Sought, the Sphinx seems everywhere, whether the guardian of the pyramids on Egypt's Giza plateau or the beautiful man-eater with a deadly riddle, to be approached with awful caution. The Sphinx, that icon painted, sculpted, engraved, and exalted in poetry, fiction, and music, so impressed the philosopher Hegel that he pronounced the creature “the symbol of the symbolic itself.” With a wealth of illustrations, Book of the Sphinx confirms Hegel's lofty judgment, finding the Sphinx everywhere: in tragedies, paintings, opera, murder mysteries, brothels, bars, and advertisements. Pursuing the Sphinx through kaleidoscopic sightings and encyclopedic observations, Willis Goth Regier plumbs the symbol's mysteries, conducting the reader down ever more perplexing and intriguing paths. Wonderfully readable, his highly idiosyncratic tour of the ages and the arts leads at last to a conception of the Sphinx that embraces nothing less than all that is unknowable—proving once again that confronting a Sphinx is one of the most dangerous and exhilarating adventures of the imagination.

This book examines the history, construction, and legacy of the Great Sphinx, and sphinx symbolism in culture. Clear text and vibrant photos grab and hold readers' interest, and QR Codes in each chapter link to book-specific videos, activities, and more. Features include a table of contents, fun facts, Making Connections questions, a glossary, an infographic, and an index. Aligned to Common Core Standards and correlated to state standards. DiscoverRoo is an imprint of Pop!, a division of ABDO.

"Sphinxes are legion in Egypt--what is so special about this one?... We shall take a stroll around the monument itself, scrutinizing its special features and analyzing the changes it experienced throughout its history. The evidence linked to the statue will enable us to trace its evolution... down to the worship it received in the first centuries of our own era, when Egyptians, Greeks, and Romans mingled together in devotion to this colossus, illustrious witness to a past that was already more than two millennia old."--from the IntroductionThe Great Sphinx of Giza is one of the few monuments from ancient Egypt familiar to nearly everyone. In a land where the colossal is part of the landscape, it still stands out, the largest known statue in Egypt. Originally constructed as the image of King Chephren, builder of the second of the Great Pyramids, the Sphinx later acquired new fame in the guise of the sun god Harmakhis. Major construction efforts in the New Kingdom and Roman Period transformed the monument and its environs into an impressive place of pilgrimage, visited until the end of pagan antiquity.Christiane Zivie-Coche, a distinguished Egyptologist, surveys the long history of the Great Sphinx and discusses its original appearance, its functions and religious significance, its relation to the many other Egyptian sphinxes, and the various discoveries connected with it. From votive objects deposited by the faithful and inscriptions that testify to details of worship, she reconstructs the cult of Harmakhis (in Egyptian, Har-em-akhet, or "Horus-in-the-horizon"), which arose around the monument in the second millennium. "We are faced," she writes, "with a religious phenomenon that is entirely original, though not unique: a theological reinterpretation turned an existing statue into the image of the god who had been invented on its basis."The coming of Christianity ended the Great Sphinx's religious role. The ever-present sand buried it, thus sparing it the fate that overtook the nearby pyramids, which were stripped of their stone by medieval builders. The monument remained untouched, covered by its desert blanket, until the first excavations. Zivie-Coche details the archaeological activity aimed at clearing the Sphinx and, later, at preserving it from the corrosive effects of a rising water table.

Written to celebrate the centennial of the Sphinx's arrival in Philadelphia, The Sphinx That Traveled to Philadelphia tells the fascinating story of the colossal sphinx that is a highlight of the Penn Museum's Egyptian galleries and an iconic object for the Museum as a whole. The narrative covers the original excavations and archaeological history of the Sphinx, how it came to Philadelphia, and the unexpected ways in which the Sphinx's story intersects with the history of Philadelphia, the University of Pennsylvania, and the Museum just before World War I. The book features ample illustrations—photographs, letters, newspaper stories, postcards, maps, and drawings—drawn largely from the extensive materials in the Museum Archives. Images of related artifacts in the Penn Museum's Egyptian collection and other objects from the Egyptian, Near East, and Mediterranean Sections (many not on view and some never before published), as well as pieces in museums in the United States, Europe, and Egypt, place the story of the Penn Museum Sphinx in a wider context. The writing style is informal and text is woven around the graphics that form the backbone of the narrative. The book is designed to be of interest to a wide audience of adult readers but accessible and engaging to younger readers as well.

This massive 2 volume set contains 200 papers from the Congress, held in Grenoble, 6-12 Sept 2004. These papers cover the whole field of the present egyptological researches, from the Origins to the Graeco-roman period.

Accompanied by a sound disc (digital; 4 3/4 in.) by the same name which is available in Multimedia : CD 6.

Salem And The Sphinx War is about a boy warrior and his angel dragon Medea that have to set out to fight evil and to protect the light. Salem is a young orphaned boy and Medea is a solid white angel dragon, as well as the princess of the northern angel dragons, she is a fireless type of dragon with fur instead of scales. Angel dragons didn't possess the ability to breath fire and they had very little defense since they didn't have scales, but fur instead. The angel dragons did posses the ability to use advanced magic however and could easily summon a lightning bolt, or turn the enemy to stone. Together Salem and Medea will set out to defend Delmore and the light from the rise of the evil sphinxes sought on destroying the human race and everything good. They will also have to fight against an evil country called Tarkay as well, a country sought on spreading it's darkness and burying the light. Tarkay seeks to defeat Delmore and all the other peace loving countries, they want to kill anything good and extinguish the light. Tarkay is lead by the evil King Grevill, the evil king of Tarkay that wants to spread his evil and destroy the powers of the light, the force of good. During their quest both Salem and Medea would face hardships along the way, they would have to defend themselves against the darkness or they would perish. Salem and Medea would prove to be the perfect companions to each other, Salem for his wise, but brave personality and Medea for her caring, but loyal and protective personality over her dragon friend. She would save his life countless times during their quest and would fit the role of fates' decision about being his guardian. Come along with Salem and Medea as they fight to track down the Legends Sword before time runs out and its too late. For more information about the future of the series and the books more information can be found at the official website. https://www.armorstrongbooks.com/ #Dragons #Dragon_Rider #Dragon_Friend #Dragon_Princess #Fantasy #Epic_Fantasy #Dragons_Fantasy

Publisher description

A fitting tribute to the life and achievements of Donald P. Hansen, this collection includes contributions by Z. Bahrani, R. A. Fazzini, R. E. Freed, P. O. Harper, J. and D. Oates, D. O'Connor, E. L. Ochsenschlager, E. Holmes-Peck, W. H. Peck, H. Pittman, M. Van de Mieroop, M. S. Venit, K. Wilson, I. J. Winter, and many others.