This classic study of indigenous Polynesian music, conducted in the 1960s, includes a survey of traditional songs in different styles that embody the fundamental values of Maori culture in New Zealand. Musical transcriptions, Maori texts, English translations, and extensive notes on more than 50 traditional Maori songs are included. Common ceremonial songs are represented, including elaborate laments, love songs, war chants, songs of welcome, and witty occasional songs.

Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples.

"Depicts the natural treasures that may be found in a kauri forest. Spot the kiwi, the tuatara, the weta and more - even the twinkling Matariki stars above the treetops"--Publisher information.

In waiata our forebears spoke their hearts - in grief and celebration. For many hundreds of years this great oral tradition of song flourished in Aotearoa. During the second half of the nineteenth century, in times of rapid change, Maori scholars recorded for the future the words of thousands of waiata. Their manuscripts were preserved by Pakeha of foresight and commitment, and along with a vast body of other Maori writing they are now accessible in libraries throughout the country. Margaret Orbell has been working with these manuscripts for 25 years. She has come to occupy a special place in Maori scholarship, having brought to light and translated many ancient texts. In this new anthology she places waiata of the nineteenth century in their social and political setting, conveying the poets' responses to their people's trauma. There is a fascinating richness of detail here about traditional Maori life, with insights into the lives of ordinary people as well as into tribal relations and the interaction of Maori and Pakeha. Margaret also reveals the great skills of the composers - their use of imagery, rhythm and symbolism, and the profound knowledge they convey. Her authoritative and illuminating commentaries will make this collections hugely interesting to a wide range of readers.

They left their Southern Lands, They sailed across the sea; They fought the Hun, they fought the Turk For truth and liberty. Now Anzac Day has come to stay, And bring us sacred joy; Though wooden crosses be swept away – We'll never forget our boys. – Jane Morison, ‘We'll never forget our boys', 1917 Be it ‘Tipperary' or ‘Pokarekare', the morning reveille or the bugle's last post, concert parties at the front or patriotic songs at home, music was central to New Zealand's experience of the First World War. In Good-Bye Maoriland, the acclaimed author of Blue Smoke: The Lost Dawn of New Zealand Popular Music introduces us the songs and sounds of World War I in order to take us deep inside the human experience of war.

Sixty traditional Maori songs of Tuhoe sung by Kino Hughes are presented in this book and CD collection. The text of each song is given in both English and Maori along with a musical transcription. Kino Hughes was an outstanding singer, orator, and respected Kaumatua who, determined to preserve for future generations all the songs he knew, asked these authors to compile this magnificent record. The introduction includes information on Kino Hughes, on the people of the Tuhoe Maori tribe, on the song categories used, and on the music. This important record of Maori music includes photographs, a glossary, notes on the texts, transcriptions, and an index of song types. Includes 2 CD-ROMs.

A long-awaited digital edition of a book that has remained in steady demand since publication in 1995. Te Kooti Arikirangi Te Turuki was one of the nineteenth century’s most significant leaders. In both war and peace, he sought to redeem his people and the land. Yet his reputation as a feared opponent of colonial forces obscured his achievements for generations. The causes of Te Kooti’s struggles are larger than personal injustice: he fought a war against land confiscation and illegal land purchases. This award-winning biography, published in 1995, shifted public perceptions of this remarkable man. Dame Judith Binney was honoured widely for her contribution to New Zealand history. Her particular place in the writing of Urewera history was recognised by Tūhoe leaders when she was given the name Te Tomairangi o Te Aroha. A Fellow of the Royal Society, she received the Prime Minister’s Award for Literary Achievement in Non-Fiction in 2006.

A collection of annotated waiata made by distinguished Maori leader and scholar Apirana Ngata. It also include CDs of waiata drawn from the Archive of Maori and Pacific Music at The University of Auckland. It is suitable for those studying Maori culture and volumes for various New Zealand libraries.