It’s past midnight, and there isn’t a soul in the library. Moonlight fills the dusty shelves. Suddenly, the lights flicker on and off, and a book flies off the shelf! What unseen force is at work? Get ready to read four spine-chilling stories about spooky libraries! This 24-page book features controlled, narrative nonfiction text with age-appropriate vocabulary and simple sentence construction. The colorful design and spooky art in the book will engage and terrify emergent readers.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Make it! Code it! Break it! Mod it! Meg Ray's CODE THIS GAME! is a nonfiction visual guide, illustrated by Keith Zoo, that teaches young readers, 10-14, how to program and create their very own video game. Each chapter introduces key coding concepts as kids build an action strategy game in Python, an open-source programming language. The book features an innovative stand-up format that allows kids to read, program, and play their game simultaneously. With easy-to-follow step-by-step instructions, CODE THIS GAME! teaches kids to build a strategy action game called “Attack of the Vampire Pizzas!” The book also teaches how to modify the game and follow one's imagination by incorporating downloadable art assets. By the time kids finish the book, they'll have mastered basic coding concepts and created a personalized game.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

The Cold War, with its air of mutual fear and distrust and the shadowy world of spies and secret agents, gave publishers the chance to produce countless stories of espionage, treachery and deception. What Nigel West has discovered is that the most egregious deceptions were in fact the stories themselves. In this remarkable investigation into the claims of many who portrayed themselves as key players in clandestine operations, the author has exposed a catalogue of misrepresentations and falsehoods. Did Greville Wynne really exfiltrate a GRU defector from Odessa? Was the frogman Buster Crabb abducted during a mission in Portsmouth Harbour? Did the KGB run a close-guarded training facility, as described by J. Bernard Hutton in School for Spies, which was modelled on a typical town in the American mid-west, so agents could be acclimatised to a non-Soviet environment? With the help of witnesses with first-hand experience, and recently declassified documents, Nigel West answers these and other fascinating questions from a time when secrecy and suspicion allowed the truth to be concealed.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies.

This book is about spacetime, and how, in General Relativity, it performs its widely accepted role of explaining all the phenomena of gravity. Space and time have long been contentious presences in theories of mechanics because of their metaphysical peculiarities. Philosophical worries continue to fog a clear understanding of just how spacetime performs this role. In early sections of his revolutionary paper of 1916, Einstein claimed that his use of a new style of formulation removes "the last remnant of physical objectivity from space and time". His satisfaction in banishing these metaphysical anxieties was evident. However in 1917 it was shown his claim was ungrounded. He readily accepted the criticism: it left intact all the maths and physics of the theory. These amply justify the widespread, orthodox view of spacetime's fundamental role in the theory. Einstein banished no demon but rather released a genie - spacetime. However, his hostility continued, resulting in attempts to rewrite the role of spacetime. These had some later influence but never caught on. Einstein set supreme importance on the role of imagination in scientific theory and valued it as his most significant gift. In science, perhaps in culture generally, relativity is unsurpassed in its imaginative conceptual daring. Yet he and others paused at its metaphysical novelty and radicalism: hostility to spacetime persists. This book presents an unqualified philosophical defence of the conceptual coherence and uniqueness of spatiotemporality. It offers an alternative to the relationist/substantivalist dilemma; it explains Minkowski's derivation of spacetime without the light postulate; it defends, clarifies and stresses the deep role of spacetime in the standard novelties of both relativity theories. A study of spacetime in relativity shows how an insubstantial entity can nevertheless be concrete. That solves the metaphysical worry over its intelligibility and reveals it as fundamental to ontology.

The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.