Making Sense of Tantric Buddhism fundamentally rethinks the nature of the transgressive theories and practices of the Buddhist Tantric traditions, challenging the notion that the Tantras were “marginal” or primitive and situating them instead—both ideologically and institutionally—within larger trends in mainstream Buddhist and Indian culture. Critically surveying prior scholarship, Wedemeyer exposes the fallacies of attributing Tantric transgression to either the passions of lusty monks, primitive tribal rites, or slavish imitation of Saiva traditions. Through comparative analysis of modern historical narratives—that depict Tantrism as a degenerate form of Buddhism, a primal religious undercurrent, or medieval ritualism—he likewise demonstrates these to be stock patterns in the European historical imagination. Through close analysis of primary sources, Wedemeyer reveals the lived world of Tantric Buddhism as largely continuous with the Indian religious mainstream and deploys contemporary methods of semiotic and structural analysis to make sense of its seemingly repellent and immoral injunctions. Innovative, semiological readings of the influential Guhyasamaja Tantra underscore the text’s overriding concern with purity, pollution, and transcendent insight—issues shared by all Indic religions—and a large-scale, quantitative study of Tantric literature shows its radical antinomianism to be a highly managed ritual observance restricted to a sacerdotal elite. These insights into Tantric scripture and ritual clarify the continuities between South Asian Tantrism and broader currents in Indian religion, illustrating how thoroughly these “radical” communities were integrated into the intellectual, institutional, and social structures of South Asian Buddhism.

The teachings of the Buddha can be summarised as dealing with conduct and view. Conduct refers to the way we should behave, which is essentially to be non-violence. The Buddha counseled us to help each other if we can, and if we cannot at least to avoid doing one another harm. View refers to the way we understand how things exist. The Buddha explained that nothing exists of its own accord in isolation. Everything exists in dependence on something else, the result of a variety of causes and conditions. His Holiness was requested to compose A Tantric Meditation to give an opportunity to people seriously interested in finding out about the practice of tantra the opportunity to do so without the necessity of receiving prior empowerment. Consequently, it includes a simple process of visualization, recitation of the traditional seven branch rite, recitation of mantras and dissolution of the visualised meditational deities into emptiness. If it is performed with faith, this meditation can be a source of great mental purification and merit but whether you do so or not is entirely up to the individual. If the teachings of the Buddha are to help us make spiritual progress it is also most important that we familiarise ourselves with them regularly, either by listening to them or by reading.

It Deals With The Development And Fundamental Aspects Of Buddhist Tantrism And Its Impact On Paintings And The Sculptural Art Of India. It Discusses Concepts And Schools Of Tantrism Citing Buddhist Tantric Works.

This Volume Contains Informative And Analytical Papers By Eminent Scholars On Different Aspects Of Tantric Buddhism And Tantras In General. The Essays Throw Significant Light On The So-Called Puzzling Obscurity Of Tantric Ideas And Practices Especially Pertaining To The Buddhist Tantras.

This book provides accurate, accessible translations of three classics of medieval Indian Buddhist mysticism. Since their composition around 1000 CE, these poems have exerted a powerful influence on spiritual life.

The historical development of Esoteric Buddhism in India is still known only in outline. A few verifiably early texts do give some insight into the origin of the ideas which would later develop and spread to East and Southeast Asia, and to Tibet. However, there is another kind of evidence which can be harnessed to the project of reconstructing the history of Esoteric Buddhist doctrines and practice. This evidence consists of art objects, mainly sculpture, which survive in significant numbers from the 6th to the 13th century.

Kirti Tsenshap Rinpoche was a renowned teacher of Tibetan Buddhism with students worldwide. Revered as a teacher by even the Dalai Lama, he was known especially as a master of Buddhist tantra, the powerful esoteric methods for attaining enlightenment swiftly. The teachings in this book are a singular record of his deep learning in that field. Originally delivered in California to a group of Western students, the teachings comment on a classic introduction to tantra by the nineteenth-century Mongolian lama Choje Ngawang Palden. The work, Illumination of the Tantric Tradition, is a staple even today of the curriculum for training young monastics. Kirti Tsenshap Rinpoche explains the distinctive features of the four classes of tantra--action tantra, performance tantra, yoga tantra, and highest yoga tantra--by describing the way to progress through their paths and levels. He illuminates key issues in tantric practice that are still a matter for debate within the tradition. Finally, he gives a special treatment of the unique methods of Kalacakra tantra, which is regularly taught around the globe by His Holiness the Dalai Lama.

Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.

The Survey of the Buddhist Tantras by Mkhas-grub-rje (1385-1438) is a sample of the rich literature on this topic in the Tibetan language. In accordance with Tsonkha-pa`s tantric reform after the theory about how Gautama Buddha became enlightened the author present the non-tantric materials stipulated as preliminary for tantric study and practice. The translation was collaborated in the 1950s between F.D. Lessing and Alex Wayman at Berkeley, California. After Lessing`s death, Wayman annotated and published the text in 1968 and has provided a new introduction for the present reissue of this seminal treatise. Lessing was the first professor to offer courses in the Tibetan language at an American University. Contents Chapter One: 1. How the Teacher Bhagavat became Abhisambuddha; Chapter Two: II. The Method of Setting the Wheel of the Law into Motion; Chapter Three: The Method of Setting the Wheel of the Law of the Mantra-yana into Motion; Chapter Four: Fundamentals of Initiation and Holding of vows in the Kriya Tantra; Chapter Five: Fundamentals of the Carya Tantra; Chapter Six: Fundamentals of the Yoga Tantra; Chapter Seven: Fundamentals of the Anuttara-yoga Tantra; Chapter Eight: Procedure in the meaning of the subject matter Chapter Nine: Manner of Conferring Initiation; Index of Work Cited; Index of Names and Subjects.