“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review) A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989. Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to make room for his golden palace; back when families had enough food, and the hot water worked on more than just Saturday nights. Others are folktales like the one she was named for, which her father used to tell her at bedtime. But some stories can get you in trouble, like the dangerous one criticizing Romania’s Communist government that Uncle Andrei published—right before he went missing. Fearing for her safety, Ileana’s parents send her to live with the grandparents she’s never met, far from the prying eyes and ears of the secret police and their spies, who could be any of the neighbors. But danger is never far away. Now, to save her family and the village she’s come to love, Ileana will have to tell the most important story of her life.

The author of the highly successful History Channel series The Greatest Stories Never Told returns with new historic tales, this time focusing on amazing music stories that aren’t taught in the average classroom Rick Beyer plums the vast archives of the History Channel to deliver a treasure trove of obscure and fascinating stories to delight and entertain. The Greatest Music Stories Never Told continues the series tradition with short, fascinating tales accompanied by an array of stunning and diverse photographs from around the globe. The Greatest Music Stories Never Told illuminates the origins of a fascinating range of music topics, from instruments and styles to composers and technological advances—all which show us how little we really know. Guaranteed to astonish, bewilder, and stupefy, this all new volume will appeal not only to history buffs but to pop culture audiences and music fans of all ages and stripes.

"By reading To Be Told, you will gain a clear sense of how God has written your life so far, and you will see how God is leading you into the rest of your story. God wants you to read your story from its beginning. As you do, he helps you understand the brokenness as well as the joy." -- Back cover.

So, you’ve got a story to sell . . . “A great resource” for business or social occasions from an Emmy winner and storytelling coach (Samantha Harris, cohost of Dancing with the Stars and author of Your Healthiest Healthy). 2021 International Book Awards finalist in Self-Help: Motivational #1 New Release in Speech and Public Speaking Learn the art of telling stories and make the sale, land the client, propose a toast, or impress a date. Corey Rosen is an Emmy Award–winning writer and actor with years of experience as a skilled storytelling coach, and his book is jam-packed with some of the best storytelling strategies out there. We’ve all got stories to tell-but how do you make your story the best? Here, the Moth Radio Hour veteran and master teacher conveys the best techniques from improvisational theater to design an accessible guide for all ages and skill levels. Crafted to help ordinary people tell extraordinary stories, this laugh-out-loud handbook covers everything from how to tell a good story to going off script. Learn how to sell yourself through the art of telling stories. The best storytelling uses improvisation to enthrall, entertain, and keep audiences on edge. Laugh along with tales of performance triumphs (and disasters) and explore ways to develop confidence and spontaneity. From brainstorming and development to performance and memorization techniques, learn how to tell a good story with: A variety of structures and editing approaches to bring out your best story Improv exercises to stimulate creativity without feeling foolish Quick and easy lessons on building stories Resources for putting on a showcase to tell your story “Let Corey Rosen teach you how good-humored authentic story sharing, in any social and cultural context, beats those nasty public lying contests every time.” —Nancy Mellon, author of Storytelling and the Art of Imagination “I know I will return to it again and again for ideas, inspiration, and entertainment.” —Samantha Harris

Psalms I is the first collection of poetry from the podcast The Story Must Be Told. Profane, heretical, and occasionally touching, these psalms elicit the trademark laughs and abdominal gurgles of The Story Must Be Told in bite size, healthy chunklets. All your favorite psalms are here-Scabby Dong, The Bug King, Theresa Memorial Parkway, The Patron Saint of T.G.I. Fridays, and as a special bonus, the infamous epic of soda-become-flesh, The Ballad of Prepsa. Plus, who could forget this fresh stinker: "Today for Show and tell, I brought a Sinful old man"Ralphie reached Into his rucksack, Revealing aGreasy geriatric manDripping with want, Brimming with desireThe class clappedThe clergy of the Story has thoughtfully divided their work into categories for ease of reference and worship: Psalms of Gratitude, Psalms of Fertility, Psalms of Grease, Psalms of Prudence, and Psalms of Dining. Inspirational illustrations from decorated congregant Sishir Bommakanti grace each section, and adorn the Ballad of Prepsa in good order as well. Plump on it!The Story Must Be Told is a surreal fiction anthology podcast on the Last Podcast Network. The AV Club praised, "Is [The Story Must Be Told] weird as all hell? Yep. But it's also endlessly creative, something truly distinct." Listen on Spotify, Apple Podcasts, Google Play, or wherever you prefer to listen to greasy short stories. Follow us on Twitter and Instagram @tsmbtpod, and join our patreon patreon.com/tsmbt.

A collection of thirty-seven traditional and adapted folk tales, fairy tales, original tales, true narratives, and ghost stories, told at the annual National Storytelling Festival from 1973 to 1990. Includes information about the storytellers, the tales, and the background of the festival.

This 7th annual collection of contest-winning stories and poems features Grand Prize winner Heather Debling and merit winners Don Carter (humor), Monic Ductan (love), Christianna Soumakis (passion), Tristan Marajh (depth), and Ross Berger (bonus) plus 29 more voices the world needs to hear and stories that need to be told.

This edited book draws from work that focuses on the act of telling family stories, as well as their content and structure. The process of telling family stories is linked to central aspects of development, including language acquisition, affect regulation, and family interaction patterns. This book extends across traditional developmental psychology, personality theory, and family studies. Drawing broadly on the epigenetic framework for individual development articulated by Erik Erikson, as well as on conceptions of the family life cycle, the editors bring together contemporary examples of psychological research on family stories and their implications for development and change at different points in the life course. The book is divided into sections that focus on family stories at different points in the life cycle, from early childhood and the beginnings of narrative skill, through adolescence, young adulthood, midlife, and then mature adulthood and its intergenerational meaning. During each of these periods of the life cycle, research focusing on individual development within an Eriksonian framework of ego strengths and virtues is highlighted. The dynamic role of family stories is also featured here, with work exploring the links between family process, intergenerational attachment, and storytelling. Sociocultural theories that emphasize how such development is situated in the wider cultural context are also featured in several chapters. This broad lifespan developmental focus serves to integrate the exciting diversity of this work and foster further questions and research in the emerging field of family narrative. The book is intended primarily for researchers and advanced-level students in the fields of developmental and personality psychology, as well as those in family studies and in gerontology. It may also be of interest to those in the helping professions who are concerned with family therapy and family issues, and may--due to its content and illustrative material--have appeal to a wider market of the lay public. The chapters are written in a readily accessible style and the analyses are presented in a fairly non-technical way. Because family stories are charted across the lifespan, it would be a suitable companion book to a more traditional lifespan textbook in certain courses.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.