A story once told in whispers Now frankly, honestly written The Classic 1952 lesbian paperback – Over 1.5 million sold!

Donavah and the red dragon Xyla narrowly escape the dreaded dragonmasters. They are transported from the midst of a deadly battle to Stychs, a legendary and mystical land that looks just like Donavah’s home world. Donavah and her friends must undertake a treacherous journey to find the other red dragons to heal Xyla from a grave illness.

Tahar Ben Jelloun’s By Fire, the first fictional account published on the Arab Spring, reimagines the true-life self-immolation of Mohamed Bouazizi in Tunisia, an event that has been credited with setting off the Tunisian revolt. The novella depicts the days leading up to Bouazizi’s self-immolation. Ben Jelloun’s deliberate ambiguity about the location of the story, set in an unnamed Islamic country, allows the reader to imagine the experiences and frustrations of other young men who have endured physical violence and persecution in places beyond Tunisia. The tale begins and ends in fire, and the imagery of burning frames the political accounts in The Spark, Ben Jelloun’s nonfiction writings on the Tunisian events that provide insight into the despotic regimes that drove Bouazizi to such despair. Rita S. Nezami’s elegant translations and critical introduction provide the reader with multiple strategies for approaching these potent texts.

This book explores how fire, plants and people coexist in the Anthropocene. In a time of dramatic environmental transformation, the authors examine how human impacts on the planetary system are being felt at all levels from the geological and the arboreal to the atmospheric. The book brings together the disciplines of human geography and art history to examine fire-plant-people alliances and multispecies world-making. The authors listen carefully to the narratives of bushfire survivors. They embrace the responses of contemporary artists, as practice becomes interwoven with fire as well as ruin and regrowth. Through visual, textual and felt ways of being, the chapters illuminate, illustrate, impress and imprint the imagined and actual agency of plants and people within a changing climate — from Aboriginal ecocultural burning to nuclear fire. By holding grief and enacting hope, the book shows how relationships come to be and are likely to change due to the interdependencies of fire, plants and people in the Anthropocene.

Transgender indie electronica singer-songwriter Rae Spoon has six albums to their credit, including 2012’s I Can’t Keep All of Our Secrets. This first book by Rae (who uses "they" as a pronoun) is a candid, powerful story about a young person growing up queer in a strict Pentecostal family in rural Canada. The narrator attends church events and Billy Graham rallies faithfully with their family before discovering the music that becomes their salvation and means of escape. As their father's schizophrenia causes their parents' marriage to unravel, the narrator finds solace and safety in the company of their siblings, in their nascent feelings for a girl at school, and in their growing awareness that they are not the person their parents think they are. With a heart as big as the prairie sky, this is a quietly devastating, heart-wrenching coming-of-age book about escaping dogma, surviving abuse, finding love, and risking everything for acceptance. Rae Spoon lives in Montreal, Quebec.

"Wright shrinks back from nothing."—The Village Voice "Wright belongs to a school of exactly one."—The New York Times Book Review "Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle."—The New Yorker "C.D. Wright is one of America's oddest, best, and most appealing poets."—Publishers Weekly A companion to her astonishing collection of prose Cooling Time, C.D. Wright argues for poetry as a way of being and seeing, and calls it "the one arena where I am not inclined to crank up the fog machine." Wright's passion for the genre is pure inspiration, and in her hands the answer to the question of poetry is poetry. From "In a Word": I love the nouns of a time in a place, where a sack once was a poke and native skag was junk glass not junk and junk was just junk not smack and smack entailed eating with your mouth open, and an Egyptian one-eye was an egg, sunny side up, and a nation sack was a flannel amulet, worn only by women, to be touched only by women, especially around Memphis. Red sacks for love and green for money… C.D. Wright's most recent volume, One With Others, was a National Book Award finalist. Among her many honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.

"Frightening...Firestorm comes alive when Struzik discusses the work of offbeat scientists." —New York Times Book Review "Comprehensive and compelling." —Booklist "A powerful message." —Kirkus "Should be required reading." —Library Journal For two months in the spring of 2016, the world watched as wildfire ravaged the Canadian town of Fort McMurray. Firefighters named the fire “the Beast.” It acted like a mythical animal, alive with destructive energy, and they hoped never to see anything like it again. Yet it’s not a stretch to imagine we will all soon live in a world in which fires like the Beast are commonplace. A glance at international headlines shows a remarkable increase in higher temperatures, stronger winds, and drier lands– a trifecta for igniting wildfires like we’ve rarely seen before. This change is particularly noticeable in the northern forests of the United States and Canada. These forests require fire to maintain healthy ecosystems, but as the human population grows, and as changes in climate, animal and insect species, and disease cause further destabilization, wildfires have turned into a potentially uncontrollable threat to human lives and livelihoods. Our understanding of the role fire plays in healthy forests has come a long way in the past century. Despite this, we are not prepared to deal with an escalation of fire during periods of intense drought and shorter winters, earlier springs, potentially more lightning strikes and hotter summers. There is too much fuel on the ground, too many people and assets to protect, and no plan in place to deal with these challenges. In Firestorm, journalist Edward Struzik visits scorched earth from Alaska to Maine, and introduces the scientists, firefighters, and resource managers making the case for a radically different approach to managing wildfire in the 21st century. Wildfires can no longer be treated as avoidable events because the risk and dangers are becoming too great and costly. Struzik weaves a heart-pumping narrative of science, economics, politics, and human determination and points to the ways that we, and the wilder inhabitants of the forests around our cities and towns, might yet flourish in an age of growing megafires.

The second book in the Super Safety Series, I Can Be A Superhero During A Lockdown helps to decrease anxiety while teaching lifesaving safety skills.