Kathryn B. McKee’s Reading Reconstruction situates Mississippi writer Katharine Sherwood Bonner McDowell (1849–1883) as an astute cultural observer throughout the 1870s and 1880s who portrayed the discord and uneasiness of the Reconstruction era in her fiction and nonfiction works. McKee reveals conflicts in Bonner’s writing as her newfound feminism clashes with her resurgent racism, two forces widely prevalent and persistently oppositional throughout the late nineteenth century. Reading Reconstruction begins by tracing the historical contexts that defined Bonner’s life in postwar Holly Springs. McKee explores how questions of race, gender, and national citizenship permeated Bonner’s social milieu and provided subject matter for her literary works. Examining Bonner’s writing across multiple genres, McKee finds that the author’s wry but dark humor satirizes the foibles and inconsistencies of southern culture. Bonner’s travel letters, first from Boston and then from the capitals of Europe, show her both embracing and performing her role as a southern woman, before coming to see herself as simply “American” when abroad. Like unto Like, the single novel she published in her lifetime, directly engages with Mississippi’s postbellum political life, especially its racial violence and the rise of Lost Cause ideology. Her two short story collections, including the raucously comic pieces in Dialect Tales and the more nostalgic Suwanee River Tales, indicate her consistent absorption in the debates of her time, as she ponders shifting definitions of citizenship, questions the evolving rhetoric of postwar reconciliation, and readily employs humor to disrupt conventional domestic scenarios and gender roles. In the end, Bonner’s writing offers a telling index of the paradoxes and irresolution of the period, advocating for a feminist reinterpretation of traditional gender hierarchies, but verging only reluctantly on the questions of racial equality that nonetheless unsettle her plots. By challenging traditional readings of postbellum southern literature, McKee offers a long-overdue reassessment of Sherwood Bonner’s place in American literary history.

The story of the tempestuous romance between Rhett Butler and Scarlet O'Hara is set amid the drama of the Civil War.

In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<

A provocative examination of literacy in the American South before emancipation, countering the long-standing stereotype of the South’s oral tradition Schweiger complicates our understanding of literacy in the American South in the decades just prior to the Civil War by showing that rural people had access to a remarkable variety of things to read. Drawing on the writings of four young women who lived in the Blue Ridge Mountains, Schweiger shows how free and enslaved people learned to read, and that they wrote and spoke poems, songs, stories, and religious doctrines that were circulated by speech and in print. The assumption that slavery and reading are incompatible—which has its origins in the eighteenth century—has obscured the rich literate tradition at the heart of Southern and American culture.

The story of southern writing—the Dixie Limited, if you will—runs along an iron path: an official narrative of a literature about community, about place and the past, about miscegenation, white patriarchy, and the epic of race. Patricia Yaeger dynamites the rails, providing an entirely new set of categories through which to understand southern literature and culture. For Yaeger, works by black and white southern women writers reveal a shared obsession with monstrosity and the grotesque and with the strange zones of contact between black and white, such as the daily trauma of underpaid labor and the workings of racial and gender politics in the unnoticed yet all too familiar everyday. Yaeger also excavates a southern fascination with dirt—who owns it, who cleans it, and whose bodies are buried in it. Yaeger's brilliant, theoretically informed readings of Zora Neale Hurston, Harper Lee, Carson McCullers, Toni Morrison, Flannery O'Connor, Alice Walker, and Eudora Welty (among many others) explode the mystifications of southern literary tradition and forge a new path for southern studies. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.

Introduction / Yigal Bronner and Charles Hallisey -- Shriharsha's Sanskrit Life of Naishadha : translator's note and text -- Points and progression : how to read Shriharsha's Life of Naishadha / Gary Tubb -- "If I'm reading you right..." : reading bodies, minds and poetry in the Life of Naishadha / Thibaut d'Hubert -- Ativirarama Pandyan's Tamil Life of Naidatha : translator's note and text -- Hearing and madness : reading Ativirarama Pandyan's Life of Naidatha / N. Govindarajan -- How we read / Sheldon Pollock -- Malamangala Kavi's Malalyalam Naishadha in our language : translator's note and text -- I talk to the wind : Malamangala Kavi's Naishadha in our language / Sivan Goren-Arzony -- In the garden of love : an essay on Naishadha in our language / Meir Shahar -- "Khwaja the Dog-Worshiper" from The story of the four dervishes : translator's note and text -- How not to see a dog-worshiper / Jamal Jones -- A historian reads a fable / Muzaffar Alam -- "Touch" by Abburi Chayadevi : translator's note and text -- How to touch "Touch" / Gautham Reddy -- "Don't stand so close to me!" : remarks on Chayadevi's "Touch" / Sanjay Subrahmanyam -- "A street pump in Anantapuram" and five other poems by Ismail : translator's note and text -- Speaking of landscapes, revolutionaries, and donkeys : Ismail's words and images / Afsar Mohammad -- Between sky and road : the wandering scholar, modernism and the poetry of Ismail / Gabriel Levin -- The music contest from Tiruttakkatevar's Tamil Chivakan's gem : translator's note and text -- Love in defeat / Talia Arlav -- Sweetness that melts the heart / Kesavan Veluthat -- What's gained in translation / Sonam Kachru -- Two songs by Muttuswami Dikshitar performed by T.M. Krishna and Eileen Shulman : translator's note, texts, and recordings -- Beyond passion, beyond even the Raga / T.M. Krishna -- Reading as an act of trust / Donald R. Davis -- Desire and passion ride to war (unknown artist) : selector's note -- Pillars of love : a dialogic reading of temple sculpture / Anna Lise Seastrand -- Side observation of a small portion of Varadaraja-svami Temple / Tawfiq Da'adli -- Ravana visits Sita at night in the Ashoka Grove, from Kamban's Tamil Ramayana : translator's note and text -- Kamban's Tamil as a kind of Sanskrit / Whitney Cox -- Can darkness stand before light? : encountering an episode from a medieval Tamil masterpiece / Yehoshua Granat -- When a mountain rapes a river, from Bhattumurti's Telugu Vasu's Life : translator's note and text -- Irreconcilable differences and (un)conventional love in Bhattumurti's Vasu's Life / Ilanit Loewy Schacham -- Desire, perception, and the poetry of desire : a reading of Vasu's life / Deven Patel -- "The ten on the wild boar" : translator's note and text -- Reading "Ten on the wild boar" / Archana Venkatesan -- Three poems about love's inner modes : translator's note and text -- Between us : reading Tamil Akam poems / Jennifer Clare -- The unbaked clay pot in pouring rain : reading Sangam poetry today / R. Cheran -- Nammalvar's Tamil A hundred measures of time : translator's note and text -- "You came so that we may live" / Anand Venkatkrishnan -- Taking the measure of A hundred measures / Andrew Ollett -- A Persian Ghazal by Hafez and an Urdu Ghazal by Ghaleb : translator's note and text -- How a Ghazal thinks / Rajeev Kinra -- The Ghazal of What's more than real / Peter Cole -- Afterword / Wendy Doniger.

From the brokenhearted to the afflicted, the women in these often macabre stories fight like hell to find their voices and survive the darkness inherent in the modern South.

Often thought of as a solitary activity, the practice of reading can in fact encode the complex politics of community formation. Engagement with literary culture represents a particularly integral facet of identity formation--and expresses of a sense of belonging--within the South Asian diaspora in the United States. Tamara Bhalla blends a case study with literary and textual analysis to illuminate this phenomenon. Her fascinating investigation considers institutions from literary reviews to the marketplace to social media and other technologies, as well as traditional forms of literary discussion like book clubs and academic criticism. Throughout, Bhalla questions how her subjects' circumstances, desires, and shared race and class, limit the values they ascribe to reading. She also examines how ideology circulating around a body of literature or a self-selected, imagined community of readers shapes reading itself and influences South Asians' powerful, if contradictory, relationship with ideals of cultural authenticity.

Americans wrote fiercely during the Civil War. War surprised, devastated, and opened up imagination, taking hold of Americans' words as well as their homes and families. The personal diary—wildly ragged yet rooted in day following day—was one place Americans wrote their war. Diaries, then, have become one of the best-known, most-used sources for exploring the life of the mind in a war-torn place and time. Delving into several familiar wartime diaries kept by women of the southern slave-owning class, Steven Stowe recaptures their motivations to keep the days close even as war tore apart the brutal system of slavery that had benefited them. Whether the diarists recorded thoughts about themselves, their opinions about men, or their observations about slavery, race, and warfare, Stowe shows how these women, by writing the immediate moment, found meaning in a changing world. In studying the inner lives of these unsympathetic characters, Stowe also explores the importance—and the limits—of historical empathy as a condition for knowing the past, demonstrating how these plain, first-draft texts can offer new ways to make sense of the world in which these Confederate women lived.