NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

Thirty young environmental activists share their dreams with voice of a generation Mya-Rose Craig Indigenous people and people of color are disproportionately affected by climate change. And yet they are underrepresented within the environmental movement. But not anymore. Written by the extraordinary environmental and campaigner for equal rights Mya-Rose Craig—aka Birdgirl—this book profiles 30 young environmental activists who are Indigenous people or people of color, from communities on the frontline of global climate change. Each speaks to the diverse set of issues they are fighting for, from water conservation, to deforestation, to indigenous rights, and shares their dream . . . A dream for climate justice. A dream for a healthy planet. A dream for a fairer world, for all. This is the first book from Craig, who shared a stage with Greta Thunberg in 2019’s climate strikes. US-based activists profiled include Marshallese ocean activist Litokne Kabua; @ThisIsZeroHour founder Zanagee Artis; indigenous rights activists Thomas Tonatiuh Lopez Jr., and Caitlyn Baikie; climate justice activist Rebeca Sabnam, and clean water activist Autumn Peltier.

Buffalo Bird Girl (ca. 1839-1932) was a member of the Hidatsa, a Native American community that lived in permanent villages along the Missouri River on the Great Plains. Like other girls her age, Buffalo Bird Girl learned the ways of her people through watching and listening, and then by doing. She helped plant crops in the spring, tended the fields through the summer, and in autumn joined in the harvest. She learned to prepare animal skins, dry meat, and perform other duties. There was also time for playing games with friends and training her dog. When her family visited the nearby trading post, there were all sorts of fascinating things to see from the white man’s settlements in the East. Award-winning author and artist S. D. Nelson (Standing Rock Sioux) captures the spirit of Buffalo Bird Girl by interweaving the actual words and stories of Buffalo Bird Woman with his artwork and archival photographs. Backmatter includes a history of the Hidatsa and a timeline.

There was a magical world on Mount Batur, and a Bird Girl once lived there. Despite having beautiful wings, she could not fly. Only a human being could help her. Who was he? How could he help the winged girl?

This lively STEAM picture book is about the life of Gene Stratton-Porter, a pioneering wildlife photographer and popular author from the late 19th and early 20th century, who showed the world the beauty of nature, especially birds, and why it was worth preserving. Gene Stratton-Porter was a farm girl who fell in love with birds, from the chickens whose eggs she collected to the hawks that preyed on them. When she grew up, Gene wanted nothing more than to share her love of birds with the world. She wrote stories about birds, but when a magazine wanted to publish them next to awkward photos of stuffed birds, she knew she had to take matters into her own hands. Teaching herself photography, Gene began to take photos of birds in the wild. Her knowledge of birds and how to approach them allowed her to get so close you could count the feathers of the birds in her photos. Her work was unlike anything Americans had ever seen before—she captured the true lives of animals in their natural habitat. A pioneering wildlife photographer and one of the most popular authors of the early 20th century, this bird girl showed the world the beauty of nature and why it was worth preserving.

She chooses an unlikely setting, a nursing home in a small town, where the heroine is trapped and speechless over 23 years, then with a few surprises and some twists and turns, all the curves straighten out and light is focused partly because of the birds, and partly because of Robin's persistence to known who this unknown heroine really is.

"The Mutilated, as described in Variety, "is about a pair of alternately friendly and quarrelsome floozies in a fleabag hotel in the French quarter of New Orleans in the 1930s. Margaret Leighton plays the one who has inherited an income just sufficient to give her pretensions and keep her supplied with the wine. Kate Reid plays a raucous hag just out of jail on a shoplifting charge. The would-be genteel lady is morbidly senstive about being physically mutilated, having had a breast removed. Her harpy companion, Williams seems to be saying, is spiritually deformed, having suffered the cruelty of fellow humans. The implication is that all of us are maimed in some form or other. The play is written as a sort of Christmas parable, with a chorus of incidental characters singing hymns resembling carols ..."--Back cover.

Poems deal with truth, religion, nature, thought, the role of poetry, death, visions, age, and the past.

Native American tricksters can be buffoons, transformers, social critics, teachers, and mediators between human beings, nature, and the gods. A vibrant part of American Indian tradition, the trickster has shown a remarkable ability to adapt into the twenty-first century. In Living Sideways, Franchot Ballinger provides the first full-length study of the diverse roles and dimensions of North American Indian tricksters. While honoring their diversity and complexity, he challenges stereotypical Euro-American treatments of tricksters. Drawing from the most influential scholarship on Native American tricksters, Ballinger shows how many critics have failed to consider both the specifics of trickster stories and their cultural contexts. Each chapter concentrates on a particular aspect of the trickster theme, such as the trickster’s ambiguous personality, the variety of trickster roles, and the trickster’s role as social critic. Ballinger further considers issues of sex, gender, and humor, the use of trickster tales as instructions on social values and community control, and the trickster as an emblem of modern Indian survival. Living Sideways also includes illustrative trickster stories at the end of each chapter, a comprehensive bibliography, and discussion of the literary aspects of tricksters. Examining both the sacred power of tricksters and the stories as literature, Living Sideways is the most thorough book to date on Native American tricksters.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.