From the bestselling author of Old City Hall comes Robert Rotenberg’s third intricate mystery set on the streets and in the courtrooms of Toronto. In The Guilty Plea and Old City Hall, critically acclaimed author Robert Rotenberg created gripping page-turners that captured audiences in Canada and around the world. In Stray Bullets, Rotenberg takes the reader to a snowy November evening. Outside a busy downtown doughnut shop, gunshots ring out and a young boy is critically hurt. Soon Detective Ari Greene is on scene. How many shots were fired? How many guns? How many witnesses? With grieving parents and a city hungry for justice, the pressure is on to convict the man accused of this horrible crime. Against this tidal wave of indignation, defense counsel Nancy Parish finds herself defending her oldest and most difficult client. But does anyone know the whole story?

A little boy learns too late that running your mouth can get you run over. A young babysitter gets in way over her head when when she's hired to sit by a dangerous man to with a strange request. A young couple's hopeful visit to the city turns anything but when they step into the middle of a mob turf war and watch more than just friends die. And a young man just trying to help his hustler cousin out of a bad spot instead becomes the ultimate killer. These are only some of the eight stories comprising "KILLERS," the newest arc in the ongoing world of STRAY BULLETS. Each story stands on its own but collectively they tell the twisted story of two teen - Virginia and Eli - both scarred by tragic childhood intersections with the Baltimore underworld, drawn together in the sleepy seaside town of Sandcastle, unable to escape their dark pasts.... Collects STRAY BULLETS: KILLERS #1-8.

ALOIS ANGLEITNER and JERRY S. WIGGINS The personality questionnaire has been with us for more than 60 years. It has been, and still is, the most popular method of personality assessment and it no doubt will continue to be so. The method has been sharply criticized since its inception (e. g. , Allport, 1921; Watson, 1933; Ellis, 1946; Janke, 1973), and this criticism is also likely to continue. The long-standing indifference of test con structors to criticisms of their craft is brought home by noting the similarities between objections raised many years ago and those that are offered today (Gynther & Green, 1982). Within this context, one might well ask why a book on personality questionnaires should appear at this time. Despite the centrality of the personality questionnaire to personality as sessment, there are, to our knowledge, no recent books on the general topic of personality questionnaires. There are of course books on specific instru ments (e. g. , Dahlstrom, Welsh & Dahlstrom, 1972, 1975), books on interpre tation of specific instruments (e. g. , Comrey, 1980), and books on specific is sues such as response styles (e. g. , Block, 1965). Although not specifically focused on personality questionnaires, Bass and Berg's (1959) Objective Ap proaches to Personality Assessment dealt with a number of issues that are cen tral to questionnaires.

Stunts of Late Nineteenth- Century New York: Aestheticised Precarity, Endangered Liveness examines the emergence of stunts in the media, politics, sport and art of New York at the turn of the twentieth century. This book investigates stunts in sport, media and politics, demonstrating how these risky performances tapped into anxieties and fantasies concerning work, freedom, gendered/ raced/ classed bodies and the commodifi cation of human life. Its case studies examine bridge jumping, extreme walking contests, stunt journalists such as Nellie Bly, and cycling feats including Annie Londonderry’s round- the- world venture. Supported by extensive archival research and Performance Studies theorisations of precarity, liveness and surrogation, Smith theorises an under- examined form which is still prevalent in art, politics and commerce, to show what stunts reveal about value, risk and human life. Suitable for scholars and practitioners across a range of subjects, from Performance Studies to gender studies, to media studies, Stunts of Late Nineteenth- Century New York explores how stunts turned everyday precarity into a spectacle.