Frederick Forsyth is back with Avenger! A heart-stopping thriller of murder, intrigue, deception, and revenge Attorney Calvin Dexter hangs his shingle in a quiet New Jersey town, has a reasonably successful practice, and takes the hills strong while triathlon training. But Dexter is no ordinary lawyer. On Sundays, he reads the paper and shuffles around his dark, empty house, trying to forget about a life he has lost forever. Until, of course, Dexter reads something in the papers that sends him the necessary signal. Until one of the handful who know of Dexter's other life tries to contact him. For in a world that has forgotten right and wrong, few can settle a score like Cal Dexter can. But the game is changing, and this time CIA agent Kevin McBride must find a way to stop Dexter before his quest for vengeance throws the world into chaos.

Presents eighteen original short stories charting the adventures of crime fighter and millionaire adventurer Richard Benson, "The Avenger."

With the Ta-Nehisi Coates-authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker's cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel's Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values-honor, loyalty, love-reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot's The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.

A visual history of one of Marvel's major brands: The Avengers. The book will trace the evolution of Thor, Iron Man, the Hulk and Captain America from comic book issue No. 1 in 1963, through their incarnations in film, animation and merchandise, to their current blockbuster status. As with Alien Vault and Terminator Vault it will feature rare and unseen artwork, and 10 pieces of removable memorabilia for fans to remove and examine. Published ahead of the second Avengers movie (which goes on general release in Summer 2015) the book will be a deluxe, official gift for film and comics fans alike.

Marvel Studios takes readers behind the scenes of one of the most eagerly anticipated films of all time in AVENGERS: THE ART OF MARVEL'S THE AVENGERS. This keepsake volume is an experiential journey through the entire film from beginning to end - featuring stunning concept art; full-color photographs from the set, as well as the finished film; excerpts from the script; and exclusive interviews with the cast and crew, including writer/director Joss Whedon, producer Kevin Feige and, of course, the Avengers themselves. From costume and production design to visual effects and creature creation, AVENGERS: THE ART OF MARVEL'S THE AVENGERS is a lavish showcase of all the artistry and creativity that brings the Marvel Cinematic Universe to life onscreen. Avengers Assemble!

Marvel's greatest heroes—including Iron Man, Captain America, Thor, and the Hulk—come together in this all-new Little Golden Book. Boys and girls ages 2 to 5 will love reading the exciting adventures of the Mighty Avengers!

Gathered together by S.H.I.E.L.D, Captain America, Iron Man, The Incredible Hulk, Thor, Black Widow and Hawkeye must protect the world from ultimate destruction. Join the action as these Super Heroes battle against Loki and his army for the fate of mankind as told in Marvel's The Avengers. Re-live all of The Avengers' individual stories before they reassemble in Marvel's Avengers: Age of Ultron.

When a wicked enemy rises, one man assembles a team to pull the world back from the brink of disaster. This is the epic adventure of the greatest Super Heroes of all time. - Back cover.

Flung to freedom as their mother battles a group of slave-trading dwarves, young Wistala and her gray, scaleless brother, Auron, find themselves alone in the Upper World. And when Auron sacrifices himself so that she may live, Wistala must overcome her grief and fear to find others of her kind-and bring her wrath to bear on those who would destroy them.

The Pulp Era's strangest superhero returns in two more epic adventures of Justice, Inc. by Paul Ernst writing as "Kenneth Robeson." First, Chicago skyscrapers collapse after "The Sky Walker" is seen striding above the skyline, sparking fears of an alien invasion in the pulp epic that was later adapted to comics by Jack Kirby. Then, "The Devil's Horns," a cryptic message traced in a dying man's own blood provides the clue that helps The Avenger clean up a corrupt city. This instant collector's item showcases H. W. Scott's classic color pulp covers in the same format as Sanctum's popular Doc Savage reprints, along with all the original interior illustrations by Paul Orban. BONUS: A Whisperer novelette from the back pages of The Shadow Magazine, plus original commentary by pulp historian Will Murray.