In 1943 two spirited young teachers decided to do their part for the war effort by spending their summer vacation working the swing shift on a B-24 production line at a San Diego bomber plant. Entering a male-dominated realm of welding torches and bomb bays, they learned to use tools that they had never seen before, live with aluminum shavings in their hair, and get along with supervisors and coworkers from all walks of life. They also learned that wearing their factory slacks on the street caused men to treat them in a way for which their "dignified schoolteacher-hood" hadn't prepared them. At times charming, hilarious, and incredibly perceptive, Slacks and Calluses brings into focus an overlooked part of the war effort, one that forever changed the way the women were viewed in America.

Kate Carter is an ordinary eighteen-year-old. Other than a somewhat obsessive fondness for iced tea and complete swearing-off of boys ever since a blind date when she was fifteen (don’t ask), she’s about as normal as they come. At least until she steps into art class. There, she’s surrounded by pencils, paper, paint and her stoic table partner, Silent Nathan. Which is fine with her—no guys, remember? When her new art teacher starts a series on how to use art in the everyday world, Kate starts getting excited. And it’s not about the electrical engineer career her dad has envisioned for her. When the “real-life” sketching leads to Kate accidentally sketching a man wanted for first-degree murder, and when her sketch shows up on the news, Kate becomes an instant celebrity. But just as she’s learning to enjoy her fame, the man she helped catch escapes from jail. Suddenly, Kate’s life is far from normal.

The country music superstar shares what the guitar has meant to him as a means of finding his own voice, who inspired his love of music, and memorable stories about the great guitar players he has encountered over the years.

#1 NEW YORK TIMES BESTSELLER With unequaled insight and brio, New York Times columnist David Brooks has long explored and explained the way we live. Now Brooks turns to the building blocks of human flourishing in a multilayered, profoundly illuminating work grounded in everyday life. This is the story of how success happens, told through the lives of one composite American couple, Harold and Erica. Drawing on a wealth of current research from numerous disciplines, Brooks takes Harold and Erica from infancy to old age, illustrating a fundamental new understanding of human nature along the way: The unconscious mind, it turns out, is not a dark, vestigial place, but a creative one, where most of the brain’s work gets done. This is the realm where character is formed and where our most important life decisions are made—the natural habitat of The Social Animal. Brooks reveals the deeply social aspect of our minds and exposes the bias in modern culture that overemphasizes rationalism, individualism, and IQ. He demolishes conventional definitions of success and looks toward a culture based on trust and humility. The Social Animal is a moving intellectual adventure, a story of achievement and a defense of progress. It is an essential book for our time—one that will have broad social impact and will change the way we see ourselves and the world.

From TV’s CSI to bestsellers by Patricia Cornwell and Kathy Reichs, interest in forensics is at an all-time high. Now one of our most respected forensic pathologists gives a behind-the-scenes look at eleven of his most notorious cases, cracked by scientific analysis and Sherlock Holmesian deduction. As chief medical examiner of Rockland County, New York, for almost thirty-five years, Dr. Frederick Zugibe literally wrote the book on the subject—his widely used textbook is considered the definitive text. Over the years he has pioneered countless innovations, including the invention of a formula to soften mummified fingers—enabling fingerprinting, and thus identification, of a long-deceased victim. He has appeared as an expert hundreds of times in the media and in the courtroom—and not once has a jury failed to accept his testimony over opposing expert witnesses. And now, in Dissecting Death, he has opened the door to the world of forensic pathology in all its gruesome and fascinating mystery. Dr. Zugibe takes us through the process all good pathologists follow, using eleven of his most challenging cases. With him, we visit the often grisly—though sometimes shockingly banal—crime scene. We inspect the body, palpate the wounds, search for clues in the hair and skin. We employ ultraviolet light, strange measuring devices, optical instruments. We see how a forensic pathologist determines the hour of death, the type of weapon used, the killer’s escape route. And then we enter the lab, the world of high-tech criminal detection: DNA testing, fingerprinting, gunshot patterns, dental patterns, X-rays. But not every case ends in a conviction, and in a closing chapter Dr. Zugibe examines some recent high-profile cases in which blunders led to killers going free, either because the wrong party was brought to trial or because the evidence presented didn’t do the trick—including Jon-Benet Ramsey’s murder and, of course, the O.J. Simpson trial.

Bringing us close to the complex history of the civil rights movement in the American South—the currents that involved thousands of communities and millions of individual lives—this book looks deeply into the experiences of a single Alabama town, Tuskegee, and its surrounding Macon County. It is based on interviews with the people—white and black, liberal and traditional—whose lives were caught up in the movement and altered forever. We see Tuskegee in the early 1940s, seat of America’s most venerable institute of high education for blacks, an important symbol of black progress—yet almost entirely controlled by a white power structure—and we see the emergence of a charismatic leader, Charles G. Gomillion, who defied Tuskegee Institutes’ apolitical traditions and inspired blacks to organize for their right to vote. Thus begins decades of struggle, which Robert J. Norrell re-creates for us through the testimony of the people who lived and shaped this history: the dramatic appearance before a U.S. congressional committee of local civil rights leaders and ordinary farmers bearing witness to the seemingly endless obstructions to block voter registration; the months-long boycott of white Tuskegee merchants that was sparked by the city council’s attempt to exclude black voters by gerrymandering; the fiercely controversial move to integrate the public schools that culminated in Governor George Wallace’s order to state troopers to prevent the opening of Tuskegee High; the anguish that accompanied efforts by blacks to penetrate all-white church congregations. Norrell describes how blacks enters—and won—local elections, including those for mayor and sheriff, and how, with the onset of heightened activism in the late 1960s, Gomillion and other established leaders of the civil rights movement heard angry youthful voices raised against their cautious approach. Reaping the Whirlwind carries us through the early 1970s to a community profoundly changed, proud to have shed its false air of harmony, gradually coming to terms with the disorder and dissension of the preceding years. It is a moving and significant chronicle that documents a critical era in the nation’s history.

This debut novel by the two time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys wowed critics and readers everywhere and marked the debut of an important American writer. Nominated as one of America’s best-loved novels by PBS’s The Great American Read. It is a time of calamity in a major metropolitan city's Department of Elevator Inspectors, and Lila Mae Watson, the first black female elevator inspector in the history of the department, is at the center of it. There are two warring factions within the department: the Empiricists, who work by the book and dutifully check for striations on the winch cable and such; and the Intuitionists, who are simply able to enter the elevator cab in question, meditate, and intuit any defects. Lila Mae is an Intuitionist and, it just so happens, has the highest accuracy rate in the entire department. But when an elevator in a new city building goes into total freefall on Lila Mae's watch, chaos ensues. It's an election year in the Elevator Guild, and the good-old-boy Empiricists would love nothing more than to assign the blame to an Intuitionist. But Lila Mae is never wrong. The sudden appearance of excerpts from the lost notebooks of Intuitionism's founder, James Fulton, has also caused quite a stir. The notebooks describe Fulton's work on the "black box," a perfect elevator that could reinvent the city as radically as the first passenger elevator did when patented by Elisha Otis in the nineteenth century. When Lila Mae goes underground to investigate the crash, she becomes involved in the search for the portions of the notebooks that are still missing and uncovers a secret that will change her life forever. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon!

An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China. China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta. As she tracks their lives, Chang paints a never-before-seen picture of migrant life—a world where nearly everyone is under thirty; where you can lose your boyfriend and your friends with the loss of a mobile phone; where a few computer or English lessons can catapult you into a completely different social class. Chang takes us inside a sneaker factory so large that it has its own hospital, movie theater, and fire department; to posh karaoke bars that are fronts for prostitution; to makeshift English classes where students shave their heads in monklike devotion and sit day after day in front of machines watching English words flash by; and back to a farming village for the Chinese New Year, revealing the poverty and idleness of rural life that drive young girls to leave home in the first place. Throughout this riveting portrait, Chang also interweaves the story of her own family’s migrations, within China and to the West, providing historical and personal frames of reference for her investigation. A book of global significance that provides new insight into China, Factory Girls demonstrates how the mass movement from rural villages to cities is remaking individual lives and transforming Chinese society, much as immigration to America’s shores remade our own country a century ago.

Drawing on war propaganda, popular advertising, voluminous government records, and hundreds of letters and other accounts written by women in the 1940s, Melissa A. McEuen examines how extensively women's bodies and minds became "battlegrounds" in the U.S. fight for victory in World War II. Women were led to believe that the nation's success depended on their efforts--not just on factory floors, but at their dressing tables, bathroom sinks, and laundry rooms. They were to fill their arsenals with lipstick, nail polish, creams, and cleansers in their battles to meet the standards of ideal womanhood touted in magazines, newspapers, billboards, posters, pamphlets and in the rapidly expanding pinup genre. Scrutinized and sexualized in new ways, women understood that their faces, clothes, and comportment would indicate how seriously they took their responsibilities as citizens. McEuen also shows that the wartime rhetoric of freedom, democracy, and postwar opportunity coexisted uneasily with the realities of a racially stratified society. The context of war created and reinforced whiteness, and McEuen explores how African Americans grappled with whiteness as representing the true American identity. Using perspectives of cultural studies and feminist theory, Making War, Making Women offers a broad look at how women on the American home front grappled with a political culture that used their bodies in service of the war effort.

Allison Beckstrom has willingly paid the price of pain to use magic, and has obeyed the rules of the Authority, the clandestine organization that makes-and enforces-all magic policy. But when the Authority's new boss, Bartholomew Wray, refuses to believe that the sudden rash of deaths in Portland might be caused by magic, Allie must choose to follow the Authority's rules, or turn against the very people for whom she's risked her life. To stop the plague of dark magic spreading through the city, all that she values will be on the line: her magic, her memories, her life. Now, as dead magic users rise to feed upon the innocent and the people closest to her begin to fall, Allie is about to run out of options.