In Terse Verse, the format boils down to presenting ideas and observations on human behavior and American culture using idioms, puns, and wordplay that can be easily read and enjoyed. The key to effectiveness is simplicity and the key to simplicity is brevity. And that is what Terse Verse is about in a nutshell.

Describes a day at the beach in a series of terse verses (verses made up of two monosyllabic words that rhyme) accompanied by photographs.

Describes a day at the beach in a series of terse verses (verses made up of two monosyllabic words that rhyme) accompanied by photographs.

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Excerpt from Terse Verse Here's to the man who labors and does it with a song. He stimulates his neighbors and helps the world along. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.