Looks at the history of the boundary which served as the barrier between the North and the South and represented the tensions over slavery.

From drinking sweet tea on a beloved grandmother's porch to playing army to witnessing prejudice and violence or receiving the lash, these stories illustrate growing up in the South during the 1950s and 1960s, what it felt, tasted, and looked like through the eyes of the boys who lived it.

"A novel that is as moving as it is cerebral, as poignant as it is daring." - Michiko Kakutani, The New York Times "Mason & Dixon - like Huckleberry Finn, like Ulysses - is one of the great novels about male friendship in anybody's literature." - John Leonard, The Nation Charles Mason (1728–1786) and Jeremiah Dixon (1733–1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as reimagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. Unreflectively entangled in crimes of demarcation, Mason & Dixon take us along on a grand tour of the Enlightenment’s dark hemisphere, from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back to England, into the shadowy yet redemptive turns of their later lives, through incongruities in conscience, parallaxes of personality, tales of questionable altitude told and intimated by voices clamoring not to be lost. Along the way they encounter a plentiful cast of characters, including Benjamin Franklin, George Washington, and Samuel Johnson, as well as a Chinese feng shui master, a Swedish irredentist, a talking dog, and a robot duck. The quarrelsome, daring, mismatched pair—Mason as melancholy and Gothic as Dixon is cheerful and pre-Romantic—pursues a linear narrative of irregular lives, observing, and managing to participate in the many occasions of madness presented them by the Age of Reason.

The story of the demarcation of the boundary between Maryland and Pennsylvania that became the dividing line between free and slave states. Latrobe was a lawyer, inventor, and speaker; he was also president of the American Colonization Society (1853-90), founder of the Maryland Historical Society, and a central figure in the movement to colonize the Republic of Liberia.

The only thing hotter than the weather South of the Mason Dixon line are the boys. Worn, faded blue jeans, slow Southern drawls, and those naughty moments in the back of pickup trucks a girl never forgets. Welcome to the world of the Sutton boys. Five brothers who fight, party, drink a little too much, but more importantly, they love their momma. Nothing can tear them apart... until the girl next door wins more than one of their hearts.

New Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In The Scary Mason-Dixon Line, renowned literary scholar Trudier Harris explores why black writers, whether born in Mississippi, New York, or elsewhere, have consistently both loved and hated the South. Harris explains that for these authors the South represents not so much a place or even a culture as a rite of passage. Not one of them can consider himself or herself a true African American writer without confronting the idea of the South in a decisive way. Harris considers native-born black southerners Raymond Andrews, Ernest J. Gaines, Edward P. Jones, Tayari Jones, Yusef Komunyakaa, Randall Kenan, and Phyllis Alesia Perry, and nonsouthern writers James Baldwin, Sherley Anne Williams, and Octavia E. Butler. The works Harris examines date from Baldwin's Blues for Mr. Charlie (1964) to Edward P. Jones's The Known World (2003). By including Komunyakaa's poems and Baldwin's play, as well as male and female authors, Harris demonstrates that the writers' preoccupation with the South cuts across lines of genre and gender. Whether their writings focus on slavery, migration from the South to the North, or violence on southern soil, and whether they celebrate the triumph of black southern heritage over repression or castigate the South for its treatment of blacks, these authors cannot escape the call of the South. Indeed, Harris asserts that creative engagement with the South represents a defining characteristic of African American writing. A singular work by one of the foremost literary scholars writing today, The Scary Mason-Dixon Line superbly demonstrates how history and memory continue to figure powerfully in African American literary creativity.

The award-winning author of Secrets of a Civil War Submarine traces the history of the Mason-Dixon Line as reflected by family feuds, exploration, scientific advancement and the cultural conflicts between America's northern and southern states.

Set in the social and historical context of pre-Revolutionary America, this book is a spellbinding account of one of the great and historic achievements of its time."--BOOK JACKET.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION INSTANT NEW YORK TIMES BESTSELLER “An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole. This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life. Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line. A Recommended Read from: The New Yorker • The New York Times • TIME • Oprah Daily • USA Today • Vulture • Essence • Esquire • W Magazine • Atlanta Journal-Constitution • PopSugar • Book Riot • Chicago Review of Books • Electric Literature • Lit Hub

King Charles I of England granted the Calvert Family a charter for the Colony of Maryland in 1632. Forty-nine years later, in 1681, Charles II awarded the Penn Family a similar charter for Pennsylvania. However, the ambiguity of the language and lack of precision in both grants sowed the seeds of dispute over a sixty-nine mile parcel of land between the 39th and 40th degrees of North Latitude. Had the Calverts prevailed, part of the City of Philadelphia would now be in Maryland, and had the Penns succeeded Baltimore would today be in the state of Pennsylvania! Arguments between the opposing parties dragged on for more than half a century before the English Courts finally issued a decree: Neither the Calverts nor the Penns would prevail; the border between Maryland and Pennsylvania would be a line of latitude located fifteen miles due south of the most southern point in the city of Philadelphia. As a result, in 1763 two British mathematicians and surveyors-Charles Mason and Jeremiah Dixon-were commissioned to accurately survey and mark the 244- mile boundary between the two colonies.We all have referred to the resulting Mason Dixon Line in casual conversation as the line that divides Pennsylvania and Maryland, or perhaps as the line between the free and slave states during the Civil War. But what do we actually know about Charles Mason and Jeremiah Dixon, and why is an imaginary line named after them? Author Jack Layton decided to find out. Over the course of several years he literally walked the line, recording his observations and taking revealing photographs along the entire route. The results-informative, entertaining, ironic and amusing-form the heart of this book. Luckily for us, Charles Mason was a meticulous man who kept a detailed journal of his remarkable experiences in the New World. Mr. Layton used his daily record, kept during the three years that he and his partner spent traipsing through the mountains and valleys of America, as the backbone for this book, with liberal use of direct quotations. Amazingly, some of what the men saw and described has not changed much in the intervening two-and-a-half centuries, while other sights would not be recognizable at all today. Enjoy a trip back to colonial America. Join Jack Layton as he takes a walk in the footsteps of history, following the path blazed by two men whose names and the boundary they surveyed are today a household word-the Mason Dixon Line!