"A fast-paced spy thriller with enough twists and turns to keep readers entertained." - Publishers Weekly Red Sparrow meets One of Us Is Lying in this action-packed, romance-filled YA debut about a girl trying to outrun her past. Ninety-four countries. Thirty-one schools. Two bullets. Now it's over . . . or so she thinks. Sophia Hepworth has spent her life all over the world--moving quickly, never staying in one place for too long. She knows to always look over her shoulder, to be able to fight to survive at a moment's notice. She has trained to be ready for anything. Except this. Suddenly it's over. Now Sophia is expected to attend high school in a sleepy Montana town. She is told to forget the past, but she's haunted by it. As hard as she tries to be like her new friends and live a normal life, she can't shake the feeling that this new normal won't last. Then comes strong and silent Aksel, whose skills match Sophia's, and who seems to know more about her than he's letting on . . . What if everything Sophia thought she knew about her past is a lie? Cinematic and breathtaking, Tiffany Rosenhan's debut stars a fierce heroine who will risk everything to save the life she has built for herself.

"I can't tell you…" Equine therapist Trisha Bolton has a secret. One she's not allowed to tell anyone. Finally given the chance to start over, she just needs the backing of local ultragorgeous neurosurgeon Mike Dunning! No stranger to betrayal, Mike has every reason to be wary of Trisha. Yet each touch sparks long-extinguished flames in Mike, and soon their sessions in the barn become more steamy than either of them bargained for! Mike's had enough of secrets in his life. But can he convince Trisha that she can trust him with hers?

A story about three children who take their family's new motor-boat for a joyride one night and get lost at sea when they get tossed off their boat by a violent storm.They find themselves on a tropical island,where they must depend on each other,and help each other out of sticky situations in order to survive,and one day,get home to their family.

Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on key artists whose prolific body of work has been vital to the development of contemporary practice, this collection studies the landscape of Live Art in the UK today and illuminates its origins, as well as particular concerns and aesthetics. The introduction to the volume situates Live Art in relation to other areas of artistic practice and explores the form as a British phenomenon. It considers questions of cultural specificity, financial and institutional support, and social engagement, by tracing the work and impact of key organizations on the UK scene: the Live Art Development Agency, SPILL Festival of Performance and Compass Live Art. Across three sections, leading scholars offer case studies exploring the practice of key artists Tim Etchells, Marisa Carnesky, Marcia Farquhar, Franko B, Martin O'Brien, Oreet Ashery, David Hoyle, Jordan McKenzie, and Cosey Fanni Tutti.

When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.