Few doubt the pro-Israel bias of the Western media. It takes the form of overtly supporting Israel's government policies, or of maintaining neutrality or silence on issues of Israeli violence, occupation, and settlement expansion. Scholar and activist Karma R. Chávez collects eleven interviews that allow dissenting voices a forum to provide rarely heard perspectives on the Palestinian struggle for justice, land, and self-determination.This volume in the Common Threads series is a supplement to the Journal of Civil and Human Rights. The conversations within took place on a radio program Chávez hosted from 2013-16. There, journalists, activists, academic figures, authors, and Palestinian citizens of Israel shared a wide range of thoughts and experiences. Participants covered topics that include: everyday life for Palestinians in the West Bank and in Israel; the Boycott, Divestment, Sanctions (BDS) movement that arose in response to Israel's ongoing actions; the Steven Salaita controversy at the University of Illinois; the pro-Palestine social movement on college campuses; Israel's pinkwashing of human rights abuses; the aftermath of the 2014 attack on Gaza; and Chávez's 2015 visit to the West Bank.

Combining daring aerial photography with the restricted airspace over Paris provides both breathtaking and unparalleled views. From sunrise to sunset, Paris is one of the most photographed cities in the world. Shooting with the newest high-resolution medium-format professional cameras while leaning out of helicopters making steep turns with the door off, Milstein captures the highly detailed, iconic, straight-down images that set his work apart. Milstein's distinctive style--straight down--leads to fresh insights of the urban design of this great city. In a way that is impossible from street level, you can see the old neighborhoods of Montmartre and Montparnasse; iconic historical monuments like the Eiffel Tower, Arc de Triomphe or the Invalides; and modern Paris like La Défense or the new neighborhoods around the Bibliothèque Nationale. As a bonus, there is a portfolio of images of the gardens and buildings of Louis XIV's great palace, Versailles. Milstein brings his unique and unmatched aerial vistas of Paris to life--every angle, every moment, every season. This is sure to be treasured by tourists and Parisians alike.

A "beautifully written"* (New York Times Book Review) novel of redemption by a prize-winning international literary star. From the acclaimed author of The Beautiful Things that Heaven Bears comes a heartbreaking literary masterwork about love, family, and the power of imagination. Following the death of his father Yosef, Jonas Woldemariam feels compelled to make sense of the volatile generational and cultural ties that have forged him. Leaving behind his marriage and job in New York, he sets out to retrace his mother and father's honeymoon as young Ethiopian immigrants and weave together a family history that will take him from the war-torn country of his parents' youth to a brighter vision of his life in America today. In so doing, he crafts a story- real or invented-that holds the possibility of reconciliation and redemption.

A true life Water for Elephants, Queen of the Air brings the circus world to life through the gorgeously written, true story of renowned trapeze artist and circus performer Leitzel, Queen of the Air, the most famous woman in the world at the turn of the 20th century, and her star-crossed love affair with Alfredo Codona, of the famous Flying Codona Brothers. Like today's Beyonce, Madonna, and Cher, she was known to her vast public by just one name, Leitzel. There may have been some regions on earth where her name was not a household expression, but if so, they were likely on polar ice caps or in the darkest, deepest jungles. Leitzel was born into Dickensian circumstances, and became a princess and then a queen. She was not much bigger than a good size fairy, just four-foot-ten and less than 100 pounds. In the first part of the 20th century, she presided over a sawdust fiefdom of never-ending magic. She was the biggest star ever of the biggest circus ever, the Ringling Bros. and Barnum & Bailey Circus, The Greatest Show on Earth. In her life, Leitzel had many suitors (and three husbands), but only one man ever fully captured her heart. He was the handsome Alfredo Codona, the greatest trapeze flyer that had ever lived, the only one in his time who, night after night, executed the deadliest of all big-top feats, The Triple--three somersaults in midair while traveling at 60 m.p.h. The Triple, the salto mortale, as the Italians called it, took the lives of more daredevils than any other circus stunt.

"Elizabeth is still reeling from the death of her husband that took place a year prior. She and her young daughter, Emma, took a year to stay with Elizabeth's mother. When the time has come, Elizabeth and Emma choose to return to their hometown of Meadows Creek, Wisconsin. On the drive back into town, Elizabeth accidentally hits a dog, and the owner grumpily dashes into the street and demands Elizabeth takes him and the dog to the vet. Tristan is the owner of the dog. He's cold and distant, but Elizabeth connects to him in some odd way, even if they didn't have the best first meetings. It is later discovered that Tristan Cole is Elizabeth's new neighbor, and he is tagged as the town's grumpy jerk who is closed-off to everyone around him, outside of Mr. Henson, Tristan's odd and quirky boss who owns the shop Needful Things. While Tristan tries his best to keep his distance from Elizabeth, their paths keep crossing in the small town. The townspeople warn Elizabeth to keep her distance from Tristan, as he's a bad seed, but she cannot help but feel drawn to his darkness. During one of their crossings, Tristan snaps at Elizabeth, telling her that he doesn't want to get to know her, or be her friend, even though she keeps insisting on that happening. He ends up kissing her, which throws them both for a loop, and after said kiss, he accidentally makes her fall down the hill they are standing on, making her get scrapped up and injured. During their next crossing, Tristan finds Elizabeth wandering drunk in the wooded area behind their homes, and he helps her to his house after realizing she's too wasted to be outside alone. They have a heart-to-heart and learn about one another's losses. It is after that connection that they come up with the bad idea to use one another to feel again. They began having a fling, using sex to feel connected to another, to make believe that their loved ones are still around, yet it goes sideways once Elizabeth's grief becomes too loud. It is at that point that Tristan decides that being friends with Elizabeth would be the right option instead of using sex to forget. While the two are building their friendship, and are falling more and more for one another, the best friend of Elizabeth's late husband, Tanner, makes it known that he has feelings for her. Elizabeth explains to Tanner that she cares for him, but not in that way. After Tanner takes the rejection, he is livid to find out that she is seeing the town's jerk, Tristan. Tanner threatens Tristan, and tries to trigger him from time to time, to make him snap in front of Elizabeth. After none of Tanner's tricks works, he goes the extra mile by notifying Elizabeth that it was her late husband who was in the car accident with Tristan's late wife and his son, which led to their deaths. Elizabeth doesn't handle this news well but keeps it to herself because she knows it will destroy Tristan. That was when Tanner took the news and revealed it to Tristan, making Tristan harshly end things with Elizabeth. He leaves town and goes to see his parents, where he falls apart. It is then in those conversations that he learns the night of the accident, after Elizabeth loss her husband, she found Tristan's mom in the lobby of the hospital alone. Elizabeth comforted her, and then went and sat with Tristan's wife so she wouldn't be alone while Tristan's mom went to check on his son. The story concludes with Elizabeth learning that Tanner was the one who messed with her late husband's car, which in turn caused the accident. She learns how obsessed he had been with Elizabeth for years. Tanner caused the accident in order to get Elizabeth's husband out of the picture, so he could be the man in her life. Once Tristan connected those dots, he returned to town to protect Elizabeth and Emma from the craziness that was Tanner. After making sure everyone was safe, Tristan confesses his love for Elizabeth, who loves him fully back, and they begin to build a new life together, while still honoring their loved ones from the past. The Air He Breathes is a story of hope, of compassion, and the true meaning of love"--

The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.

In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.

The first in-depth study of the long march of the US New Left after 1968 The sixties were a time when radical movements learned to embrace twentieth-century Marxism. Revolution in the Air is the definitive study of this turning point, and examines what the resistance of today can learn from the legacies of Lenin, Mao and Che. It tells the story of the “new communist movement” which was the most racially integrated and fast-growing movement on the Left. Thousands of young activists, radicalized by the Vietnam War and Black Liberation, and spurred on by the Puerto Rican, Chicano and Asian-American movements, embraced a Third World oriented version of Marxism. These admirers of Mao, Che and Amilcar Cabral organized resistance to the Republican majorities of Nixon and Ford. By the 1980s these groups had either collapsed or become tiny shards of the dream of a Maoist world revolution. Taking issue with the idea of a division between an early “good sixties” and a later “bad sixties,” Max Elbaum is particularly concerned to reclaim the lessons of the new communist movement for today’s activists who, like their sixties’ predecessors, are coming of age at a time when the Left lacks mass support and is fragmented along racial lines. With a new foreward by Alicia Garza, cofounder of #BlackLivesMatter.

"Pulse-pounding, both as a sports highlight and a tribute to the character and determination of one of the game’s unexcelled greats." — Kirkus Discover the story behind Michael Jordan's incredible triumph in the 1997 Flu Game in this powerful graphic novel written by Murder Ballads' Gabe Soria and illustrated by award-winning artist Brittney Williams. Presenting Who HQ Graphic Novels: an exciting new addition to the #1 New York Times Best-Selling Who Was? series! Explore the relentless grit of Michael Jordan, as he powers through a mysterious illness in Game 5 of the 1997 NBA finals against the Utah Jazz, infamously known as The Flu Game. A story of athleticism, willpower, and triumph, this graphic novel invites readers to immerse themselves into the unyielding drive of the one of the greatest basketball players of all time -- brought to life by gripping narrative and vivid full-color illustrations that jump off the page.

"Turbulent and dramatic, full of longing and death and lust, the yearning to cover one’s own life and way in the world." —David Mehegan, Boston Globe An elegant and astute tale of desire and betrayal, science and medicine, from the "genius enchantress" (Karen Russell) author of Ship Fever, winner of the National Book Award. In the fall of 1916, America prepares for war—but in the town of Tamarack Lake, the focus is on the sick. Wealthy tubercular patients live in private cure cottages; charity patients, mainly immigrants, fill the large public sanatorium. From within their isolated community, they grapple with some of the most thrilling scientific discoveries of their time—X-ray technology, chemical and biological weapons, changing theories of atomic structure—and their limitations. Prisoners of routine, they take solace in gossip, rumor, and, sometimes, secret attachments. When the well-meaning efforts of one enterprising patient lead instead to a tragic accident and a terrible betrayal, the war comes home, bringing with it a surge of anti-immigrant prejudice. With The Air We Breathe, Andrea Barrett has crafted a "majestic, breathtaking, [and] thrilling" (San Diego Union-Tribune) novel that brilliantly illuminates the inescapable heartbreak of war.