Both an enhanced digital edition and a handsome print volume, The Norton Chaucer provides the complete poetry and prose, meticulously glossed and annotated specifically for undergraduate readers, with apparatus reflecting current scholarship—all at an unmatched value.

Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.

It is often said that the best things in life come in small packages; anyone in search of proof need look no further than the stories in this collection from the acclaimed author of the No. 1 Ladies' Detective Agency series: brief, utterly engaging tales that offer lasting surprise and delight, accompanied by charming illustrations by Iain McIntosh. In Tiny Tales, Alexander McCall Smith explores romance, ambition, kindness, and happiness in thirty short stories accompanied by thirty witty cartoons designed by Iain McIntosh, McCall Smith’s longtime creative collaborator. Here we meet the first Australian pope, who hopes to finally find some peace and quiet back home in Perth; a psychotherapist turned motorcycle racetrack manager; and an aspiring opera singer who gets her unlikely break onstage. And, of course, we spend time in McCall Smith’s beloved Scotland, where we are introduced to progressive Vikings, a group of housemates with complex romantic entanglements, and a couple of globe-trotting dentists. These tales and illustrations depict the full scope of human experience and reveal the rich tapestry of life—painted in miniature.

»A Tale of the Ragged Mountains« is a short story by Edgar Allan Poe, originally published in 1844. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.

LAKOTA TALES AND TEXTS IN TRANSLATION has a remarkable history of its own. The original Lakota manuscript was rescued from destruction during the violent occupation of the village of Wounded Knee, South Dakota, during the late winter of 1973. In 1970, Paul Manhart, a Catholic priest of the Society of Jesus and at the time a pastor in that village, had published Eugene Buechel, S.J.'s monumental Lakota-English Dictionary, with the late Louis and Daisy Whirlwind Horse assisting. Louis had been a tribal interpreter and Daisy was a highly perceptive translator. Father Manhart had an office in the Sacred Heart of Jesus Church overlooking the mass grave of Lakota visitor victims of the 1890 massacre. At the time of occupation, he had borrowed the original manuscript of Buechel's "Lakota Tales and Texts" from the Holy Rosary Mission archives. He was planning soon to publish it. So he kept it on a lower shelf in the far corner of his small library. Early during the occupation, he and two local men, Benjamin White Butterfly and Ruben Mesteth, took a box and went to the office, only to find it in shambles and the room and library shelves stripped of books - all except the Tales and Texts manuscript in the corner, a dingy home-made book in Lakota long-hand, untouched. All else was gone. In June of 1978 then, "Lakota Tales and Texts" was published in St. Louis. Father Manhart prepared this translation to answer many requests from teachers of history, social sciences, and language; and to lay a groundwork for preparing a series of Lakota language texts for systematically teaching the language in a two or four-year high school course. In Louis and Daisy Whirlwind Horse's words: "Our children will lose some real and conscious contact with their roots unless we continue to record and study Lakota."

Once upon a time ethnographers returning from the field simply sat down, shuffled their note cards, and wrote up their descriptions of the exotic and quaint customs they had observed. Today scholars in all disciplines are realizing how their research is presented is at least as important as what is presented. Questions of voice, style, and audience--the classic issues of rhetoric--have come to the forefront in academic circles. John Van Maanen, an experienced ethnographer of modern organizational structures, is one who believes that the real work begins when he returns to his office with cartons of notes and tapes. In Tales of the Field he offers readers a survey of the narrative conventions associated with writing about culture and an analysis of the strengths and weaknesses of various styles. He introduces first the matter-of-fact, realistic report of classical ethnography, then the self-absorbed confessional tale of the participant-observer, and finally the dramatic vignette of the new impressionistic style. He also considers, more briefly, literary tales, jointly told tales, and the theoretically focused formal and critical tales. Van Maanen illustrates his discussion of each style with excerpts from his own work on the police. Tales of the Field offers an informal, readable, and lighthearted treatment of the rhetorical devices used to present the results of fieldwork. Though Van Maanen argues ultimately for the validity of revealing the self while representing a culture, he is sensitive to the differing methods and aims of sociology and anthropology. His goal is not to establish one true way to write ethnography, but rather to make ethnographers of all varieties examine their assumptions about what constitutes a truthful cultural portrait and select consciously and carefully the voice most appropriate for their tales. Written with grace and humor, Tales of the Field will be an invaluable introduction to novices just learning the fieldwork trade and provocative stimulant to veteran ethnographers. "Engaging and well written."--H. Ottenheimer, Choice

Standardized tests and college essay prompts demand that students produce quality analytical writing about abstract concepts. But how do you actually teach this kind of writing? Award-winning authors Gretchen Bernabei and Judi Reimer make it easy and fun. This book includes 35 engaging lessons that give students just the focused practice they need to craft effective, analytical writing for any situation. Centered on classic fairy tales and designed for students of all ages, each lesson includes a writing prompt accompanied by a planning framework. Students write a truism, select or create a text structure, and write a kernel essay that serves as scaffolding for a detailed rhetorical piece. With practice, students move from depending on teacher guidance to becoming autonomous analytical writers. The teacher-friendly layout and built-in flexibility of the book empower you to Use each fairy tale lesson for reading, for writing, or for both Cluster lessons around a particular literacy concept or use each as a standalone lesson Pair fairy tales thematically with other readings Customize the text structure options to meet the needs of your individual students Encourage students to create their own text structures Teach students simple ways to expand their ideas into detailed, rich essays Additional ideas for how to use the lessons, a complete collection of text structures, craft lessons on revision, and a list of conversation strategies are also included. Put Text Structures From Fairy Tales to work in your classroom and soon your students will be writing happily ever after.

Writing a novel can seem daunting, but it doesn't have to be. No matter where you are with your writing project--beginning the first draft, rewriting the fifth draft, or editing the final draft--help is available. The Magic of Fiction is a comprehensive guide for crafting fiction. It's the perfect resource for writers planning to self-publish, authors looking for an edge for manuscript submissions, and editors looking for a handbook on craft. Students and educators will also benefit, with details about the crafts of writing and editing available in a single book.Whether you intend to self-publish or submit your manuscript to agents or publishers, use The Magic of Fiction to master the ins and outs of writing and revision, create stronger early drafts, and edit your own stories.This guide addresses all aspects of editing and writing, from the mechanics to story issues to style concerns. In it you'll find--~ A comprehensive editing checklist~ Fixes for common writing mistakes~ Specifics for punctuation in dialogue~ Tips for putting setting to work for your fiction~ Suggestions for editing for the reader~ Help for writing to genre conventions~ Tips for word choices~ A guide for editing approaches and much more.Every fiction writer should be equipped to not only write well, but to rewrite and edit. There are books designed to help you write a novel, books to help you revise, and books to help you with the nitty-gritty of punctuation and grammar. The Magic of Fiction brings all those elements together in a single easy-to-digest resource for the writer looking for an edge in today's literary marketplace.The format of The Magic of Fiction helps you focus on what you need when you need it. Chapters provide detailed discussions of topics and end with "quick lists" to help you get straight to work on your own stories.Written by freelance fiction editor Beth Hill, The Magic of Fiction will help you produce high-quality fiction that will earn attention for all the right reasons.

Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA

All students can learn about plot using a classic fiction passage written at four reading levels. Symbols on the pages represent reading-level ranges to help differentiate instruction. Provided comprehension questions complement the text.