First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Nikon (1605-1681), patriarch of Moscow and all Russia, is best known for imposing the religious reforms that ultimately led to the schism of the Russian Orthodox Church. Yet only the Account of Birth, Life, and Upbringing of His Holiness Nikon, Patriarch of Moscow and All Russia (1680s), comes close to immortalizing the vicissitudes of Nikon's entire life. Written by Ioann Shusherin's (d. 1693), the patriarch's prot g and confidant, the Account presents Nikon as he appeared to his contemporary supporters. The biography chronicles Nikon's steady rise through the ecclesiastical ranks, dramatic downfall, and extraordinary rehabilitation. While discussing Nikonian religious reforms, the Account focuses on Nikon's relationship with the Romanov royal family and his monastery building program, especially the early history of the New Jerusalem Monastery and its main sanctuary, the Church of the Resurrection. This unique narrative features rare eyewitness accounts of momentous and daily life during a period of unprecedented political, religious, and social change in Russia. From Peasant to Patriarch is the first English language translation of the Account. Dr. Kevin Kain and Dr. Katia Levintova offer extensive commentary, parallel texts, and a glossary of Russian terms that contribute to the depth of this text. From Peasant to Patriarch opens new doors to the study of Russian history, religion, and culture.

The Rites Controversies in the Early Modern World is a collection of fourteen articles focusing on debates concerning the nature of “rites” raging in intellectual circles of Europe, Asia and America in the seventeenth and eighteenth centuries. The controversy started in Jesuit Asian missions where the method of accommodation, based on translation of Christianity into Asian cultural idioms, created a distinction between civic and religious customs. Civic customs were defined as those that could be included into Christianity and permitted to the new converts. However, there was no universal consensus among the various actors in these controversies as to how to establish criteria for distinguishing civility from religion. The controversy had not been resolved, but opened the way to radical religious scepticism. Contributors are: Claudia Brosseder, Michela Catto, Gita Dharampal-Frick, Pierre Antoine Fabre, Ana Carolina Hosne, Ronnie Po-Chia Hsia, Giuseppe Marcocci, Ovidiu Olar, Sabina Pavone, István Perczel, Nicholas Standaert, Margherita Trento, Guillermo Wilde and Ines G. Županov.

This book explores the liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the liturgy carries can produce. Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.

This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.