'The Song of the Stone Wall' is a beautifully written narrative poem by Hellen Keller. It tells the story of Keller's contribution to the construction of a wall on her property that allowed her to explore beyond her previous boundaries. Here's an excerpt of the work: "Come walk with me, and I will tell / What I have read in this scroll of stone / I will spell out this writing on hill and meadow / It is a chronicle wrought by praying workmen."

Based on first-hand historical materials, this book explores the various aspects of literary communication during the Song Dynasty in China. The book investigates the single-channel dissemination of poetry and ci works, the dissemination of literary collections, the dissemination through wall inscriptions, the oral dissemination of Song ci, the remuneration and commercialization of literature in the Song Dynasty, the paths to fame for Song writers, the non-literary factors in the dissemination of literature and the dissemination of literary works through paintings and songs. The author provides insights into the six major questions in the study of literary communication: Who disseminates, where, how, what, to whom and the effects of dissemination. The author also seeks to provide detailed answers to the following questions. What was the role of female singers in both domestic and official entertainment? What were the costs and prices of the books? Who paid the authors? What methods did writers use to gain fame and social recognition? This work will be essential reading for scholars and students of Chinese studies, communication studies and media and cultural studies.

Flame Dancer Kelva of Arukan seeks the missing elements--Stone and Sea, Wind and Soul--that must join to preserve their world from destruction. Seeing that the Stone Dance, the master of Earth magic, would be found in the icy north, she and her dragon companion fly to a country mired in an unnaturally long winter. When at last they find Jareth, the Stone Dancer's own anger and pain make him reluctant to accept his destiny. His need for vengeance against the old gods who betrayed his people is pwerful--powerful enough to lead the group farther into the snows, searching for the lengendary Ice Maiden, who may be responsible for the forced winter. But betrayal doesn't come only from the gods--and the forces against them are vast. Before their quest is over, Kelva must realize that while Flame can break through the chill of the winter, Stone can withstand anything...

Stone's inability to react to this sentence subsequently splits his "good Austrian" identity in two, giving rise to a crisis that becomes both psychological and political, personal and national.".

The mysterious true story of Connie Converse—a mid-century New York City songwriter, singer, and composer whose haunting music never found broad recognition—and one writer’s quest to understand her life This is the mesmerizing story of an enigmatic life. When musician and New Yorker contributor Howard Fishman first heard Connie Converse’s voice on a recording, he was convinced she could not be real. Her recordings were too good not to know, and too out of place for the 1950s to make sense—a singer who seemed to bridge the gap between traditional Americana (country, blues, folk, jazz, and gospel), the Great American Songbook, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. And then there was the bizarre legend about Connie Converse that had become the prevailing narrative of her life: that in 1974, at the age of fifty, she simply drove off one day and was never heard from again. Could this have been true? Who was Connie Converse, really? Supported by a dozen years of research, travel to everywhere she lived, and hundreds of extensive interviews, Fishman approaches Converse’s story as both a fan and a journalist, and expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. Ultimately, he places her in the canon as a significant outsider artist, a missing link between a now old-fashioned kind of American music and the reflective, complex, arresting music that transformed the 1960s and music forever. But this is also a story of deeply secretive New England traditions, of a woman who fiercely strove for independence and success when the odds were against her; a story that includes suicide, mental illness, statistics, siblings, oil paintings, acoustic guitars, cross-country road trips, 1950s Greenwich Village, an America marching into the Cold War, questions about sexuality, and visionary, forward thinking about race, class, and conflict. It’s a story and subject that is by turn hopeful, inspiring, melancholy, and chilling.

Annual report of the Bureau of ethnology to the Secretary of the Smithsonian Institution