"This guide discusses the nature and development of structuralism and semiotics, calling for a new critical awareness of the ways in which we communicate and drawing attention to their implications for our society. Published in 1977 as the first volume in the New Accents series, Structuralism and Semiotics made crucial debates in critical theory accessible to those with no prior knowledge of the field, thus enacting its own small revolution. Since then a generation of readers has used the book as an entry not only into structuralism and semiotics, but into the wide range of cultural and critical theories underpinned by these approaches." "Structuralism and Semiotics remains the clearest introduction to some of the most important topics in modern critical theory. An afterword and fresh suggestions for further reading ensure that this new edition will become, like its predecessor, the essential starting point for anyone new to the field."--BOOK JACKET.

`A compact volume that performs marvels in the difficult art of summarizing (without betrayal) the complex theories that for the past 75 years have been labelled `structuralist'.'- Choice

First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.

First launched in 1977, The New Accents series rapidly changed the face of literary studies. This collection is a reissue a library edition of all of the volumes from the series, many of which are now out of print.

Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the major themes and strands in twentieth-century literary theory, among them the hermeneutic circle, New Criticism, structuralism, linguistics and literature, Freud and fiction, Jacques Lacan's theories, the postmodern psyche, the political unconscious, New Historicism, the classical feminist tradition, African American criticism, queer theory, and gender performativity. By incorporating philosophical and social perspectives to connect these many trends, the author offers readers a coherent overall context for a deeper and richer reading of literature.

Introduces readers to the modes of literary and cultural study of the previous half century A Companion to Literary Theory is a collection of 36 original essays, all by noted scholars in their field, designed to introduce the modes and ideas of contemporary literary and cultural theory. Arranged by topic rather than chronology, in order to highlight the relationships between earlier and most recent theoretical developments, the book groups its chapters into seven convenient sections: I. Literary Form: Narrative and Poetry; II. The Task of Reading; III. Literary Locations and Cultural Studies; IV. The Politics of Literature; V. Identities; VI. Bodies and Their Minds; and VII. Scientific Inflections. Allotting proper space to all areas of theory most relevant today, this comprehensive volume features three dozen masterfully written chapters covering such subjects as: Anglo-American New Criticism; Chicago Formalism; Russian Formalism; Derrida and Deconstruction; Empathy/Affect Studies; Foucault and Poststructuralism; Marx and Marxist Literary Theory; Postcolonial Studies; Ethnic Studies; Gender Theory; Freudian Psychoanalytic Criticism; Cognitive Literary Theory; Evolutionary Literary Theory; Cybernetics and Posthumanism; and much more. Features 36 essays by noted scholars in the field Fills a growing need for companion books that can guide readers through the thicket of ideas, systems, and terminologies Presents important contemporary literary theory while examining those of the past The Wiley-Blackwell Companion to Literary Theory will be welcomed by college and university students seeking an accessible and authoritative guide to the complex and often intimidating modes of literary and cultural study of the previous half century.

The nature and leading exponents of the structuralist movement are considered as well as the structural poetics of fiction and drama

This provocative book undertakes a new and challenging reading of recent semiotic and structuralist theory, arguing that films, novels, and poems cannot be studied in isolation from their viewers and readers.

Hitherto, there has been no book that attempted to sum up the breadth of Umberto Eco’s work and it importance for the study of semiotics, communication and cognition. There have been anthologies and overviews of Eco’s work within Eco Studies; sometimes, works in semiotics have used aspects of Eco’s work. Yet, thus far, there has been no overview of the work of Eco in the breadth of semiotics. This volume is a contribution to both semiotics and Eco studies. The 40 scholars who participate in the volume come from a variety of disciplines but have all chosen to work with a favorite quotation from Eco that they find particularly illustrative of the issues that his work raises. Some of the scholars have worked exegetically placing the quotation within a tradition, others have determined the (epistemic) value of the quotation and offered a critique, while still others have seen the quotation as a starting point for conceptual developments within a field of application. However, each article within this volume points toward the relevance of Eco -- for contemporary studies concerning semiotics, communication and cognition.

Structuralism began in linguistics and was enlarged by Claude Levi-Strauss into a new way of thinking that views our world as consisting of relationships between structures we create rather than of objective realities. "The Age of Structuralism" examines the work of seven writers who either expanded upon or reacted against Levi-Strauss. In a panoramic overview of the origins of deconstructionism and its critics, Edith Kurzweil offers a lucid and penetrating portrait of the movement that dominated French intellectual life for much of the postwar era, and which continues to influence the French intellectual milieu. She explains Levi-Strauss's strikingly original contributions, then proceeds to illuminate the ideas of crusaders and critics. The key figures dealt with include: Louis Althusser, who reinterpreted Marxism through a rereading of Marx's texts with the help of structuralist techniques; Henri Lefebvre, who remained faithful to Marx's humanism and was one of the earliest and most vehement critics of structuralism; Paul Ricoeur, whose phenomenology sought to reconcile ethical theory and intellectual pursuits; Alain Touraine, a socialist whose sociology of political action led him to dismiss structuralist concerns; Jacques Lacan, who criticized ego-oriented psychoanalytic theory and practice, and whose own work emphasized linguistic structures in psychoanalysis; Roland Barthes, whose literary criticism, in its determination to reject all false notions and systems, led to a highly idiosyncratic approach that drew upon all systems; and finally, Michel Foucault, whose social histories of deviance, medicine, psychology, grammar, language, sexuality criminology, have reexamined every facet of social theory. Placing these major figures in the context of political, historical, and psychoanalytic currents of the time, "The Age of Structuralism" is a commanding and far-reaching study of a decisive epoch in intellectual history. Kurzweil's new opening essay explains how these towering figures prefigured current emphasis on semiotics, post-structuralism, deconstruction, and post-postmodernism. Kurt H. Wolff called it "lucid, splendid and unobtrusive" when the book first appeared. It remains a central work in the appreciation of the French giants upon whose shoulders the new crop of thinkers expect to stand.