Sunset. Fire. Rainbow. Drawing on such common occurrences of light, Navajo artists have crafted an uncommon array of design in colored glass beads. Beadwork is an art form introduced to the Navajos through other Indian and Euro-American contacts, but it is one that they have truly made their own. More than simple crafts, Navajo beaded designs are architectures of light. Ellen Moore has written the first history of Navajo beadwork—belts and hatbands, baskets and necklaces—in a book that examines both the influence of Navajo beliefs in the creation of this art and the primacy of light and color in Navajo culture. Navajo Beadwork: Architectures of Light traces the evolution of the art as explained by traders, Navajo consultants, and Navajo beadworkers themselves. It also shares the visions, words, and art of 23 individual artists to reveal the influences on their creativity and show how they go about creating their designs. As Moore reveals, Navajo beadwork is based on an aggregate of beliefs, categories, and symbols that are individually interpreted and transposed into beaded designs. Most designs are generated from close observation of light in the natural world, then structured according to either Navajo tradition or the newer spirituality of the Native American Church. For many beadworkers, creating designs taps deeply embedded beliefs so that beaded objects reflect their thoughts and prayers, their aesthetic sensibilities, and their sense of being Navajo—but above all, their attention to light and its properties. No other book offers such an intimate view of this creative process, and its striking color plates attest to the wondrous results. Navajo Beadwork: Architectures of Light is a valuable record of ethnographic research and a rich source of artistic insight for lovers of beadwork and Native American art.

An intimate view of frontier women--Anglo and Indian--and the communities they forged.

Mixing prose and poetry, ancient traditions and modern sensibilities, this brilliant, profane, and poignant coming-of-age story is a masterpiece of Native American literature At a Thanksgiving party held in a Bureau of Indian Affairs gymnasium, the elders of the Meskwaki Settlement in central Iowa sip coffee while the teenagers plot their escape. Edgar Bearchild and Ted Facepaint, too broke to join their friends for a night of drinking in a nearby farm town, decide to attend a ceremonial gathering of the Well-Off Man Church, a tribal sect with hallucinogenic practices. After partaking of the congregation’s sacred star medicine, Edgar receives a prophetic vision and comes to a newfound understanding of his people’s past and present that will ultimately reshape the course of his life. Set against the backdrop of the tumultuous 1960s, Black Eagle Child is the story of Edgar’s passage from boyhood to manhood, from his youthful misadventures with Ted, to his year at prestigious liberal arts college in California, to his return to Iowa and success as a poet. Deftly crossing genre boundaries and weaving together a multitude of tones and images—from grief to humor, grape Jell-O to supernatural strobe lights—it is also an unforgettable portrait of what it means to be a Native American in the modern world.

This collection combines 2 of Cathy Liggett’s novels into one e-book for a great value! Beaded Hope (2011 Carol Award winner for Women’s Fiction from ACFW) Four American women, all with their own challenges, embark on a mission trip to South Africa. Their lives are changed as they encounter a group of South African women who suffer from AIDS yet demonstrate great joy and faith in the face of overwhelming adversity. When the Americans discover the amazing beadwork that has been taught to generations of women in the community, they uncover a way to help these proud people support their families by selling their craft. Sisters of Sugarcreek (One of Booklist’s Top 10 Inspirational Fiction for 2017) Many lives were changed the day a fire burned down Faith Community Church, devastating the small town of Sugarcreek, Ohio. Now a young Amish widow, Lydia Gruber faces an uncertain future. Her husband, a craftsman and volunteer firefighter, always took care of everything, keeping her isolated from others in their community. Without anyone or any skills, how will she survive? With the death of her beloved aunt Rose in the fire, single mom Jessica Holtz inherits Rose’s Knit One Quilt Too cottage. Though determined to keep the shop open in her aunt’s memory, she doesn’t know the first thing about knitting and quilting and begins to see her aunt’s dream slip through her fingers. When Liz Cannon lost her dear friend Rose, she also lost her partner in the Secret Stitches Society—the name they gave themselves while delivering gifts of hope to troubled folks in the dark of night. Liz convinces Jessica to keep the anonymous society going, despite the younger women’s inadequacy with knitting and sewing needles. But soon Liz has problems of her own as the life she has rebuilt for herself begins to crumble again. When Liz and Jessica choose Lydia for their first mission, the three women cross paths and form an unlikely friendship in the aftermath of tragedy. As they walk together through triumph and heartbreak—through grief and new chances at love—they begin to discover that with friends by your side, a stitch of hope can be found anywhere.

"...we have tried here to present designs known to be Sioux, for use in Sioux schools. The purpose of the book is a practical one. Though we have striven for accuracy, our aim has not been an exhaustive scientific study. Rather, it has been to bring together a representative collection of designs and to explain them, so that practical workers, both students and teachers, may be able to recognize the bead and quillwork of the western Sioux and to make it for themselves. The art has changed in the past and those who understand its style and uses may use their imaginations to develop it still more, while keeping it Indian and Sioux."--Introduction, page 9.

This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; New and updated international case studies that demonstrate conservation decision-making in practice, including assessments of the conservation of objects in some of the world’s major cultural institutions; Full-colour illustrations that demonstrate conservation in practice. Textile Conservation will be essential reading for conservators around the world. It will also be of great interest to academics and students engaged in the study of the conservation of textiles, as well as museum and heritage professionals.

2011 Carol Award winner for Women's Fiction from ACFW (American Christian Fiction Writers) Four American women, all with their own challenges, embark on a mission trip to South Africa. Their lives are changed as they encounter a group of South African women who suffer from AIDS yet demonstrate great joy and faith in the face of overwhelming adversity. When the Americans discover the amazing beadwork that has been taught to generations of women in the community, they uncover a way to help these proud people support their families by selling their craft.

In-depth guide to ancient Native American crafts focuses on the techniques of the western Sioux. Explanations of techniques involved in quillwork, including dyeing and sewing, beadwork methods. More than 80 photographs and drawings depict handsome motifs on articles of clothing including vests, shirts, robes, dresses, leggings, moccasins, blankets, saddlebags, and shields.