Maria Hadfield Cosway was a beautiful and talented English artist, who accompanied her husband, the miniature portrait painter, Richard Cosway, to Paris, in 1786, where she was introduced to Thomas Jefferson, then American Envoy to the Court of Versailles. The future President of the United States fell in love with the young Mrs. Cosway the day they met. Their impossible love was immortalised in Jefferson's 4000-word letter, a Dialogue between the Head and the Heart, which marked the beginning of a lifelong correspondence, the record of a touching and unrequited affection. But Maria Cosway's life is not only extraordinary because of her relationship with the American ambassador. She was a celebrity artist, an exceptional musician, a Regency hostess who entertained the Prince of Wales, later an intimate of the Bonapartes, and finally a successful founder of schools. For her pioneering work in women's education, this daughter of an innkeeper was given the title of Baroness by the Austrian emperor Franz I.

The author reflects on the notable people he met during his career as a caricaturist and portrait artist, including his work for Vanity Fair. Using the pseudonym "Spy," he published over 1300 portraits in the magazine.

The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.