"Country Girl is Edna O'Brien's exquisite account of her dashing, barrier-busting, up-and-down life."-National Public Radio When Edna O'Brien's first novel, The Country Girls, was published in 1960, it so scandalized the O'Briens' local parish that the book was burned by its priest. O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation. Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.

A modern classic for our time and for all time-this beloved, award-winning bestseller resonates with fresh meaning for each new generation. Perfect for fans of Kate DiCamillo, Christopher Paul Curtis, and Rita Williams-Garcia. Pura Belpre Award Winner * "Readers will be swept up." -Publishers Weekly, starred review Esperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike for better working conditions threatens to uproot their new life, Esperanza must find a way to rise above her difficult circumstances--because Mama's life, and her own, depend on it.

Women on the Land tells the remarkable story of women's contribution to agriculture and forestry during the two World Wars. It traces the formation and history of the Women's Land Army, and shows how women, mostly untrained and from non-farming backgrounds, helped maintain food production for a beleaguered nation, by filling the places of men away at the war. At the height of the First World War the Land Army had a full-time membership of 23,000 members, a number that was to exceed 80,000 during the Second World War. The book pays tribute to women like Lady Denman, who administered the Land Army during the Second World War and who was its chief inspiration and driving force, and also outlines the part played by other women's groups in wartime. Containing many first-hand reminiscences by the women who served, and a number of evocative illustrations, Women on the Land highlights the years when women were effectively to challenge long-established preconceptions as to what properly constituted 'women's work'.

To what extent have Hollywood feature films shaped the meanings that Americans attach to alcoholics, their families, and the alcoholic condition? To what extent has the mass culture of the movie industry itself been conceptually shaped by a broad, external societal discourse? Norman Denzin brings to his life-long study of alcoholism a searching interest in how cultural texts signify and lend themselves to interpretation within a social nexus. Both historical and diachronic in his approach, Denzin identifies five periods in the alcoholism films made between 1932 and the end of the 1980s, and offers a detailed critical reading of thirty-seven films produced during these six decades. "Professor Denzin has produced a searching and provocative interpretation of more than a half-century of Hollywood's social and personal construction of the problem drinker in America. Readable by both lay persons and specialists, Denzin's book provides us with the most comprehensive understanding of this topic to date."--Stanford M. Lyman, Robert J. Morrow Eminent Scholar in Social Science, Florida Atlantic University "An eminent sociologist and leading authority on alcoholism, Denzin also writes skillfully about films as films and is comfortable with postmodern interpretive theoryà a genuinely interdisciplinary work of the first order." --Robert L. Carringer, author, The Making of Citizen Kane "Denzin has gone on an exhaustive bar-crawl through hundreds of movies, returning with evidence that the film about drinking is a genre of its own. He writes from sound knowledge about alcoholism--which, unlike other diseases, is frequently viewed with bittersweet romanticism."--Roger Ebert Norman K. Denzin is professor of sociology, cinema studies, and interpretive theory at the University of Illinois, Urbana-Champaign. He was awarded the George Herbert Mead Award for Lifetime Achievement from the Society for the Study of Symbolic Interaction. He is the author of several books, including Screening Race: Hollywood and a Cinema of Racial Violence, The Recovering Alcoholic, Interpretive Ethnography, Images of Postmodernism: Social Theory and Contemporary Cinema, and Interpretive Interactionism.

The book "A History of Story-telling studies in the development of narrative" examines the history of narrative and storytelling by focusing on the development of form and techniques in the narrative. The book is divided into two major sections. The first section begins with an examination of the origins of narrative and storytelling, then moves on to an analysis of the medieval poem 'The Romance of the Rose,' as well as works by Chaucer and Boccaccio. This section also looks at the Rogue Novel, the Elizabethans, and the Pastoral, as well as Cervantes and eighteenth-century authors like Fielding, Smollett, and the masculine novel. The second section examines Romanticism to various authors such as Chateaubriand and then moves on to a study of nineteenth-century literature before concluding with a note on Flaubert and De Maupassant and a general conclusion.