"I had a native ambition to rise from obscurity and make myself useful in the world, to shine and be distinguished." So said the Hon. Neil S. Brown, one of the 259 prominent 19th-century Tennesseans profiled in this extraordinary book. It is this kind of unique first-hand biographical information that makes this work unequaled in the canon of Tennessee genealogical literature. Not only did compiler William S. Speer have the unparalleled opportunity to interview a number of the featured Tennesseans himself, he also was able to garner--and include in this book--thousands and thousands of names of their family members, friends, and colleagues. The biographical sketches include numerous details about the lives of the subjects and their families. In addition, the compiler offers insight into the personal, professional, and sometimes even physical characteristics that made each of these men a success.

This biographical dictionary documents the Union army colonels who commanded regiments from Indiana, Kentucky and Tennessee. Entries are arranged first by state and then by regiment, and provide a biographical sketch of each colonel focusing on his Civil War service. Many of the colonels covered herein never rose above that rank, failing to win promotion to brigadier general or brevet brigadier general, and have therefore received very little scholarly attention prior to this work.

Many biographical and genealogical sketches of Giles County ancestors have been collected and presented here. They derive from a great variety of sources, such as books, periodicals, vital records, war records, etc. Combined, these sketches reveal the history of Giles County, Tennessee. This edition has been revised with new content added. I hope this publication is valuable to all of those with roots connected to Giles County.

The little-known story of remarkable First Lady Sarah Polk—a brilliant master of the art of high politics and a crucial but unrecognized figure in the history of American feminism. While the Women’s Rights convention was taking place at Seneca Falls in 1848, First Lady Sarah Childress Polk was wielding influence unprecedented for a woman in Washington, D.C. Yet, while history remembers the women of the convention, it has all but forgotten Sarah Polk. Now, in her riveting biography, Amy S. Greenberg brings Sarah’s story into vivid focus. We see Sarah as the daughter of a frontiersman who raised her to discuss politics and business with men; we see the savvy and charm she brandished in order to help her brilliant but unlikeable husband, James K. Polk, ascend to the White House. We watch as she exercises truly extraordinary power as First Lady: quietly manipulating elected officials, shaping foreign policy, and directing a campaign in support of America’s expansionist war against Mexico. And we meet many of the enslaved men and women whose difficult labor made Sarah’s political success possible. Sarah Polk’s life spanned nearly the entirety of the nineteenth-century. But her own legacy, which profoundly transformed the South, continues to endure. Comprehensive, nuanced, and brimming with invaluable insight, Lady First is a revelation of our twelfth First Lady’s complex but essential part in American feminism.

The history behind one of the oldest all-girls prep schools in the South. During the final days of the Civil War, Dr. William Ward and his wife, Eliza Ward, envisioned a school for young women in Nashville that would evolve into one of the nation’s most prestigious institutions. As the New South dawned, Ward Seminary opened its doors in September 1865. Merging with Belmont College for Young Women in 1913, Ward-Belmont operated as a college preparatory school, music conservatory, and junior college. In 1951, the high school division moved farther west, reopening as the Harpeth Hall School after Ward-Belmont’s sudden closure. Ward Seminary, Belmont College, Ward-Belmont, and Harpeth Hall are simply separate chapters of one continuous story—providing a lens through which to understand the evolution of all-girls education in the United States.

"Unlike many collections of original essays, this one is consistently fresh, coherent, and excellent. It reflects the combined scholarly excitement of ... the cultural history of the Civil War and the social history of Appalachia. As the editors point out in their introduction, this collection revises two false cliches - uniform Unionism in a region filled with cultural savages."