A history of the grueling Crimean War battle as told through personal accounts of those who fought there. The Crimean War, the most destructive and deadly war of the nineteenth century, has been the subject of countless books, yet historian Anthony Dawson has amassed an astonishing collection of previously unknown and unpublished material, including numerous letters and private journals. Many untapped French sources reveal aspects of the fighting in the Crimea that have never been portrayed before. The accounts demonstrate the suffering of the troops during the savage winter and the ravages of cholera and dysentery that resulted in the deaths of more than 16,000 British troops and 75,000 French. Whilst there is graphic first-hand testimony from those that fought up the slopes of the Alma, in the valley of death at Balaklava, and the fog of Inkerman, the book focusses upon the siege; the great artillery bombardments, the storming of the Redan and the Mamelon, and the largest man-made hole in history up to that time when the Russians blew up the defences they could not hold, with their own men inside. The Siege of Sevastopol also highlights, for the first time, the fourth major engagement in the Crimea, the Battle of the Tchernaya in August 1855, the Russians’ last great attempt to break the siege. This predominantly French-fought battle has never before examined in such in English language books. Praise for The Siege of Sevastopol, 1854–1855 “In this fascinating book, the voices of men involved in the war in the Crimea are heard for the first time. Compelling and intriguing stuff.” —Books Monthly “The author has collected a large amount of previously unpublished material for this new work. Entries from private letters and journal are mixed with French sources previously unused in the English-speaking world. The result is a work that effectively conveys the thoughts and experiences of the participants to the reader.” —Warfare History Network

"Sevastopol Sketches (Sebastopol Sketches)" is a collection of three works of historical fiction in which Tolstoy draws upon his real life experiences during the Siege of Sevastopol. The titular location draws its name from that of a city in Crimea and takes place during the Crimean war. The three tales in this collection are respectively titled "Sevastopol in December", "Sevastopol in May", and "Sevastopol in August". In the December tale Tolstoy introduces us to Sevastopol by giving the reader a tour and introducing us to the settings, mannerisms, and background that would relevant in the following tales. In the May tale Tolstoy examines the senselessness of war, musings that would lay the foundation for his much larger work and magnum opus "War and Peace." In the third and final tale the fall of the town is detailed. Published in 1855 "Sevastopol" was written near the beginning of the author's literary career. It is a book in which we begin to see the writer exhibit a quality of prose that would one day establish him as the greatest of all writers in the Russian and any other language.

Narrates the epic World War II battles for the most strongly fortified city in the world.

Three subtly connected stories converge in this chimerical debut, showcasing a powerful new Brazilian voice Three subtly connected stories converge in this chimerical debut, each burrowing into a turning point in a person’s life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian-Brazilian vanishes into the forest after staying in a musty, semi-abandoned inn in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy’s The Sevastopol Sketches, Emilio Fraia masterfully weaves together these stories of yearning and loss, obsession and madness, failure and the desire to persist, in a restrained manner reminiscent of Anton Chekhov, Roberto Bolano, and Rachel Cusk.

Armed with only a telescope, a watch, and a notebook he retrieved from a dead soldier, William Howard Russell spent twenty-two months reporting from the trenches for the Times of London during the Crimean War. A novice in a new field of journalism -- war reporting -- when he first set off for Crimea in 1854, the young Irishman returned home a veteran of three bloody battles, having survived the siege of Sebastopol and watched a colleague die of cholera. Russell's fine eye for detail electrified readers, and his remarkably colorful and hugely significant accounts of battles provided those at home -- for the first time ever -- with a realistic picture of the brutality of war. The Crimean War, originally published in 1856 under the title The Complete History of the Russian War, presents a selection of Russell's dispatches -- as well as those of other embedded reporters -- providing a ground-eye view of the conflict as depicted in British newspapers. Fought on the southern tip of the Crimea from 1853 to 1856, the Crimean War raged on far longer than either side expected -- largely because of mismanagement and disease: more soldiers died from cholera, typhus, typhoid, dysentery, and scurvy than battle wounds. Russell's biting criticisms of incompetent military authorities and an antiquated military system contributed to the collapse of the contemporary ruling party in Britain. In his reports, Russell wrote extensively about inept medical care for the wounded, which he termed "human barbarity." Thanks to compelling accounts by Russell and others, authorities allowed Florence Nightingale to enter the war zone and nurse troops back to health. The Crimean War contains reports from military men who acted as part-time reporters, articles by professional journalists, and letters from others at the front that newspapers back home later published. Rapidly pulled together by American publisher John G. Wells, the volume presents a fascinating contemporary analysis of the war by those on the ground. This reissue offers a new introduction by Angela Michelli Fleming and John Maxwell Hamilton that places these reports in context and highlights the critical role they played during a pivotal point in European history. The first first-hand accounts of the realities of war, these dispatches set the tone for future independent war reporting.

Please note that the maps available in the print edition do not appear in the ebook. From "the great storyteller of modern Russian historians," (Financial Times) the definitive account of the forgotten war that shaped the modern age The Charge of the Light Brigade, Florence Nightingale—these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires—the British, French, Turkish, and Russian—in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come. In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege.. Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world..

This book is based on unpublished material, from single letters by barely literate private soldiers to the voluminous correspondence of commander-in-chief Lord Raglan. The whole experience of fighting in the Crimea is captured here: the thrill of combat, the men's impressions of their allies--French, Turkish and Sardinian--the horrors of their first winter in the Crimea, the scandalously inadequate medical arrangements and the impact made by Florence Nightingale. Written by a leading authority in this field, this is a colorful, fresh account of one of nineteenth century's most famous conflicts.

Rescuing the Crimean War from the shadows, Lara Kriegel demonstrates the centrality of a Victorian war to the making of modern Britain.

In the hell that was World War II, the Eastern Front was its heart of fire and ice. Gottlob Herbert Bidermann served in that lethal theater from 1941 to 1945, and his memoir of those years recaptures the sights, sounds, and smells of the war as it vividly portrays an army marching on the road to ruin. A riveting and reflective account by one of the millions of anonymous soldiers who fought and died in that cruel terrain, In Deadly Combat conveys the brutality and horrors of the Eastern Front in detail never before available in English. It offers a ground soldier's perspective on life and death on the front lines, providing revealing new information concerning day-to-day operations and German army life. Wounded five times and awarded numerous decorations for valor, Bidermann saw action in the Crimea and siege of Sebastopol, participated in the vicious battles in the forests south of Leningrad, and ended the war in the Courland Pocket. He shares his impressions of countless Russian POWs seen at the outset of his service, of peasants struggling to survive the hostilities while caught between two ruthless antagonists, and of corpses littering the landscape. He recalls a Christmas gift of gingerbread from home that overcame the stench of battle, an Easter celebrated with a basket of Russian hand grenades for eggs, and his miraculous survival of machine gun fire at close range. In closing he relives the humiliation of surrender to an enemy whom the Germans had once derided and offers a sobering glimpse into life in the Soviet gulags. Bidermann's account debunks the myth of a highly mechanized German army that rolled over weaker opponents with impunity. Despite the vast expanses of territory captured by the Germans during the early months of Operation Barbarossa, the war with Russia remained tenuous and unforgiving. His story commits that living hell to the annals of World War II and broadens our understanding of its most deadly combat zone. Translator Derek Zumbro has rendered Bidermann's memoir into a compelling narrative that retains the author's powerful style. This English-language edition of Bidermann's dynamic story is based upon a privately published memoir entitled Krim-Kurland Mit Der 132 Infanterie Division.The translator has added important events derived from numerous interviews with Bidermann to provide additional context for American readers.

In late July 1941, Hitler ordered Army Group South to seize the Crimea as part of its operations to secure the Ukraine and the Donets Basin, in order to protect the vital Romanian oil refineries at Ploesti from Soviet air attack. After weeks of heavy fighting, the Germans breached the Soviet defenses and overran most of the Crimea. By November 1941 the only remaining Soviet foothold in the area was the heavily fortified naval base at Sevastopol. Operation Sturgeon Haul, the final assault on Sevastopol, was one of the very few joint service German operations of World War II, with two German corps and a Romanian corps supported by a huge artillery siege train, the Luftwaffe's crack VIII Flieger Korps and a flotilla of S-Boats provided by the Kriegsmarine. This volume closely examines the impact of logistics, weather and joint operational planning upon the last major German victory in World War II (1939-1945).