"The American Frontier" provides a detailed and richly illustrated overview of the westward expansion of colonial and post-colonial America through diplomacy, war, wanderlust, and grit. The frontier is defined and demythologized as Hollywood's stereotypical portrayals are replaced with factual yet no less fascinating and lively depictions of pioneer life. Daniel Boone, the Louisiana Purchase, the explorations of Lewis and Clark, the subjugation of the Indians, the Mexican-American War, and the building of the transcontinental railroad are among the events and personalities vividly described.Challenging review questions encourage meaningful reflection and historical analysis. Maps, tests, answer key, and extensive bibliography included.

Beanblossom Creek Chief Black Hawk’s men are on the warpath and Captain Custis Cauley and his militiamen are waiting. The battle that follows is epic. Stain The government’s Indian removal policies and programs area a stain on US history. This is but one small portrayal of many that occurred.

"The American Frontier" provides a detailed and richly illustrated overview of the westward expansion of colonial and post-colonial America through diplomacy, war, wanderlust, and grit. The frontier is defined and demythologized as Hollywood's stereotypical portrayals are replaced with factual yet no less fascinating and lively depictions of pioneer life. Daniel Boone, the Louisiana Purchase, the explorations of Lewis and Clark, the subjugation of the Indians, the Mexican-American War, and the building of the transcontinental railroad are among the events and personalities vividly described.Challenging review questions encourage meaningful reflection and historical analysis. Maps, tests, answer key, and extensive bibliography included.

From Davy Crockett, Wild Bill Hickok, and Calamity Jane to Paul Bunyan, Pecos Bill, and Frank and Jesse James, here are more than 130 colorful stories of the pioneers, cowboys, outlaws, gamblers, prospectors, and lawmen who settled the wild west, creating a uniquely American hero and an enduringly fascinating folk mythology. In this wonderfully boisterous treasury of tall tales, everyone and everything is larger than life and bragging is elevated into an art form. Many of these stories are of real people and real events; more than a few, however, grew taller and funnier as they made their rounds from wagon train to campfire to rodeo to miners' quarters. But even if it is far from established that Daniel Boone and Davy Crockett were able to kill three men with one bullet or subdue ferocious grizzly bears with their fists, they come vividly to life here as beloved characters who have become part of the fabric of the American imagination. With black-and white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library

It is impossible to reflect upon Frederic Remington’s art without thinking of the merely human elements. Remington became interested in the American Indian, probably because he became interested in the active, exciting life of the American Great Plains. The Indian appealed to him not in any histrionic way, not as a figure stepped out from the pages of Hiawatha, but just as a human subject. Remington hit upon this truth when he travelled west. What he found there was majesty that he did not make, solely, an affair of Indians in war paint and feathers. Remington knew how the light of the moon or of the stars is diffused, how softly and magically it envelops the landscape. There is a sort of artistic honesty in his nocturnal studies. He never set out to be romantic or melodramatic, just to develop his affinity and closeness to nature. The beauty of the painter’s motive, too, has communicated itself in his technique. His grey-green tones fading into velvety depths take on transparency, and in his handling of form he uses a touch as firm as need be. The determining influence in his career was that of the creative impulse, urging him to deal in the translation of visible things into pictorial terms.

Who owns the West? -- Buffalo Bill and Karl May : the origins of German Western fandom -- A wall runs through it : western fans in the two Germanies -- Little houses on the prairie -- "And then the American Indians came over" : fan responses to indigenous resurgence and political change -- Indians into Confederates : historical fiction fans, reenactors, and living history.

Folklore has been described as the unwritten literature of a culture: its songs, stories, sayings, games, rituals, beliefs, and ways of life. Encyclopedia of American Folklore helps readers explore topics, terms, themes, figures, and issues related to this popular subject. This comprehensive reference guide addresses the needs of multiple audiences, including high school, college, and public libraries, archive and museum collections, storytellers, and independent researchers. Its content and organization correspond to the ways educators integrate folklore within literacy and wider learning objectives for language arts and cultural studies at the secondary level. This well-rounded resource connects United States folk forms with their cultural origin, historical context, and social function. Appendixes include a bibliography, a category index, and a discussion of starting points for researching American folklore. References and bibliographic material throughout the text highlight recently published and commonly available materials for further study. Coverage includes: Folk heroes and legendary figures, including Paul Bunyan and Yankee Doodle Fables, fairy tales, and myths often featured in American folklore, including "Little Red Riding Hood" and "The Princess and the Pea" American authors who have added to or modified folklore traditions, including Washington Irving Historical events that gave rise to folklore, including the civil rights movement and the Revolutionary War Terms in folklore studies, such as fieldwork and the folklife movement Holidays and observances, such as Christmas and Kwanzaa Topics related to folklore in everyday life, such as sports folklore and courtship/dating folklore Folklore related to cultural groups, such as Appalachian folklore and African-American folklore and more.

In the time of the Troubles, when bombs blew through the night and soldiers prowled down the roads, Henry Glassie came to the Irish borderland to learn how country people endure through history. He settled into the farming community of Ballymenone, beside Lough Erne in the County Fermanagh, and listened to the old people. For a decade he heard and recorded the stories and songs in which they outlined their culture, recounted their history, and pictured their world. In their view, their world was one of love, defeat, and uncertainty, demanding the virtues of endurance: faith, bravery, and wit. Glassie's task in this book is to set the scene, to sketch the backdrop and clear the stage, so that Hugh Nolan and Michael Boyle, Peter Flanagan, Ellen Cutler, and their neighbors can tell their own tale, which explains their conditions and converts them into a tragedy of conflict and a comedy of the absurd. It gathers the saints and warriors, and celebrates the stars whose wit enabled endurance in days of violence and deprivation. With patience and respect, Glassie describes life in a time and a place exactly like no other, and yet Ballymenone is like a thousand other places where people work on the land during the day and tell their own tales at night, forgotten, while the men of power fill the newspapers and history books by sending poor boys out to be killed. The Stars of Ballymenone is an integrated analysis of the complete repertory of verbal art from a rural community where storytelling and singing of quality remained a part of daily life.

Supernatural and superhuman elements have been prominent in American culture from the time of the New England Puritans’ intense emphasis on religion. Superpower surveys the appearance of supernatural and superhuman elements in American culture, focusing on the American fascination with narratives involving supernatural adventure, superhuman heroes, and vast conspiracies driven by supernatural evil. In particular, M. Keith Booker suggests that the popularity of such themes indicates a deep-seated dissatisfaction with the rationalized world of contemporary American society. Booker details the development of the national myths underlying the characters of Superman, Batman, and Spiderman; television hits from Star Trek to Lost; and the franchises of Pirates of the Caribbean and The Lord of the Rings. This culture-spanning investigation begins with a historical survey of supernatural and superhuman themes in American culture and concludes with the recent upsurge that began in the 1990s. It then turns to various works of recent popular culture with supernatural and superhuman themes such as Twin Peaks, The X-Files, and Buffy the Vampire Slayer, organized according to the desires to which these works respond. What do these fantasies reveal about what it means to be American today—and what we want it to mean?