetti. Part of the Macmillan Collectors Library series, featuring expert introductions for your favourite classics. As internationally acclaimed author Paul Theroux writes in his introduction, ‘Here is a collection of travel poetry composed by real travellers, weekending tourists, feverish fantasists, bluffers, dreamers, brave adventurers and resolute stay-at-homes. It succeeds in what poetry does best – inspires and consoles, reminds us of who we are, where we’ve been, and where we might want to go next.’

More than 80 poems by 50 American and British masters celebrate real and metaphorical journeys. Poems by Whitman, Byron, Millay, Sandburg, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, many others.

From a bleak bus ride through Glasgow at midnight, to a trans - Californian road trip, from summer in Dubrovnik and finding peace in a Spanish paradise, to a bumpy bus ride to Kampala and the Paris Metro at night... TRAVEL, the third of the Collections of Poetry and Prose book series, features 97 contributions from 46 writers and poets around the world, all writing in their own unique, wonderful and occasionally quirky way about their travels and experiences travelling. From rural towns and villages in Africa, Asia and India, and the tiny islands of Bahrain and Shetland, to the bustling metropolises of Europe, the Americas and Australasia, with many of the contributions reflecting the diverse backgrounds and cultures of the writers, TRAVEL explores the world and its people and culture in an undeniably unique and fascinating way.

Focusing on lyric poetry, Mastery's End looks at important, yet neglected, issues of subjectivity in post-World War II travel literature. Jeffrey Gray departs from related studies in two regards: nearly all recent scholarly books on the literature of travel have dealt with pre-twentieth-century periods, and all are concerned with narrative genres. Gray questions whether the postcolonial theoretical model of travel as mastery, hegemony, and exploitation still applies. In its place he suggests a model of vulnerability, incoherence, and disorientation to reflect the modern destabilizing nature of travel, a process that began with the unprecedented movement of people during and after World War II and has not abated since. What the contemporary discourse concerning displacement, border crossing, and identity needs, says Gray, is a study of that literary genre with the least investment in closure and the least fidelity to ethnic and national continuities. His concern is not only with the psychological challenges to identity but also with travel as a mode of understanding and composition. Following a summary of American critical perspectives on travel from Emerson to the present, Gray discusses how travel, by nature, defamiliarizes and induces heightened awareness. Such phenomena, Gray says, correspond to the tenets of modern poetics: traversing territories, immersing the self in new object worlds, reconstituting the known as unknown. He then devotes a chapter each to four of the past half-century's most celebrated English-speaking, western poets: Elizabeth Bishop, Robert Lowell, John Ashbery, and Derek Walcott. Finally, two multi-poet chapters examine the travel poetry of Allen Ginsberg, Gary Snyder, and Robert Creeley, Lyn Hejinian, Nathaniel Mackey and others.

A collection of poems describing the curious menagerie of guests and residents, human and animal, at William Blake's inn.

Derek Walcott was one of the most accomplished and resourceful poets who wrote in English, winning the Nobel Prize in Literature in 1992. The volume of his work in The Fortunate Traveller, which contains such poems as "Olde New England" and "Piano Practice," cements his reputation as a poet who "handles English with a closer understanding of its inner magic than most, if not any, of his contemporaries" - Robert Graves

Arundhathi Subramaniam's poems explore ambivalences -- the desire for adventure and anchorage, expansion and containment, vulnerability and strength, freedom and belonging, withdrawal and engagement, language as exciting resource and as desperate refuge. These are poems of wonder and precarious elation, and all the roadblocks and rewards on the long dangerous route to recovering what it is to be alive and human. Winner of the inaugural Khushwant Singh Poetry Prize and shortlisted for the 2014 T.S. Eliot Prize, When God Is a Traveller is a remarkable book of poetry.