Published to coincide with the 50th anniversary of the end of the American-led Allied Occupation of Japan (1945-52), The Allied Occupation of Japan is a sweeping history of the revolutionary reforms that transformed Japan and the remarkable men and women, American and Japanese, who implemented them.

The Allied Occupation of Japan lasted from 2 September 1945 to 28 April 1952 and ushered in an era of unprecedented change for that country. Although British Commonwealth participation played only small part in that story – involving only some 30,000 troops from the various Commonwealth countries compared with the vast numbers of the United States Eighth Army – it nevertheless prompts a discussion, hitherto largely undocumented, concerning its role and relevance. In The British Commonwealth and the Allied Occupation of Japan, Ian Nish who himself was a member of BCOF presents papers by twenty-three authors, partly biographical, partly academic, on subjects grouped in five themes: Origins of the Allied Occupation, Attitudes on the Occupation, Personal Views, the Commonwealth and Peace Negotiations, and the Commonwealth and the Japanese Treaties.

One of the untold stories of the American military occupation of Japan, from 1945 to 1952, is that of efforts by the Supreme Commander for the Allied Power's (SCAP) Arts and Monuments Division for the preservation of Japan's cultural heritage. While the role of Allies after WWII in salvaging the cultural heritage of Europe has recently become better known, not much is written of the extraordinary vision, planning and endeavors by the curators and art specialists embedded in the US military and later based in Tokyo, and their peers and political masters back in Washington D.C. -all of whom ensured that defeated Japan's cultural heritage was protected in the chaos and misery of post-war years.

This study of modern Japan traces the impact of defeat and reconstruction on every aspect of Japan's national life. It examines the economic resurgence as well as how the nation as a whole reacted to defeat and the end of a suicidal nationalism.

What might Godzilla and Kurosawa have in common? What, if anything, links Ozu’s sparse portraits of domestic life and the colorful worlds of anime? In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in its historical, technological, and global contexts. Yomota shows how Japanese film has been shaped by traditonal art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry’s rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Yomota provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography. An incisive and opinionated history, What Is Japanese Cinema? is essential reading for admirers and students of Japan’s contributions to the world of film.

This is a beautifully written, deeply moving and well-researched account of the lives of mixed-race children of occupied Japan. The author artfully blends oral histories with an historical and political analysis of international race relations and immigration policy in North America and Australia, to highlight the little-known story of the thousands of children that resulted from the unions of Japanese women and Allied servicemen posted to Japan following WWII. It is a powerful narrative of loss, longing and reconnection, written by the ABC’s long-time Tokyo correspondent, Walter Hamilton.

In 1950 Robert L. Gitler went to Japan to found the first college-level school of library science in that country. His mission, an improbable success, was documented in an assisted autobiography as Robert Gitler and the Japan Library School (Scarecrow Press, 1999). Subsequent research into initiatives to improve library services during the Allied occupation has revealed surprising discoveries and human interest of the lives of very diverse individuals. A central role was played by a librarian, Philip Keeney, who later became well-known as an alleged communist spy. A national plan, designed for Japan’s libraries, was based directly on the county library system developed by progressive thinkers in California, itself a dramatic story. The School of Librarianship at the University of California and its founding director, Sydney Mitchell, was found to have deeply influenced key figures. The story also requires an appreciation of the deployment of American libraries abroad as tools of foreign policy, as cultural diplomacy. Meanwhile, library services in Japan were seriously underdeveloped, despite Japan’s extraordinarily high literacy rate, very well-developed publishing and book retail industries, and librarians who were far from backward. The difference in library development lay in the huge divergence between the ethos of the American public library (dominated by support for individual self-development and Western liberal democracy) and the evolving political ideology of Japanese governments after the Meiji Restoration (1868). After absorbing authoritarian French and German administrative practices Japan became a militarist dictatorship from the 1920s onwards until surrender in 1945. The literature on the Allied Occupation of Japan is vast, but library services have received very little attention beyond the creation of the National Diet Library in 1948. The story of initiatives to improve library services in occupied Japan, the role of libraries as cultural diplomacy, the dramatic development of free public library services in California have remained unknown or little known – until now.

This work compiles some 120 letters from Japanese citizens to General Douglas MacArthur during the postwar occupation of Japan (1945-1952). These letters evoke the unfiltered voices of people of all classes and occupations during the tremendous upheaval of the early postwar period.

Japan's success in charting a new course in the years following World War II stems from the reforming impetus of GHQ/SCAP, Headquarters of the American-led allied occupation that indirectly governed the nation for nearly seven years. This is the story of the reforms of the Occupation period and of the remarkable men and women, Japanese and American, who implemented them. Professor Takemae introduces material on the wartime origins of Occupation policies, the British Commonwealth Force, the Kurils, Okinawa the Korean minority, A-bomb survivors, war crimes, the Constitution Education, and Health and Welfare.

This volume examines the origins and early years of the Cold War in the first comprehensive historical reexamination of the period. A team of leading scholars shows how the conflict evolved from the geopolitical, ideological, economic and sociopolitical environments of the two world wars and interwar period.