This book is one of the more widely distributed works of Ibn 'Ata'illah and serves as an ethical guide to those seeking God. It is a collection of short spiritual sayings each containing profound meaning driven from the Qur'an and Sunnah, and deals with issues related to tawhid, ethics and day-to-day conduct.

Gathers witty quotations about nature, religion, fear, hope, fame, wealth, politics, marriage, happiness, knowledge, language, and death

Aphorisms are often derided as trivial, yet most people rule their lives with five or six of them. This collection contains five or six hundred, some of which you wouldn't want to rule your life with. "The Rochefoucauld of the Twitter generation has arrived. Aaron Haspel's crisp, curt, cold-eyed aphorisms pack the maximum amount of truth into the minimum amount of space - and do it with elegance and wit." -Terry Teachout, drama critic, The Wall Street Journal "Delightfully witty, painfully true, and thoroughly enjoyable reading...a gem on every page." -Megan McArdle, Bloomberg columnist and author of The Up Side of Down "Aaron Haspel is good, very good." -Nassim Nicholas Taleb, author of Antifragile and The Black Swan "My favorite aphorist of the 21st century." -Colin Marshall, Boing Boing "Extremely good...wry, wise rules." -James Geary, author of The World in a Phrase and editor of Geary's Guide to the World's Great Aphorists

Aphorisms-- or philosophical short sayings--appear everywhere, from Confucius to Twitter, the Buddha to the Bible, Heraclitus to Nietzsche. Yet despite this ubiquity, the aphorism is the least studied literary form. What are its origins? How did it develop? How do religious or philosophical movements arise from the enigmatic sayings of charismatic leaders? And why do some of our most celebrated modern philosophers use aphoristic fragments to convey their deepest ideas? In A Theory of the Aphorism, Andrew Hui crisscrosses histories and cultures to answer these questions and more. With clarity and precision, Hui demonstrates how aphorisms-- ranging from China, Greece, and biblical antiquity to the European Renaissance and nineteenth century--encompass sweeping and urgent programs of thought. Constructed as literary fragments, aphorisms open new lines of inquiry and horizons of interpretation. In this way, aphorisms have functioned as ancestors, allies, or antagonists to grand systems of philosophy. Encompassing literature, philology, and philosophy, the history of the book and the history of reading, A Theory of the Aphorism invites us to reflect anew on what it means to think deeply about this pithiest of literary forms.

The philosophy of Friedrich Nietzsche turned the generally accepted values of modern, Western society upside down--religious, spiritual, moral, ethical and Christian presumptions were all questioned, tested, and cast aside as, ultimately, useless to man and his ascension to a higher purpose, a more self-actualized awareness of the universe, and the meaning of his birth and ultimate demise. This small, easily intellectually digestible volume of selected aphorisms and observations will serve as a starting point for the sincere scholar, who may seek out the "road less traveled" by pluming the mental and spiritual depths of a man long considered to be one of the most influential intellects of the millenia.

Kafka’s aphorisms are fascinating glimpses into the lure and the enigma of the form itself. • From the acclaimed author of The Metamorphosis and The Trial—and one of the most acclaimed writers of the twentieth century. The aphorism eludes definition: it can appear to be a random jotting or a more polished observation. Whether arbitrary fragment or crystalline shard, an aphorism captures the inception of a thought. Franz Kafka composed aphorisms during two periods in his life. A series of 109 was written between September 1917 and April 1918, in Zürau, West Bohemia, while Kafka was on a visit to his sister Ottla, hoping for a brief respite following the diagnosis of the tuberculosis virus that would eventually claim his life. They were originally published in 1931, seven years after his death by his friend and literary executor Max Brod, under the title Betrachtungen über Sünde, Hoffnung, Leid, und den wahren Wag (Reflections on Sin, Hope, Suffering, and the True Way). The second sequence of aphorisms, numbering 41, originally appeared as entries in Kafka’s diary from January 6 to February 29, 1920. They, too, were published posthumously, under the title “Er”: Aufzeichnungen aus dem Jahr 1920 (“He”: Reflections from the Year 1920).

The author of the modern classics The Black Swan, Fooled by Randomness, and Antifragile, Nassim Nicholas Taleb expresses major ideas in ways you least expect in this collection of aphorisms and meditations—now expanded with fifty percent more material than the hardcover. The Bed of Procrustes takes its title from the Greek myth of a man who made his visitors fit his bed to perfection, either by stretching them or by cutting their limbs. It represents Taleb’s view of modern civilization’s hubristic side effects—modifying humans to satisfy technology, blaming reality for not fitting economic models, inventing diseases to sell drugs, defining intelligence as what can be tested in a classroom, and convincing people that employment is not slavery. Playful and irreverent, these aphorisms will surprise you by exposing self-delusions you have been living with but never recognized. With a rare combination of pointed wit and potent wisdom, Taleb plows through human illusions, contrasting the classical values of courage, elegance, and erudition with the modern diseases of nerdiness, philistinism, and phonies.

One of the greatest philosophers of the nineteenth century, Schopenhauer (1788-1860) believed that human action is determined not by reason but by 'will' - the blind and irrational desire for physical existence. This selection of his writings on religion, ethics, politics, women, suicide, books and many other themes is taken from Schopenhauer's last work, Parerga and Paralipomena, which he published in 1851. These pieces depict humanity as locked in a struggle beyond good and evil, and each individual absolutely free within a Godless world, in which art, morality and self-awareness are our only salvation. This innovative - and pessimistic - view has proved powerfully influential upon philosophy and art, directly affecting the work of Nietzsche, Wittgenstein and Wagner among others.

Our best-seller. The best bathroom book ever for serious readers.