T. E. Hulme (1883-1917) was the author of a small number of poems and some genuinely innovative critical and philosophical writings. From this modest output his influence on later writers was considerable: T. S. Eliot described his poems as 'beautiful' and Ezra Pound and Wyndham Lewis were both inspired by his work. T.E. Hulme and Modernism explores his impact on key modernist figures, and also shows where this influence has been misplaced or misinterpreted. Oliver Tearle also here suggests that Hulme's significance goes beyond his influence on modernism, and that his work provides new ways of thinking about creative and critical writing in the 21st century. What is poetry? What is the purpose of literary criticism? And how might the strange phenomenon of the fragment offer new ways of theorising such issues? In exploring these and other important matters this book pushes at the boundaries of literary criticism and of writing itself.

Bringing together leading and emerging scholars, this book asks the question: how has contemporary South African literature grappled with ideas of time and history during the political transition away from apartheid? Reading the work of major South African writers such as J.M. Coetzee, Nadine Gordimer and Ivan Vladislavic as well as contemporary crime fiction, South African Writing in Transition explores how concerns about time and temporality have shaped literary form across the country's literary culture. Establishing new connections between leading literary voices and lesser known works, the book explores themes of truth and reconciliation, disappointment and betrayal.

What caused Dickens to leap out of bed one night and walk 30 miles from London to Kent? How did a small town on the Welsh borders become the second-hand bookshop capital of the world? Why did a jellyfish persuade Evelyn Waugh to abandon his suicide attempt in North Wales? A multitude of curious questions are answered in Britain by the Book, a fascinating travelogue with a literary theme, taking in unusual writers' haunts and the surprising places that inspired some of our favourite fictional locations. We'll learn why Thomas Hardy was buried twice, how a librarian in Manchester invented the thesaurus as a means of coping with depression, and why Agatha Christie was investigated by MI5 during the Second World War. The map of Britain that emerges is one dotted with interesting literary stories and bookish curiosities.

Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.