Mina's life is going according to plan; she's acing AP Calc and is perfectly content with her nonexistent social life. Though only a high school junior, Mina knows time is an investment, and she's putting all her capital into academics. Oliver, a child abuse survivor who grew up in the foster care system, is ready to burn down his old life and start from scratch-complete with a new name and emancipation papers-in L.A. When the two are thrown together through circumstance and develop an unexpected connection, they discover how hard it is to keep the past in the past. Love and Other Sins is an emotional coming-of-age YA drama about family, love, violence, and the residue of abuse set against the backdrop of contemporary Los Angeles. When Mina meets Oliver, you'll remember your own first love and just how fast it swept you under. What were the bonds that bound us? Was it purely physical attraction? Circumstance? Or perhaps it was a mutual gravitation toward inevitable pain. "There was something about her-her eyes. Well, not so much her eyes, physically, but more like what they said about her: she had this look-a kind of restless intensity." "It was intimate . . . a strange and beautiful feeling. We were breathing life into each other." Love and Other Sins is a moving story about what it means to be young and vulnerable in today's society. This young adult romance will make you laugh and cry and give you hope for tomorrow because there are people like Mina and Oliver who refuse to let themselves be defined by their pasts or circumstances. If you love reading books like Looking for Alaska or Thirteen Reasons Why, then this is definitely for you. Content warning: sexual assault, recollections of child abuse, discussions of suicidal thoughts, and mention of miscarriage.

This could be a charming little story of Peter and Katy growing up out in the country with their children, Emilia, Addison (Addy), and various animals. It could be that, but it isn’t for several reasons. Emilia is actually a fairy princess that has been given to Peter and Katy to raise for her first twenty-five years by the fairy queen and fairy king. They want her to learn all about humans because, in reality, fairies do live among us and need to understand all things human. Peter and Katy are sworn to secrecy and asked not to reveal Emilia’s true nature to her until later. Emilia discovers her powers and abilities somewhat haphazardly as she needs them. Her parents tell her that her abilities must remain a secret. Alas, not everyone has wings. She must be cautious because there are those who hunt fairies for sinister purposes. She is provided with a massive enchanted elk named Hercules for protection. Hercules’s only weakness is Baby Ruth candy bars! He is later joined by a Belgian Malinois named Max as Emilia goes to college and discovers her destiny and a legendary secret. This book has kindness, love, friendship, adversity, faith, danger, perseverance, and excitement woven through it. I hope you enjoy Emilia and her family’s story!

Winner of the 1994 Lamont Poetry selection of The Academy of American Poets. "Kelly has a talent for coaxing out the world's ghosts and then fixing them in personal landscapes of fear and uncertainty.... Smoothed by nuances of sound and rhythm, her poems exude an ambiguous wisdom, an acceptance of the sad magic that returns us constantly to the lives we might have led."--Library Journal

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD 'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

Through a hand-me-down traditional Mayan skirt, Emilia takes flight and sees her neighborhood in a new way, embracing her Guatemalan culture and letting her personality shine through her shyness. Emilia would rather play with her kite alone than go to birthday parties, pick up beans for her mom's frijoles dinner, or wear her mom's old corte into town where everyone can see her. With a gust of wind, Emilia's corte takes flight, and she sees what it's like to miss out on celebrating with friends, dancing to the marimba at the park, and being brave enough to ask for her favorite cookie, champurradas. After the heavy frijoles weigh her down and lead her to walk back home, she gets a second chance to participate in neighborhood events. Mother-daughter duo Veronica Castillo and Juleesa Espinoza penned this Spanglish tale together, with Juleesa also illustrating, to spur conversations about culture within families and inspire children, especially those from immigrant parents, to appreciate their roots.

Emilia has tried to quit her addiction to oxycodone and alcohol many times before, but has never lasted more than a day. Now she’s been off them for three days, but her body is in rebellion and her withdrawal symptoms are about to drive her back. She knows she must do something different this time and goes to a SMART Recovery meeting. Even in her state of withdrawal, she’s drawn to the tall handsome Mosi, who runs the meeting. But a man like him could never look at a woman like her. Could he? This is her story. Her successes and failures on her road to a new life. Even as she struggles to remain clean and sober, a strange artifact from the ancient past of her people drags her unwillingly into provincial politics. Can she maintain abstinence through it all? Will her hopes be dashed…again? Or will she finally find healing from her addictions and the hope of genuine love?

The Song of Troilus traces the origins of modern authorship in the formal experimentation of medieval writers. Thomas C. Stillinger analyzes a sequence of narrative books that are in some way constructed around lyric poems: Dante's Vita Nuova, Bocaccio's Filostrato, and Chaucer's Troilus and Criseyde. The shared aim of these texts, he argues, is to imagine and achieve an unprecedented auctoritas: a "lyric authority" that combines the expressive subjectivity of courtly love poetry with the impersonal authority of Biblical commentary. Each of the three establishes its own formal and intertextual dynamics; in complex and unexpected ways, the hierarchies of Latin learning are charged with erotic force, allowing the creation of a new vernacular Book of Love. The Song of Troilus is a linked series of incisive close readings. Each chapter defines and investigates a range of philological, intertextual, and theoretical problems; in addition to explicating his three principal texts, Stillinger offers important insights into a range of medieval traditions, from Psalm commentary to Trojan historiography to Ricardian political satire. At the same time, The Song of Troilus is a sophisticated narrative of cultural change and a searching meditation on history, desire, and writing. The Song of Troilus is an original and highly readable study of three major medieval texts; it will be of compelling interest to students and scholars of medieval literature, and to all those exploring the history of authorship and the implications of literary form.

Welcome back to Hawk Island and the village of Two Brooks. While the sea slowly kisses the sand on the small beach of Saint Carlos, preparations for an Episcopal retreat begin while members of the Sacristy, a group of unconventional women who live in Two Brooks, set down a new path lined with quandaries and challenges. Angela Matias is a cunning, intelligent, and persistent spitfire who feels compelled to choose just one of the three men she loves. While Ascendida struggles with the concept of forgiveness and her desire to love a man not a boy, Nascimento continues to grapple with her voyeurism. As Madalena must either forget Saul and move on with her life or bring him back, Dona Mafalda yearns to be loved, but cannot trust love to be kind. As the women take it upon themselves to solve a centuries-long mystery, they once again find themselves questioning the rules and norms of their island and inescapably facing the consequences. In this third book of the Hawk Island series, members of the Sacristy must come to terms with decisions and actions that profoundly affect their lives.

From award-winning author Pablo Cartaya comes a deeply moving middle grade novel about a daughter and father finding their way back to each other in the face of their changing family and community. A SCHNEIDER FAMILY BOOK AWARD HONOR FOR MIDDLE GRADE Emilia Torres has a wandering mind. It's hard for her to follow along at school, and sometimes she forgets to do what her mom or abuela asks. But she remembers what matters: a time when her family was whole and home made sense. When Dad returns from deployment, Emilia expects that her life will get back to normal. Instead, it unravels. Dad shuts himself in the back stall of their family's auto shop to work on an old car. Emilia peeks in on him daily, mesmerized by his welder. One day, Dad calls Emilia over. Then, he teaches her how to weld. And over time, flickers of her old dad reappear. But as Emilia finds a way to repair the relationship with her father at home, her community ruptures with some of her classmates, like her best friend, Gus, at the center of the conflict. Each Tiny Spark by Pablo Cartaya is a tender story about asking big questions and being brave enough to reckon with the answers.

The perfect gift for any Beatles fan, In Their Lives is an anthology of essays from a chorus of twenty-nine luminaries singing the praises of their favorite Beatles songs. The Beatles’ influence—on their contemporaries, on our cultural consciousness, and on the music industry ever after—is difficult to overstate. We all have a favorite song from the band that made us want to fall in love, tune in, and follow our dreams. Arranged chronologically by the date of the song’s release, these essays highlight both the Beatles’ evolution as well as the span of generations their music affected. Whether they are Beatlemaniacs who grew up listening to the iconic albums on vinyl or new fans who stream their favorite songs on their phones, all of the contributors explore that poignant intersection between Beatles history and personal history. With contributions from twenty-nine authors and musicians—Roz Chast on “She Loves You,” Jane Smiley on “I Want to Hold Your Hand,” Rosanne Cash on “No Reply,” Gerald Early on “I’m a Loser,” Rick Moody on “The End,” Maria Popova on “Yellow Submarine,” David Duchovny on “Dear Prudence,” Chuck Klosterman on “Helter Skelter,” David Hajdu on “You Know My Name (Look Up the Number),” and more—the breadth of the band’s impact is clear. From musings on young love and family strife to explorations of racial boundaries and identity, these essays pay tribute to a band that ran the gamut of human experience in a way no musical group has done before or since. “In Their Lives is full of pleasant surprises.”—New York Times