Written by an English lexicographer, this book is a compact dictionary that can help guide readers in furthering their knowledge of Greek and Roman antiquities. Even this smaller dictionary is more than 400-pages long; yet despite its shortness, it is not lacking in giving a precise explanation for each term presented.

An invaluable collection of theater commentary by a wide range of leading French theorists, in English translation

This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.

The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.

This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.

Extensively revised reissue of Sir William Smith's classical dictionary.

This third edition of Current Approaches in Drama Therapy offers a revised and updated comprehensive compilation of the primary drama therapy methods and models that are being utilized and taught in the United States and Canada. Two new approaches have been added, Insight Improvisation by Joel Gluck, and the Miss Kendra Program by David Read Johnson, Nisha Sajnani, Christine Mayor, and Cat Davis, as well as an established but not previously recognized approach in the field, Autobiographical Therapeutic Performance, by Susana Pendzik. The book begins with an updated chapter on the development of the profession of drama therapy in North America, followed by a chapter on the current state of the field written by the editors and Jason Butler. Section II includes the 13 drama therapy approaches, and Section III includes the three related disciplines of Psychodrama and Sociodrama, Playback Theatre, and Theatre of the Oppressed that have been particularly influential to drama therapists. This highly informative and indispensable volume is structured for drama therapy training programs. It will continue to be useful as a basic text of drama therapy for both students and seasoned practitioners, including mental health professionals (such as counselors, clinical social workers, psychologists, creative arts therapists, occupational therapists), theater and drama teachers, school counselors, and organizational development consultants.

Mime the Gap: Techniques in Mime and Movement explores the physicality of movement in storytelling, offering new ideas about acting and performance, whilst encouraging a contemporary resurgence of this traditional performance art. With detailed, step-by-step instructions of basic to advanced mime illusions, the book addresses the key areas of physicality, including when to move and when not to move, making the invisible 'visible' and the fundamental principles of physical articulation. Additional topics include how to use the elements of Fire, Earth, Water and Air for physical characterization; techniques for performing classic mime routines, such as the Glass Box and the Moonwalk; how to mime with props and objects, both visible and invisible; using breath, posture and gesture to enhance performance and perceptions, and finally, creating and producing an authentic performance. Offering numerous exercises suitable for solo or group work, this new book will help you to explore and develop your physicality and build an awareness of how to apply it to a performance.A practical guide to mime - a traditional performance art which is having a resurgence.Addresses the key areas of physicality including when to move and when not to move; making the invisible 'visible'; principles of physical articulation and much, much more.A valuable guide for acting students, mime artists and anyone looking to increase personal confidence and presentation skills.Gives detailed step-by-step instructions of basic to advanced mime illusions.Superbly illustrated with 181 colour photographs.Richard Knight has over thirty years experience of performing, directing and teaching in the theatre, film and television industry.