To many readers Christopher Isherwood means Berlin. The author of Goodbye to Berlin (1939), the British Isherwood found fame through the adaptation of that work into the stage play and film I Am a Camera and then into the stage musical and film Cabaret. Throughout his career he was a keen observer, always seemingly in the right place at the right time. Whether in Berlin in the 1930s or in Los Angeles in the 1960s and 1970s, Isherwood (1904--86) reflected on his life and his world and wrote perceptive commentary on contemporary European and American history and culture. His ties to California made him more American than British. "I have spent half my life in the United States," he said. "Los Angeles is a great place for feeling at home because everybody's from someplace else." Isherwood can be credited for helping make L.A. an acceptable setting for serious fiction, paving the way for John Rechy, Joan Didion, Paul Monette, and Bernard Cooper, among others. The interviews in this volume--two of which have never before been published--stretch over a period of forty years. They address a wide range of topics, including the importance of diary-keeping to his life and work; the interplay between fiction and autobiography; his turning from Christianity to Hinduism; his circle of friends, including W. H. Auden, Aldous Huxley, and E. M. Forster; several important places in his life--Berlin, England, and California; and his homosexual identity. These interviews are substantive, smart, and insightful, allowing the author to discuss his approach to writing of both fiction and nonfiction. "More and more," he explains, "writing is appearing to me as a kind of self-analysis, a finding-out of something about myself and about the past and about what life is like, as far as I'm concerned: who I am, who these people are, what it's all about." This emphasis on self-discovery comes as no surprise from a writer who mined his own diaries and experiences for inspiration. As an interviewee, Isherwood is introspective, thoughtful, and humorous. James J. Berg is the program director for the Center for Teaching and Learning, Minnesota State Colleges and Universities. Chris Freeman is an assistant professor of English at St. John's University. Berg and Freeman are editors of The Isherwood Century: Essays on the Life and Work of Christopher Isherwood, which was a finalist for the 2001 Lambda Literary Award for Gay Studies.

A timeless story of decaying middle-class English life after wwI and the generation that tried to escape its values Christopher Isherwood was only twenty-one when he began his first novel, All the Conspirators. in his introduction to the American edition, Isherwood explains: “All the Conspirators records a minor engagement in what Shelley calls ‘the great war between the old and young.’ And what a war it was!” in many ways this novel (like the classic Berlin Stories) is a period piece growing out of a particular historical situation—clashes between parents and children with all their passionate moral struggles. Isherwood’s vivid portrayal of an older generation trying to hold on while a younger generation tries to wrench free still resonates and disarms.

Born into the English landed gentry, the heir to a substantial country estate, Christopher Isherwood ended up in California, an American citizen and the disciple of a Hindu swami. En route, he became a leading writer of the 1930's generation, an unmatched chronicler of pre-Hitler Berlin, an experimental dramatist, a war reporter, a travel writer, a pacifist, a Hollywood screenwriter, a monk, and a grand old man of the emerging gay liberation movement. In this biography, the first to be written since Isherwood's death, and the only one with access to all Isherwood's papers, Peter Parker traces the long journey of a man who never felt at home wherever he lived. Isherwood's travels were a means of escape: from his family, his class, his country, and the dead weight of the past. Parker reveals the truth about Isherwood's relationship with his war-hero father, his strong-willed mother, and his disturbed younger brother, Richard, who was also homosexual. He also draws upon a vast number of letters to describe Isherwood's complicated relationships with such lifelong friends as W. H. Auden, Stephen Spender, Edward Upward and John Lehmann. The result is a frank portrait of contradictions, a man searching for meaning in life, and one of the twentieth century's most significant writers.

When Christopher Isherwood's A Single Man first appeared, it shocked many with its frank, sympathetic, and moving portrayal of a gay man in maturity. Isherwood's favorite of his own novels, it now stands as a classic lyric meditation on life as an outsider. Welcome to sunny suburban 1960s Southern California. George is a gay middle-aged English professor, adjusting to solitude after the tragic death of his young partner. He is determined to persist in the routines of his former life. A Single Man follows him over the course of an ordinary twenty-four hours. Behind his British reserve, tides of grief, rage, and loneliness surge—but what is revealed is a man who loves being alive despite all the everyday injustices.

Jacob Ericson is a quiet, kind and somewhat simple man who works as a ranch hand for crotchety Professor Carter and his crippled daughter, Sharon, in California's Mojave Desert in the 1920s. Jacob is a good man, genuine, honorable, but hardly extraordinary–until he miraculously heals a dying calf with his hands. However, while he is content to cure the town's animals, it isn't long before he is persuaded to use his gift in other ways. When Sharon, whom he adores, begs him to heal her leg, he cannot deny her. His acquiescence causes them both to be exploited. Sharon runs away to Los Angeles to pursue her dreams of stardom. Jacob follows her, hopeful that they will meet again. And they do–as miserable performers in a seedy stage show. While they plan their escape from the dreary stage life, Jacob is asked to heal a self–absorbed young millionaire. And with his assent, Jacob's plans and all of his dreams begin to crumble. Written in tight, vivid, and seamlessly crafter prose, this previously unpublished tale by two of the greatest storytellers of the twentieth century shows the dangers a magical gift holds for even the noblest of characters.

An indispensable memoir by one of the most prominent writers of his generation Originally published in 1976, Christopher and His Kind covers the most memorable ten years in the writer's life—from 1928, when Christopher Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to 1939, when he arrived in America. His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels—and who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret. What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements.

A deeply introspective book about war, religion, and sexuality Against the backdrop of World War II, The World in the Evening charts the emotional development of Stephen Monk, an aimless Englishman living in California. After his second marriage suddenly ends, Stephen finds himself living with a relative in a small Pennsylvania Quaker town, haunted by memories of his prewar affair with a younger man during a visit to the Canary Islands. The world traveler comes to a gradual understanding of himself and of his newly adopted homeland. When first published in 1953, The World in the Evening was notable for its clear-eyed depiction of European and American mores, sexuality, and religion. Today, readers herald Christopher Isherwood's frank portrayal of bisexuality and his early appreciation of low and high camp.

Interweaving semi-autobiography with fiction, and taking the reader through relationships with 4 very different men, from 1930s Germany and prewar Greece to decadent Hollywood, Isherwood provides a black and witty portrait of the writer abroad.

Isherwood’s lectures on writing and writers, now all available for the first time In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities about his life and work. During this time Isherwood, who would liberate the memoir and become the founding father of modern gay writing, spoke openly for the first time about his craft—on writing for film, theater, and novels—and spirituality. Isherwood on Writing brings these free-flowing, wide-ranging public addresses together to reveal a distinctly American Isherwood at the top of his form. This updated edition contains the long-lost conclusion to the second lecture, published here for the first time, including its discussion of A Single Man, his greatest novel, and A Meeting by the River, his final novel.