Spanning the mid to late 20th century and set in the Elkhorn Valley of southwestern Montana, The Stone Sister is told from three points of view -- a father's, a nurse's, and a sister's. Together they tell the unforgettable story of a child's birth, disappearance, and finally discovery in a home for "backward children." Robert Carter, a newly married man just back from World War II, struggles with his and his wife's decision to entrust the care of their disabled child to an institution and "move on" with family life. Louise Gustafson, a Midwestern nurse who starts over with a new life in the West, finds herself caring for a child everyone else has abandoned. And Elizabeth Carter, a young journalist, uncovers the family secret of her lost sister as she struggles with starting a family of her own. The Stone Sister explores the power of family secrets and society's evolving definitions of "normal"--as it pertains to family, medicine, and social structure. The novel sheds light on the beginnings of the disability justice movement as it follows one family's journey to reckon with a painful past. Incredibly, the novel is based on Caroline Patterson's personal story. As an adult, she discovered she had an older sister with Down syndrome who had been written out of her family history. In fact, that sister's name was also Caroline Patterson.

If the Slipper Fits Olivia Drake Raised in a girls' school, Annabelle Quinn longs for the world outside the walls of the academy. When she's hired as the governess to an orphaned duke, Annabelle never expects the child's breathtakingly handsome guardian to capture her imagination—or her heart. Falling for his young nephew's governess is an irksome complication in Lord Simon Westbury's orderly life, but Annabelle's quiet beauty and wry intellect are too much to resist. Meanwhile, a mysterious danger looms over the remote Cornwall estate. Will their newfound desire stand the test of time? Or are some happy endings just too good to come true?

*io9's New Sci-Fi and Fantasy Books You Need to Put On Your Radar Set in the world of the Sword of Truth saga, the ramifications of New York Times bestseller Terry Goodkind's Shroud of Eternity extend throughout all of the Old World as familiar allies, dangerous magic, and creatures created by twisted sorcery all work at cross purposes to either save or destroy Ildakar in Siege of Stone The Sorceress Nicci, the Wizard Nathan Rahl, and the young swordsman Bannon remain in the legendary city of Ildakar after a great internal revolt has freed the slaves and brought down the powerful wizards council. But as he fled the city, capricious Wizard Commander Maxim dissolved the petrification spell that had turned to stone the invading army of General Utros fifteen centuries earlier. Now, hundreds of thousands of half-stone soldiers from the ancient past have awakened, led by one of the greatest enemy commanders in history. Nicci, Nathan, and Bannon have to help Ildakar survive this unbreakable siege, using all the magical defenses of the legendary city. Even as General Utros holds Ildakar hostage and also unleashes his incredible army on the unsuspecting Old World, an equally powerful threat arises out in the sea. Nicci knows the battle won’t remain in the city; if she can’t stop this threat, two invincible armies can sweep across the Old World and destroy D’Hara itself. The Nicci Chronicles 1. Death's Mistress 2. Shroud of Eternity 3. Siege of Stone

“Suspense, mystery, and love” fill a multigenerational “moving drama of women in a Japanese American family. . . . The shocking revelation is unforgettable” (Booklist). In the dark days of World War II, a mother makes the ultimate sacrifice Lucy Takeda is just fourteen years old, living in Los Angeles, when the bombs rain down on Pearl Harbor. Within weeks, she and her mother, Miyako, are ripped from their home, rounded up—along with thousands of other innocent Japanese-Americans—and taken to the Manzanar prison camp. Buffeted by blistering heat and choking dust, Lucy and Miyako must endure the harsh living conditions of the camp. Corruption and abuse creep into every corner of Manzanar, eventually ensnaring beautiful, vulnerable Miyako. Ruined and unwilling to surrender her daughter to the same fate, Miyako soon breaks. Her final act of desperation will stay with Lucy forever . . . and spur her to sins of her own. Bestselling author Sophie Littlefield weaves a powerful tale of stolen innocence and survival that echoes through generations, reverberating between mothers and daughters. It is a moving chronicle of injustice, triumph and the unspeakable acts we commit in the name of love. “Littlefield . . . makes her tale resonant and universal . . . gripping.” —Publishers Weekly “Littlefield shows considerable skills for delving into the depths of her characters and complex plotting as she disarms the reader.” —South Florida Sun-Sentinel

Sister Brute has no one to love until she makes a stone doll and finds an ugly dog.

From the acclaimed author of Floating in My Mother’s Palm and Children and Fire, a stunning story about ordinary people living in extraordinary times—“epic, daring, magnificent, the product of a defining and mesmerizing vision” (Los Angeles Times). Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he’s a girl, to the Jews Trudi harbors in her cellar. Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.

In this graphic novel for early middle readers, two young sleuths must figure out why their sleepy seaside town is being overrun by monsters.

Anywhere but Paris... The best cure for a terrible crush on someone like Windel Watson is a trip across the ocean. That's what twelve-year-old Petunia Beanly thinks, until she hears where her family is moving. Not Paris. Not France. Anywhere would be better. Because that's where Windel will be, too.When the Beanly family gets to Paris, Pet's older sister seems right at home. Ava swans around looking beautiful, and making Pet feel even smaller and more awkward. It feels like Paris has a place for everyone except Pet. All she wants to do is hide in a dark room with the pillows over her head.But it turns out Paris has plans for Petunia Beanly. There are three bouquets awaiting her. If Pet can only find her courage, each bouquet will open a door and bring with it a sparkle that will change everything. And the person behind it? That will be Paris's biggest surprise of all.

This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”

Robert Newcomb’s dazzling debut trilogy, The Chronicles of Blood and Stone, introduced readers to the strange and wondrous land of Eutracia. Now, in Savage Messiah, the first volume in a sweeping new trilogy of magic, romance, and adventure, Newcomb returns to the world of his epic saga, unlocking fresh secrets and startling surprises. With the demise of his evil half brother, Wulfgar, Prince Tristan restored peace to Eutracia . . . or so he thought. But the Orb of the Vigors was damaged in the climactic battle, and now the powerful artifact is bleeding magical energy and cutting a swath of death and destruction across the kingdom. Tristan can heal the wounded Orb, but not until his enchanted blood is returned to normal. Only then will the powers of the Vigors be his to command. Unfortunately, the secret of reversing the enchantment is lost. Even worse, Wulfgar is neither dead nor defeated. Ensconced in his fortress across the Sea of Whispers, Tristan’s hideously scarred half brother plots with the Heretics, the otherworldly masters of the Vagaries. With their aid, Wulfgar has grown even stronger in the dark arts. Now, with powerful demonic servants and weapons of dire potency, Wulfgar sets forth to complete the destruction of the Orb . . . and to avenge himself on the Chosen Ones. Preceding him, he sends a brotherly greeting: a cunning assassin with orders to dispatch Eutracia’s ruling council. Tristan and his trusted allies—the wise wizards Wigg and Faegan, the beautiful pirate Tyranny, and, dearest of all, his beloved Celeste—embark on a desperate quest to cleanse his blood. It is a journey that will lead from the Sea of Whispers to distant Parthalon to the mysterious Well of Forestallments, and it will change everything the Chosen Ones think they know about themselves and their destiny. If they should fail, the Orb will perish, and with it, the Vigors. As for success, it may prove more costly still. . . .