Collects original comic book artwork that depicts the 1950s science fiction rebirth of DC Comics' most significant characters, a time that "rebooted" the Flash, Green Lantern, and Hawkman, and was the impetus for the Batman television series.

Superman/Nightwing crossover! Years ago,when Robin took his first uncertain steps away from Batman as his own hero, Superman stepped in and offered Dick Grayson crucial advice, support, and a name: Nightwing. Now it's time for Nightwing to return the favor.

Carmine Infantino. Steve Ditko. Jack Kirby. Gil Kane. Joe Kubert. Gene Colan. Jim Steranko. Neal Adams. Some of the greatest comic book artists of their generation, who created some of their greatest work during The Silver Age of Comics (circa1956-1970). They not only drew definitive versions of the medium’s greatest characters including The Flash, Batman, Captain America, Superman, Thor, Green Lantern, Spider-Man, Dr. Strange, Green Arrow and more— but set trends in the art of comic book storytelling. Now this popular and influential body of work, along with each artist’s thoughts, ideas and commentary, is presented in The Silver Age of Comic Book Art, a coffee table comic book art history book written and designed in a daringly different format by comic book historian and illustrator Arlen Schumer, and published in hardcover and digital/e-book editions by Archway Publishing (from Simon & Schuster). Dynamic spreads of the actual printed comic art, graphically enlarged, are integrated with comic-styled text, often by the artists themselves, that replaces the original comic book copy with more personalized prose that places the art firmly in the period it was created: the turbulent 1960s. By creating a comic book history book that reads like a comic book, Schumer succeeds spectacularly in making you see, as if for the first time, the comics you’ve been reading your whole life. “Arlen Schumer documents an important period in comic book history, told with an explosive format and stunning design. It reflects the kinetic rhythm of the era.” — Will Eisner (1917-2005), creator of The Spirit and the graphic novel A Contract with God "Through the years, I’ve had the pleasure of seeing many books that pay tribute to the art of comics, but Arlen Schumer has created an entirely new format in presenting the art and words of the artists. It's the most comprehensive and personal way a fan or colleague can learn what lies beneath the art. Arlen has found the perfect way to inform and entertain. It’s simply awesome —and the best representation of my work ever!” —Gene Colan (1926-2011), legendary comic book artist “A lovingly crafted tribute to the superhero comic of the 1960s, The Silver Age of Comic Book Art recaptures the four-color visionary surge of the era, its jet-age psychedelic rush of imagination and the titanic, luminous figures, both real and imaginary, that glittered in its firmament. For a brief moment in the late 20th century, it seemed as if the spirit of the age wore a vivid leotard, a chest emblem, and traveled in a strobing blur of speed lines. For anyone with any interest in or affection for that moment, this beautiful volume is indispensible.” — Alan Moore, author of Swamp Thing and Watchmen For more on The Silver Age of Comic Book Book Art, join Arlen’s Facebook group of the same name, and visit Arlen’s website: www.arlenschumer.com

Presents the adventures of The Maxx, a homeless superhero who lives in a cardboard box, and his social worker, Julie.

The iconic tales of Batman from the classic Silver Age collected for the first time in this incredible omnibus! The Caped Crusader is known for protecting the streets of Gotham from the villains who wish to cause harm. Follow along on some of his most adventurous tales in Batman: The Silver Age Omnibus Vol. 1 collecting Batman #101-116 and Detective Comics #233-257!

Perhaps the most famous of all the Green Lanterns, Hal Jordan put on the lantern’s ring for the first time in 1959. A re-envisioning of the original crime-fighting Green Lantern (Alan Scott), created by John Broome in the 1940s, this new Green Lantern was a science fiction adventurer. He battled aliens, giant monsters, wealthy sociopaths out to steal his power ring...and the efforts of his lady love, Carol Ferris, to discover his true identity. As the Green Lantern of the Silver Age of comic books, Hal Jordan captured the imagination of a space-minded society of the ’50s and ’60s. GREEN LANTERN: THE SILVER AGE VOLUME 1 collects the adventures of Hal Jordan as he takes on the responsibility of the ring and the lantern for the first time in SHOWCASE #22-24 and GREEN LANTERN #1-9.Perhaps the most famous of all the Green Lanterns, Hal Jordan put on the lantern’s ring for the first time in 1959. A re-envisioning of the original crime-fighting Green Lantern (Alan Scott), created by John Broome in the 1940s, this new Green Lantern was a science fiction adventurer. He battled aliens, giant monsters, wealthy sociopaths out to steal his power ring...and the efforts of his lady love, Carol Ferris, to discover his true identity. As the Green Lantern of the Silver Age of comic books, Hal Jordan captured the imagination of a space-minded society of the ’50s and ’60s. GREEN LANTERN: THE SILVER AGE VOLUME 1 collects the adventures of Hal Jordan as he takes on the responsibility of the ring and the lantern for the first time in SHOWCASE #22-24 and GREEN LANTERN #1-9.

The first history of modern costumed-hero comic books, from the start of the Silver Age in 1956 up to today. Focusing on DC and Marvel Comics, the story begins with the efforts of DC to revitalize such Golden Age heroes as the Flash, Superman, and Green Lantern in the wake of the anti-comic furor of the early 1950s. The authors cover the science fiction rage of the late 1950s, the birth of the experimental Marvel Comics Group in 1961, the emergence of such classic Marvel characters as the Fantastic Four and Spider-Man, the "camp" craze set off by the "Batman" TV show in 1966, and the socially conscious and politically relevant comics of the early 1970s. Later chapters describe the slump of the mid-1970s, as the medium lost touch with its young readers, followed by the comics' resurgence of the 1980s, as many new companies help DC and Marvel to extend the boundaries of the field with innovation, daring, and a new sophistication. Factually thorough and written in a lively, narrative style, this history includes behind-the-scenes glimpses at the men who wrote, drew, and published the comics, the impact of their creations on the fans, and critical assessments of the works themselves. Illustrated throughout with examples of comic book art, The Comic Book Heroes will inform and entertain both the hardcore fan and the casual reader of this most popular of American mediums.

WILLIAM SCHOELL is the author of many books on pop culture, film and the performing arts, as well as biographies. His film and pop culture books include Comic Book Heroes of the Screen; The Nightmare Never Ends: The Official History of Freddy Kruger and the 'Nightmare on Elm Street' Films; Creature Features: Nature Turned Nasty in the Movies and Stay Out of the Shower, the first book to look at Alfred Hitchcock's "Psycho" and its influence. His biographies include the natonal bestseller The Rat Pack: Neon Nights with the Kings of Cool; Martini Man: The Life of Dean Martin and The Sundance Kid: The Life of Robert Redford. as well as studies of such figures as Jules Verne, Edgar Allan Poe, Giuseppi Verdi, H. P. Lovecraft, Dorothy Dandridge, and Sammy Davis Jr. for young adults. His novels include Fatal Beauty, The Pact, The Dragon, Late at Night and Saurian. Schoell is a native New Yorker.

The 'Silver Age' of Spain ran from 1898 to 1939 and was characterized by intense urbanization, widespread class struggle and mobility and a boom in mass culture. This book offers the most detailed scholarly analysis of kiosk literature, one of the mass culture's manifestations, examined through the lens of contemporary interdisciplinary theories.

First Published in 2004. In this original study, Omry Ronen critically examines the term Silver Age, which over the years has gained such wide currency among historians and connoisseurs of twentieth-century Russian culture. His latest research deals with metahistorical and metaliterary value of influential poetic locutions, such as the image of Russia as the sphinx, or the concept of the Silver Age in Russian cultural history.