The extraordinary story of Richard Whittington, from his arrival in London as a young boy to his death in 1423, against a backdrop of plague, politics and war; turbulence between Crown, City and Commons; and the unrelenting financial demands of Richard II, Henry IV and Henry V, to whom Whittington was mercer, lender and fixer. A man determined to follow his own path, Whittington was a significant figure in London's ceaseless development. As a banker, Collector of the Wool Custom, King's Council member and four-time mayor, Whittington featured prominently in the rise of the capital's merchant class and powerful livery companies. Civic reformer, enemy of corruption and author of an extraordinary social legacy, he contributed to Henry V's victory at Agincourt and oversaw building works at Westminster Abbey. In London, Whittington found his 'second' family: a mentor, Sir Ivo Fitzwarin, and an inspirational wife in Fitzwarin's daughter Alice. Today's Dick Whittington pantomimes, enjoyed by millions, have a grain of truth in them, but the real story is far more compelling--minus that sadly mythical cat.

Banking, Projecting, and Politicking uncovers a previously understudied and unacknowledged financial institution in late-seventeenth-century England known as Thompson and Company. Whilst the institution has been briefly mentioned in literary studies focusing on the poet and politician Andrew Marvell, it has never been the sole focus of an economic, financial, commercial, or political study in its own right. As such, nothing is known of how it operated, where it sits in the history of English finance, why it collapsed, or what it can tell us about wider Restoration society and its economic and political culture. Through a microhistorical study, the book reconstructs the institution of Thompson and Company, the social networks of its partners, the identity of its creditors, and the events and circumstances that led to its collapse. The book situates the reconstructed institution within its economic, commercial, financial, and political contexts, using the evidence accrued to question the traditional narrative of financial and commercial development, credit systems, the relationship between economics, finance, commerce and politics, and the place of risk and strategy in gendered relations, credit, and social status. The book will be of interest to academics and students in economic history, financial and business history.

Henry VIII amassed the most spectacular collection of gold and silver of any British monarch. Plate and jewels were hugely prominent in medieval and Renaissance courts and played an essential role in dynastic marriages and diplomacy as well as in cementing the bonds between king and court. Ranging from plain domestic wares to extraordinary bejewelled works of art, Henry's collection embraced virtuoso continental objects as well as vast quantities of plate commissioned from London goldsmiths or inherited from his father. But nearly all of these holdings were destroyed over the following century, and of the thousands that he owned no more than a handful have survived to modern times. This book makes use of the wealth of surviving documentation - inventories, drawings, lists of payments, dispatches by foreign ambassadors and other records - to explore this lost collection and the light it sheds on the monarchy. Starting with an assessment of the young king's inheritance from his father, the book considers the role of plate at state banquets, in great church services and in the regular exchange of gifts between courtiers and ambassadors; the role of plate and jewels as a potent symbol of power; how the king used confiscation as an instrument of humiliation of those who fell from grace, including Cardinal Wolsey and Katherine of Aragon; and how Henry's avaricious seizure of church plate towards the end of his life throws light on his changing character. While the focus is on plate and goldsmiths' work, the context ranges from court ceremonial to rivalry between princes, the role of the church, the vulnerability of persons and institutions with covetable assets, and relations between the king and his own family. Bringing the existence and significance of these lost riches back to life, the book sheds new light on Henrician and Tudor court culture.

Interdisciplinary interpretations of the Revolution and of the late Stuart and early Hanoverian world.

Three generations of English merchant adventurers-not the Pilgrims, as we have so long believed-were the earliest founders of America. Profit-not piety-was their primary motive. Some seventy years before the Mayflower sailed, a small group of English merchants formed "The Mysterie, Company, and Fellowship of Merchant Adventurers for the Discovery of Regions, Dominions, Islands, and Places Unknown," the world's first joint-stock company. Back then, in the mid-sixteenth century, England was a small and relatively insignificant kingdom on the periphery of Europe, and it had begun to face a daunting array of social, commercial, and political problems. Struggling with a single export-woolen cloth-the merchants were forced to seek new markets and trading partners, especially as political discord followed the straitened circumstances in which so many English people found themselves. At first they headed east, and dreamed of Cathay-China, with its silks and exotic luxuries. Eventually, they turned west, and so began a new chapter in world history. The work of reaching the New World required the very latest in navigational science as well as an extraordinary appetite for risk. As this absorbing account shows, innovation and risk-taking were at the heart of the settlement of America, as was the profit motive. Trade and business drove English interest in America, and determined what happened once their ships reached the New World. The result of extensive archival work and a bold interpretation of the historical record, New World, Inc. draws a portrait of life in London, on the Atlantic, and across the New World that offers a fresh analysis of the founding of American history. In the tradition of the best works of history that make us reconsider the past and better understand the present, Butman and Targett examine the enterprising spirit that inspired European settlement of America and established a national culture of entrepreneurship and innovation that continues to this day.

Front Flap: Poet, essayist, actor, hymn-writer, wit, magazine editor, transvestite stage performer: Christopher Smart, Georgian don-turned-writer, was all of these. He was, and remains, a mercurial individual, an idiosyncratic yet strangely familiar writer of spiritual heights and material depths. His paradoxical exuberance fascinates scholars of eighteenth-century culture, and this collection of essays, a snapshot of current scholarship from both new and established Smart scholars, offers, among others, literary, theological, dramatic and philosophical perspectives on his writing. Here are new ways of reading familiar Smart works — including the astonishing, devout poem of his incarceration, Jubilate Agno — and unfamiliar ones, such as his translations and writing for children. Unexpected readers of Smart, from Coleridge to a testy anonymous annotator, are examined, and Smart's sacred translations and profane stage presence each find a place. Tom Keymer's re-evaluating afterword finds the quality of “betweenness” in Smart's work: between eras, between genres, between forms, Smart's vitality demands reassessment for each new generation of readers. Contributors: Karina Williamson, Min Wild, Rosalind Powell, Fraser Easton, Clement Hawes, William E. Levine, Noel Chevalier, Lori A. Branch, Daniel J. Ennis, Chris Mounsey, Debbie Welham, Tom Keymer. Back Flap: The editors Min Wild's monograph Christopher Smartand Satire on Smart's Midwife, was published in 2008, and various articles and reviews of a Smartian bent have followed. Her interest in that eighteenth-century favorite, the literary mode of prosopopoeia, has led her to investigate the personification of words, texts and literary modes themselves. She lectures in eighteenth-century literature and theory at Plymouth University, UK, and reviews in the Times Literary Supplement and elsewhere. Noel Chevalier is Associate Professor of English at Luther College, University of Regina, Canada. He has published articles on Jubilate Agno and on Smart’s challenge to “legitimate” playhouses in Mrs. Midnight’sOratory. Although his specialty lies in the eighteenth century, his teaching and research cover a diverse range of topics, from literary responses to the Bible, to the roots of globalization, to literary representations of science and scientists. He has helped create two interdisciplinary programs at Luther: one which addresses literature for students in the sciences, and one which explores the philosophical, political, economic, and cultural contexts of globalization. Jacket illustration: "Amaryllis sarniensis or Guernsey Amaryllis," from William Curtis, The Botanical Magazine; or, Flower-GardenDisplayed, Vol. IX. No. 294. London, 1795.

These important essays, first published in 1918, consider the various economic aspects of the reign of Edward III. They support George Unwin’s contention that the measures of the king and parliament were mainly opportunist rather than the expression of a definite financial policy.