In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.

"We are your typical boomer nana and papa," say authors Kathryn and Allan Zullo, "younger, healthier, wealthier, and better educated than our grandparents. We are more active and less formal than our own parents were at our age. We no longer fit the traditional image of our elderly kin." That description signals the need for a new kind of grandparenting, a role that The Nanas and the Papas fills to perfection.This completely reworked and updated version is now half again as large as the original. "Most boomer grandparents work hard and lead vigorous, often stressful, lives where time is a precious commodity," say the Zullos. The Nanas and the Papas helps grandparents relieve the stress of grandparenting and make the most of limited time.Top grandparenting experts cited throughout the book tailor their guidance and recommendations to fit the boomer sensibility, covering topics such as:o How to define the grandparenting role for a new generationo The latest trends in child careo How to work in harmony with your children and their spouseso High-tech grandparentingo Ways to make the most of time alone with grandchildreno Grandparenting and the single-parent householdo Grandparents caring for their own parentsFilled with expert advice, The Nanas and the Papas provides a smooth transition into grandparenting and sets the stage for successful relationships and experiences for the entire family.

(Book). 1963 tail fins were in, sock hops were hot, and a fairytale white knight was president. That summer, sixteen year-old singer Lesley Gore released her debut single, "It's My Party," propelling her to Number One on the charts. For the next several years, the crowned Princess of Pop dominated the radio with a string of hits including "Judy's Turn to Cry," "She's A Fool," "Sunshine, Lollipops & Rainbows," and the rousing anthem for independence, "You Don't Own Me," making her the most successful and influential solo female artist of the 60s. But beneath the bubblegum facade was a girl squirming against social and professional pressures to simply be herself and to forge a future where she could write and perform music beyond the trappings of teenage angst and love triangles. Assembled over five years of research and interviews, this is the first and long overdue biography of Lesley Gore, one of pop music's pioneering Mothers, which chronicles her meteoric rise to fame, her devastating fall from popularity and struggle for relevance in the 1970s, and her reemergence as a powerful songwriter, political activist, and camp icon. The biography includes behind-the-scenes stories about the making of her hit records, debunks or clarifies popular myths about her career, and places her remarkable life and times within a historical context to reveal how her music was both impacted by, and contributed to, each decade of her astounding fifty-year career.

Includes many additional accompaniment techniques used in Latin music, bluegrass, ragtime, running bass patterns, hammers -- plus theory, chord solos, notation and ensembles.

The EGOT-winning composer of The Way We Were and A Chorus Line recounts his remarkable life from childhood to Broadway and Hollywood. The son of Jewish Viennese immigrants, six-year-old Marvin Hamlisch’s early musical talent and discipline led him to Julliard, where he studied for more than a decade. From there, Hamlisch got his start as a rehearsal pianist for Funny Girl starring Barbra Streisand. He went on to co-create the classic American musical A Chorus Line and wrote the Oscar Award–winning musical score for The Way We Were. Hamlisch is one of only a handful of people to achieve EGOT status—winning an Emmy, a Grammy, an Oscar, and a Tony. In this autobiography, Hamlisch tells the tale of his life and career, revealing personal stories of his childhood, his marriage, and his friendships with stars including Liza Minnelli, Groucho Marx, and others. It offers an intimate view of his life and a compelling portrait of Broadway and Hollywood through the second half of the twentieth century.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

An Islamo-facist terrorist with shifty eyes who ends up being nothing more than a red herring. A CNN anchorwoman who is too attractive to have gotten her job based solely on her questionable credentials. A wizened and respected CNN anchorman whose famous beard could be its own situation room topic. A nuclear physicist with precognitive abilities and fondness for being killed by buses in the first act. A black man/rap mogul who goes against type and actually lives to the end of the movie. A flatfooted rookie cop who kills a lot of people before all is said and done. A liberal congressman who never met a regulation he didn't like. An aging movie star desperate for attention. Two British Lords ripped from their own time and get a lesson in modern racial etiquette and fighting techniques. A teenage girl on a journey of self-discovery and other-discovery. Two sarcastic Gen Xers who die and nobody cares that they die. A spaced-out feminist folk singer with hairy armpits and terribly broad definitions of rape. A nameless couple who fights all the time and use their kids as emotional weapons against each other. Two Mafia musclemen who try their hardest to not bolster stereotypes about their culture. What do these people have in common? In the real world; absolutely nothing. In my fantasy world I've thought up so I can escape the harsh and overbearing realities of life? Everything. They come together (except for the fighting couple; they're just filler material and give me some space to backhandedly complain about the bad parents of the world I see) and stop a diabolical villain from blowing up New York City.

I am a hopeless daydreamer. My seemingly, limitless imagination is a diversion from reality. I can leave my comfort zone of boredom and submerge myself into an erradic scenario of.... What If? Finally, I lift my head up, that is my first crucial step. I focus on the present with my eyes wide open, then... I focus on the past with my eyes tightly shut. When I am near someone who is both Good and Bad, I will play it both ways in my mind. I take the Good and the Bad_ put it in the paper bag area of my mind. I shake it up, add a mystical twist to it and empty the story onto paper. Hence: The Golden Glow Of Nothing