The contributors to this wide-ranging work of scholarship and analysis include mentors, colleagues, friends, and students of the late Magda al-Nowaihi, an outstanding scholar of Middle East studies whose diverse interests and energy inspired numerous colleagues. The book's first part is devoted to Arabic elegy, the subject of an unfinished work by al-Nowaihi from which this volume takes its title. Included here is a previously unpublished lecture on elegy delivered by al- Nowaihi herself. Other contributors examine this poetic form in both classical and modern contexts, from a number of angles, including the partial feminization of the genre, making this volume perhaps the most comprehensive resource on the Arabic elegy available in English. The book's second half features essays relating to al-Nowaihi's other research interests, especially the modern Arabic novel and its transgressive and marginalized status as literature. It deals with authors as varied as Tawfiq al-Hakim, Latifa al-Zayyat, Bensalem Himmich, and Sonallah Ibrahim. Broad in its scope and rigorous in its scholarship, this volume makes a fitting tribute to an inspiring scholar. Contributors: Roger Allen, Dina Amin, Michael Beard, Jonathan P. Decter, Alexander E. Elinson, Marlé Hammond, András Hámori, Mervat Hatem, Wolfhart Heinrichs, Richard Jacquemond, Lital Levy, Mara Naaman, Magda al-Nowaihi, Dana Sajdi, and Christopher Stone.

Al-Qaida and Islamic State continue to captivate the world with their extreme violence. While much attention has been given to the operations and doctrines of jihadi groups, this is the first book to explore their culture. Using a wealth of primary sources, the authors examine what goes on inside these organizations and what daily life is like for the foot-soldiers. They show that Islamist militants have a rich aesthetic culture and do much more than fight and train. Life in a jihadi group is in fact filled with poetry and music, and fighters spend time on surprising things like dream interpretation and weeping. Readers will discover an entirely new perspective on radical Islamists: that despite their reputation as macho men, they value humility, artistic sensitivity, and displays of emotion. Cultural practices are essential for understanding the jihadi worldview and may shed important new light on decision-making and recruitment processes in extremist groups. This original book will interest anyone in academia, government, or the general public who is intrigued by the appeal and resilience of the jihadi movement.

This second edition of a collection of essays reports on how new media-fax machines, satellite television and the Internet - and the new uses of older media-cassettes, pulp fiction, the cinema, the telephone and the press - shape belief, authority and community in the Muslim world. The chapters in this work, including new chapters dealing specifically with events after September 11, 2001, concern Indonesia, Bangladesh, Turkey, Iran, Lebanon, the Arabian Peninsula, and Muslim communities in the United States and elsewhere. The book suggests new ways of looking at the social organization of communications and the shifting links among media of various kinds in local and transnational contexts. The extent to which today's new media have transcended local and state frontiers and have reshaped understanding of gender, authority, social justice, identities and politics in Muslim societies emerges from this work.

The study of Jihadi ideology is still in an early stage. The contributions of this volume contribute to this field: Ideologues of Jihad, Maoists turned Jihadists, a theory of framing of Jihadi ideas, the analysis of Jihadi masculinities and of Jihadi role models presented in obline videos will further our understanding of Jihadi ideas and ideologies by exploring underresearched aspects of Jihadi ideology and theology. Dschihadistische Ideologien sind noch nicht ausreichend untersucht. Die Beiträge in diesem Band tragen zu einem vertieften Verständnis bei. Mit dschihadistischen Ideologen, zu Dschihadisten gewordene Maoisten, einem theoretischen Ansatz zur Analyse dschihadistischen Denkens, eine Untersuchung dschihadistischer Männlichkeitsvorstellungen und dschihadistische role models in Onlinevideos ermöglichen Einblicke in sonst wenig bekannte Phänomene.

The collection of twenty one articles by B.S.Harishankar contemplates recent approaches on various aspects of India’s cultural past in a global context. The work discusses intervention by colonial and post colonial groups on our archaeology, anthropology and historiography and the changing dimensions of our social and cultural perspectives. The essays have been grouped thematically in four sections comprehending various themes. It includes dimensions of cultural terrorism, eastern and western nationalisms, Aryan issues, imperial census, colonial castes, dalit and subaltern issues, Ramayana, Mahabharata and cultural geography, Abhinava Gupta’s legacy and Kashmir’s connectivity with greater India, traditional knowledge systems, classical Tamil and the greater Indian tradition, global alignment between Marxism and church, crusades and its current impact on west Asia and Europe, Indo Jewish fraternity, foreign interventions at Pattanam and Keezhadi archaeological sites, and espionage in global universities by left and Wahabbi groups. B.S.Harishankar is an archaeologist historian and has authored seven books.

Dhofar, the southern governorate of Oman, lies within a distinctive ecological zone due to the summer Southwest Monsoon. Archaeological surveys and excavations in the governorate, beginning in 1954, have brought to light Dhofar’s ancient past stretching back to the Lower Paleolithic ca. 1.5 my BP.

Abundance from the Desert provides a comprehensive introduction to classical Arabic poetry, one of the richest of poetic traditions. Covering the period roughly of 500-1250 c.e., it features original translations and illuminating discussions of a number of major classical Arabic poems from a variety of genres. The poems are presented chronologically, each situated within a specific historical and literary context. Together, the selected poems suggest the range and depth of classical Arabic poetic expression; read in sequence, they suggest the gradual evolution of a tradition. Moving beyond a mere chronicle, Farrin outlines a new approach to appreciating classical Arabic poetry based on an awareness of concentric symmetry, in which the poem’s unity is viewed not as a linear progression but as an elaborate symmetrical plot. In doing so, the author presents these works in a broader, comparative light, revealing connections with other literatures. The reader is invited to examine these classical Arabic works not as isolated phenomena—notwithstanding their uniqueness and their association with a discrete tradition—but rather as part of a great multicultural heritage. This pioneering book marks an important step forward in the study of Arabic poetry. At the same time, it opens the door to this rich tradition for the general reader.

LONGLISTED FOR THE BRIDPORT NOVEL AWARD In beautifully rendered prose, a mother and a daughter struggle as outsiders in Baghdad and London in this intergenerational drama set against a background of political tension and intrigue “Who would be charmed by tales of life in the beautiful old house on the banks of the Tigris—looted now no doubt, its shutters torn and the courtyard strewn with mattresses?” One night in 2003, Anglo-Iraqi psychiatrist Mona Haddad has a surprise visitor to her London office, an old acquaintance Duncan Claybourne. But why has he come? Will his confession finally lay bare what happened to her family before they escaped Iraq? Their stories begin in 1937, when Mona’s mother Diane, a lively Englishwoman newly married to Ibrahim, an ambitious Iraqi doctor, meets Duncan by chance. Diane is working as a nanny for the Iraqi royal family. Duncan is a young British Embassy officer in Baghdad. When the king dies in a mysterious accident, Ibrahim and his family suspect Diane of colluding with Duncan and the British. Summoning up the vanished world of mid-twentieth-century Baghdad, Elizabeth Loudon’s richly evocative story of one family calls into question British attitudes and policies in Iraq and offers up a penetrating reflection on cross-cultural marriage and the lives of women caught between different worlds.