See how the story of Jamie Frasier and Claire Beauchamp Randall comes to life on the screen with this official, photo-filled companion to the third and fourth seasons of the hit Starz television series based on Diana Gabaldon’s bestselling Outlander novels. From its very first episode, the Outlander TV series transported its viewers back in time, taking us inside the world of Diana Gabaldon’s beloved series. From the Scottish Highlands, to the courts of Versailles, to the shores of America, Jamie and Claire’s epic adventure is captured in gorgeous detail. Now, travel even deeper into the world of Outlander with this must-have insider guide from New York Times bestselling author and television critic Tara Bennett. Picking up where The Making of Outlander: Seasons One & Two left off, this lavishly illustrated collectors’ item covers seasons three and four, bringing readers behind the scenes and straight onto the set of the show. You’ll find exclusive interviews with cast members, including detailed conversations with Caitriona Balfe and Sam Heughan (on-screen couple and real-life friends), as well as the writers, producers, musicians, costume designers, set decorators, technicians, and more whose hard work and cinematic magic brings the world of Outlander to life on the screen. Every page features gorgeous photographs of the cast, costumes, and set design, including both official cast photography and never-before-seen candids from on set. The Making of Outlander: Seasons Three & Four is the perfect gift for the Sassenach in your life—and the only way to survive a Droughtlander!

#1 NEW YORK TIMES BESTSELLER • NOW A STARZ ORIGINAL SERIES Unrivaled storytelling. Unforgettable characters. Rich historical detail. These are the hallmarks of Diana Gabaldon’s work. Her New York Times bestselling Outlander novels have earned the praise of critics and captured the hearts of millions of fans. Here is the story that started it all, introducing two remarkable characters, Claire Beauchamp Randall and Jamie Fraser, in a spellbinding novel of passion and history that combines exhilarating adventure with a love story for the ages. One of the top ten best-loved novels in America, as seen on PBS’s The Great American Read! Scottish Highlands, 1945. Claire Randall, a former British combat nurse, is just back from the war and reunited with her husband on a second honeymoon when she walks through a standing stone in one of the ancient circles that dot the British Isles. Suddenly she is a Sassenach—an “outlander”—in a Scotland torn by war and raiding clans in the year of Our Lord . . . 1743. Claire is catapulted into the intrigues of a world that threatens her life, and may shatter her heart. Marooned amid danger, passion, and violence, Claire learns her only chance of safety lies in Jamie Fraser, a gallant young Scots warrior. What begins in compulsion becomes urgent need, and Claire finds herself torn between two very different men, in two irreconcilable lives. This eBook includes the full text of the novel plus the following additional content: • An excerpt from Diana Gabaldon’s Dragonfly in Amber, the second novel in the Outlander series • An interview with Diana Gabaldon • An Outlander reader’s guide Praise for Outlander “Marvelous and fantastic adventures, romance, sex . . . perfect escape reading.”—San Francisco Chronicle “History comes deliciously alive on the page.”—New York Daily News

In terms of visual impact, television has often been regarded as inferior to cinema. It has been characterised as sound-led and consumed by a distracted audience. Today, it is tempting to see the rise of HD television as ushering in a new era of spectacular television. Yet since its earliest days, the medium has been epitomised by spectacle and offered its viewers diverse forms of visual pleasure. Looking at the early promotion of television and the launch of colour broadcasting, Spectacular Television traces a history of television as spectacular attraction, from its launch to the contemporary age of surround sound, digital effects and HD screens. In focusing on the spectacle of nature, landscape, and even our own bodies on television via explorations of popular television dramas, documentary series and factual entertainment, and ambitious natural history television, Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics?

For more than a thousand years, in Wales and environs, those who were strangers or without land have been known as outlanders. These strangers never quite fit in with the native peoples, never quite belonged, and the appellation followed them wherever they roamed. In time, it became their identity. This aptly describes, Johnny Outlander, a seventeen-year-old boy who has always been different than others. Johnnys father abandoned him in infancy and his mother moves away, leaving him in the care of a grandmother hes never met. Bryn Evans lives in the redwood forests of Northern California, and shes not quite what he expected. Johnny has kept a deep secret from his early childhood, and now at seventeen he discovers a destiny thats been awaiting him since man first walked the earth. His life is about to change as he embarks on a journey of self-discovery, only to find he has inherited a destiny far older than the redwood forests that surround him.

Difficult Women on Television Drama analyses select case studies from international TV dramas to examine the unresolved feminist issues they raise or address: equal labor force participation, the demand for sexual pleasure and freedom, opposition to sexual and domestic violence, and the need for intersectional approaches. Drawing on examples from The Killing, Orange is the New Black, Big Little Lies, Wentworth, Outlander, Westworld, Being Mary Jane, Queen Sugar, Vida, and other television dramas with a focus on complex female characters, this book illustrates how female creative control in key production roles (direct authorship) together with industrial imperatives and a conducive cultural context (indirect authorship) are necessary to produce feminist texts. Placed within the larger context of a rise in feminist activism and political participation by women; the growing embrace of a feminist identity; and the ascendance of post-feminism, this book reconsiders the unfinished nature of feminist struggle(s) and suggests the need for a broader sweep of economic change. This book is a must-read for scholars of media and communication studies; television and film studies; cultural studies; American studies; sociology of gender and sexualities; women and gender studies; and international film, media and cinema studies.

Entertainment Weekly Magazine presents Outlander.

What is behind Outlander fever--the hit television drama's popularity? Is it author Diana Gabaldon's teasing posts on social media? Is it the real history reimagined? The highly emotional melodrama? Or is it the take-charge heroine and the sweet hero in a kilt? One of the show's biggest draws is its multigenre appeal. Gabaldon--whose Outlander novels form the basis of the series--has called it science fiction, fantasy, romance, historical fiction and military fiction, depending on her audience. This collection of new essays explores the series as a romance, a ghost story, an epic journey, a cozy mystery, a comedy of manners, a gothic thriller and a feminist answer to Game of Thrones, and considers the source of its broad appeal.

There are many reasons to be grateful for Outlander, but chief among them is the fact that it distracts us from the challenges of daily life in this particularly weird era we're living through. It does so with rugged men in kilts, breathtaking vistas, gorgeous interiors and dresses beautiful enough to make you weep. More important, it promotes the idea that one can live on whisky and oatcakes and still have exceptionally dewy skin. If that's not living the dream, what is? But the main reason to be grateful for Outlander has a long name: Claire Elizabeth Beauchamp Randall Fraser.The biggest miracle is that Outlander has been unswerving in its fealty to a noble cause: the idea that a woman's many lives, whether professional, sexual, personal, political and psychological, are all worth exploring with respect, care and some well-modulated irreverence. Claire experiences consequences for her actions, after all, there wouldn't be much drama if she didn't. But Outlander plumbs her heart, soul and mind without punishing her for being calculating, impetuous, forthright, horny, intelligent and witty.

At one time, Scotland was home to more than 4,000 castles. It’s an extraordinary number for such a small country and today, around 3,000 still stand. Some are world famous, others have inspired great works of literature, while others have lit up the silver screen. There are grand, ticketed visitor attractions but there are others which are unassuming structures so tucked away that only the locals seem to know about them. From the triangular-shaped Caerlaverock Castle in Dumfries and Galloway to the imposing New Slains Castle in Aberdeenshire, and from the magnificent fortress that dominates the Edinburgh skyline to the haunting battlements that stand on the banks of Loch Ness, each tower tells a story, every turret holds a secret and, together, they span centuries of fascinating Scottish history. A History and Guide to Scottish Castles explores the history, architecture, and legends of some of these fascinating fortresses and looks at why they are so appealing to visitors today. Sharing amazing facts and her own unique experiences, author Jenna Maxwell takes readers on an unforgettable tour of some of Scotland’s most amazing castles which, if you haven’t visited them already, you’ll soon want to. Jenna has documented her journey on her Instagram page @queenofthecastles