Randall Jarrell (1914–1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers—including Bishop, Lowell, and Arendt—in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.

"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.

Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.

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This book reclaims the achievements of six American poets--Lowell, Bishop, Berryman, Jarrell, Schwartz, and Plath--by offering critical "biographies of the poetry."

There was once a little brown bat who couldn't sleep days-he kept waking up and looking at the world. Before long he began to see things differently from the other bats, who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way. Here in The Bat-Poet are the bat's own poems and the bat's own world: the owl who almost eats him; the mockingbird whose irritable genius almost overpowers him; the chipmunk who loves his poems, and the bats who can't make beads or tails of them; the cardinals, blue jays, chickadees, and sparrows who fly in and out of Randall Jarrell's funny, lovable, truthful fable. Best Illustrated Children's Books 1964 (NYT) Year's Best Juveniles 1964 (NYT)

This is the first volume in any language that collects Hannah Arendt's remarkable series of essays and notes on literary figures and cultural questions.

About Poetry and the Age: "Perhaps the most comprehensive and certainly the most detailed of all studies of modern poetry."-- Delmore Schwartz, New York Times Book Review "Randall Jarrell's book about poetry and the criticism of poetry pulls the bung-cork out of the barrel. The reader is exhilarated, led on to agree with Mr. Jarrell joyfully, even to cap his opinions--and at last to grow reckless. . . . Poetry and the Age is enormously readable."-- Louis Simpson, The American Scholar "The most powerful reviewer of poetry active in this country for the last decade. . . . Everybody interested in modern poetry ought to be grateful to him." -- John Berryman, New Republic Randall Jarrell was the critic whose taste defined American poetry after World War II. Poetry and the Age, his first collection of criticism, was published in 1953. It has been in and out of print over the past 40 years and has become a classic of American letters. In this new edition, two long-lost lectures by Jarrell have been added. Recently discovered by critics, they speak to issues at the heart of Jarrell's criticism: the structure of poetry and the question "Is American poetry American?" One of the outstanding poets of the postwar generation, Jarrell was also celebrated for his extraordinary praise of some underappreciated older and younger poets and for his witty dismissals of current favorites he thought less qualified. Poetry and the Age includes groundbreaking considerations of Walt Whitman and Robert Frost as well as profound appraisals of Wallace Stevens, Marianne Moore, John Crowe Ransom, and William Carlos Williams. His early reviews that established the reputations of Robert Lowell and Elizabeth Bishop are here, beside other enthusiastic discoveries that have withstood the test of time. Poetry and the Age also contains Jarrell's influential essays on the obscurity of poetry and on the age of criticism, essays that offer some of the most relevant and readable literary judgments of the 20th century. Randall Jarrell (1914-1965) wrote eight books of poetry, five anthologies, four children's books illustrated by Maurice Sendak, four translations, including Faust: Part I and The Three Sisters (performed on Broadway by the Actor's Studio), and a novel, Pictures from an Institution. He received the National Book Award for poetry in 1960, served as poet laureate at the Library of Congress in 1957 and 1958, and taught for many years at the University of North Carolina, Greensboro. He was a member of the American Institute of Arts and Letters.

In 1989 Richard Wilbur published New and Collected Poems, a landmark volume that won that year's Pulitzer Prize. Now, ten years later, he has prepared a collection of all the poetry he has written in the intervening years, together with new translations of Moliere (from Amphitryon) and Dante. These twenty-five poems reaffirm Wilbur's stature as one of our greatest living masters of verse.