Sometimes people are more monstrous than the monsters. Micah and Dominic have a new roommate. Gestalt—the last survivor of the Hellfires’ desperate attempt to cover their tracks—has the wings of a raven and the personality of a feral cat. Powerful magic binds him, with no counterspell to be found. Gestalt would never ask Dominic or Micah for help, if the life force shared through their psychic link weren’t the only thing keeping him alive. That said, he finds some of the glimpses through that link quite interesting. Micah isn’t used to having people in his head. His relationships are performances, his behavior tailored to whatever his audience requires. If Dominic finds out, he’ll want to meet the real Micah—the man behind the mask. Too bad Micah doesn’t know how to play that role. Dominic has problems of his own. As the range of the Hellfires’ empire is revealed, he realizes how many cracks exist in a system he’s always trusted. With the pillars of his faith crumbling by the day, and his feelings for Micah and Gestalt growing by the night, he’s forced to decide just how far outside the system he’s willing to work. **See this title's page on RiptidePublishing.com for content warnings.**

The Haunts & Horrors Megapack offers everyting from ghosts to vampires, from things that go bump in the night to nameless presences -- and much more! Here are 31 tales to chill the blood, including: SURREAL ESTATE, by Nina Kiriki Hoffman BIRTHMARK, by Seabury Quinn THE MONKEY’S PAW, by W.W. Jacobs FUGUES, by Chelsea Quinn Yarbro DEAD BABIES, by Lawrence Watt-Evans THE MUFFIN MAN, by Mike Brines THE SILENT MAJORITY, by Stephen Woodworth THE TOMB, by H.P. Lovecraft GONE, by Nina Kiriki Hoffman THE MEAT FOREST, by John Haggerty ETERNITY AND THE DEVIL, by Larry Hodges MISS FAVERSHAM’S ROOM, by Chelsea Quinn Yarbro THE DAMNED THING, by Ambrose Bierce THE SHADOWS OF THE DEAD, by Louis Becke BONESY, by Larry Hodges VENGEANCE IN HER BONES, by Malcolm Jamieson LITTLE PIECES, by Matt Piskun THE MAN WHO LIVED by Raymond F. O’Kelley THE FOND NIGHTMARE, by Colin Azariah-Kribbs THE RESIDENCE AT WHITMINSTER, by M.R. James LOST PROPERTY, by David Anderson THE BLISSFUL HOUSE ON BLYSWORTH STREET, by Skadi meic Beorh THE BONE FLUTE, by M.E. Brines A FAULT AGAINST THE DEAD, by Nina Kiriki Hoffman BUCK, GLORY RAE, & THE THREE LITTLE PIGS, by John Gregory Betancourt THE HAUNTING OF DORIC LODGE, by James C. Stewart LUGAR DE LA PAZ, by B.N. Clark THE HOUSE AND THE BRAIN, by Lord Edward Bulwer-Lytton WHITE BEAUTY, by Cynthia Ward FEAR, by Guy de Maupassant GENIUS LOCI, by Chelsea Quinn Yarbro And don't forget to search this ebook store for "Wildside Megapack" to see more entries in this series, covering classic authors and subjects like mysteries, science fiction, westerns, ghost stories -- and much, much more!

This deal comes with unspoken clauses. Dominic Blackburn has a job no sane person wants: he makes things quit going bump in the night. Unfortunately, some monsters bump a little too hard for one man. In desperate need of backup, he buys the (suspiciously cheap) contract of an indentured—and gorgeous—man named Micah. Micah’s paperwork says he’s a fighter, and he is. Kind of. He’d rather take a beating than dole one out. Good thing plenty of people are willing to pay for that. Micah’s a professional. Whatever his contract holders need—no matter how intimate—he delivers with his head held high. But Micah’s new holder seems content to leave most of his more specialized skills unused. Micah’s not quite sure what to do, or not do, with Dominic, and the feeling is mutual. The more Dominic learns about Micah’s past, the less he wants to know. It soon becomes clear that Micah’s previous holders were involved in something sinister—and big. It’s up to Dominic and Micah to figure out how deep it goes, but getting eaten by a chupacabra is starting to sound more appealing. **See this title's page on RiptidePublishing.com for content warnings.**

Socialite Edward James was a patron of surrealist artists such as Salvador Dali and Rene Magritte. Focussing on James' years in Mexico, Surreal Eden describes his estate of Las Pozas where he built one surrealist structure after another, providing full employment for the nearby town. From buttocks sticking out of a hillside to an elaborate aviary built on high-rise towers, Las Pozas is a surreal tribute to one of the most eccentric personalities of the early 20th century.

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

This book is the only guide available that covers all the major climbing areas in the state with routes ranging from 5.0 to 5.14.

Pynchon’s California is the first book to examine Thomas Pynchon’s use of California as a setting in his novels. Throughout his 50-year career, Pynchon has regularly returned to the Golden State in his fiction. With the publication in 2009 of his third novel set there, the significance of California in Pynchon’s evolving fictional project becomes increasingly worthy of study. Scott McClintock and John Miller have gathered essays from leading and up-and-coming Pynchon scholars who explore this topic from a variety of critical perspectives, reflecting the diversity and eclecticism of Pynchon’s fiction and of the state that has served as his recurring muse from The Crying of Lot 49 (1965) through Inherent Vice (2009). Contributors explore such topics as the relationship of the “California novels” to Pynchon’s more historical and encyclopedic works; the significance of California's beaches, deserts, forests, freeways, and “hieroglyphic” suburban sprawl; the California-inspired noir tradition; and the surprising connections to be uncovered between drug use and realism, melodrama and real estate, private detection and the sacred. The authors bring insights to bear from an array of critical, social, and historical discourses, offering new ways of looking not only at Pynchon’s California novels, but at his entire oeuvre. They explore both how the history, geography, and culture of California have informed Pynchon’s work and how Pynchon’s ever-skeptical critical eye has been turned on the state that has been, in many ways, the flagship for postmodern American culture. CONTRIBUTORS: Hanjo Berressem, Christopher Coffman, Stephen Hock, Margaret Lynd, Scott MacLeod, Scott McClintock, Bill Millard, John Miller, Henry Veggian

"Millions of foreclosed homes and abandoned buildings on one hand; millions of Americans desperate for decent shelter on the other. Hannah Dobbz makes the necessary addition of resources and needs in a book that is both a brilliant history of squatting in the USA and a template for the next stage of the Occupy movement.--Mike Davis, author of Planet of Slums and Buda's Wagon How does "property" fit into designs for an equitable society? Nine-tenths of the Law examines the history of squatting and property struggles in the United States, from colonialism to twentieth century urban squatting and the foreclosure crisis of the late 2000s, and how such resistance movements shape the law. Stories from our most hard-hit American cities show that property is truly in crisis: One in five homes in Buffalo, NY, are abandoned. Our national housing vacancy rate is 14 percent. If we gave a house to every homeless person in the United States two-thirds of that stock would remain empty. In May of 2011, one in every 103 homes in Nevada was in foreclosure. Nine-tenths of the Law expands our understanding of property law and highlights recent tactics like creative squatting ventures and the use of adverse possession to claim title to vacant homes. Hannah Dobbz unveils the tangled relationship Americans have always had in creating and sustaining healthy communities. Hannah Dobbz is a writer, editor, filmmaker, and former squatter. In 2007 she produced a film about squatters in the Bay Area called Shelter. The film has screened widely at universities, bookstores, and community spaces, including the 2009 Three Rivers Film Festival in Pittsburgh, Pennsylvania.

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

Housing and Home Unbound pioneers understandings of housing and home as a meeting ground in which intensive practices, materials and meanings tangle with extensive economic, environmental and political worlds. Cutting across disciplines, the book opens up the conceptual and empirical study of housing and home by exploring the coproduction of the concrete and the abstract, the intimate and the institutional, the experiential and the collective. Exploring diverse examples in Australia and New Zealand, contributors address the interleaving of money and materials in the digital commodity of real estate, the neoliberal invention of housing as a liquid asset and source of welfare provision, and the bundling of car and home in housing markets. The more-than-human relations of housing and home are articulated through the role of suburban nature in the making of Australian modernity, the marketing of nature in waterfront urban renewal, the role of domestic territory in subversive social movements such as Seasteading and Tiny Houses, and the search for home comfort through low-cost energy efficiency practices. The transformative politics of housing and home are explored through the decolonizing of housing tenure, the shaping of housing policy by urban social movements, the lived importance of marginal spaces in Indigenous and other housing, and the affective lessons of the ruin. Beginning with the diverse elements gathered together in housing and home, the text opens up the complex realities and possibilities of human dwelling.