The wave of anti-authoritarian political activity associated with the term “1968” can by no means be confined under the rubric of “protest,” understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to “1968” frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond.

Turkey’s recent history is filled with stories of immigration. With the number of immigrants exceeding three million, the Syrians who came to Turkey after the civil war in their country could be considered Turkey’s largest experience with migration. This book provides a broad overview of the politics of urbanism within the “exceptional state”, looking at what cannot be sacrificed but can be killed, leaving biopolitics as an escape route, with original and authentic elements included. This book analyses the cultural meaning of individual life, presenting the results of a field survey. This study allows us to read belonging, and the possessive ties of the nostalgic identity within the present time, represented by photography as a rupture in the continuity of history, and provides a sociological and ontological reading of the image. Incorporating the meanings of visual images into the sociological field research, it reveals the tentative expressions of reality itself, with while coding the image of the external world.

A comparative study of contemporary Israeli and Palestinian diasporas.

Illuminates tensions and transformations in today's Germany by examining literary, filmic, and musical treatments of the ghetto metaphor. Accounts of how Germany has changed since unification often portray the Berlin Republic as a new Germany that has left the Nazi past and Cold War division behind and entered the new millennium as a peaceful, worldly, and cautiously proud nation. Closer inspection, however, reveals tensions between such views and the realities of a country that continues to struggle with racism, provincialism, and fear of the perceived Other. Mainstream media foster such fears by describing violence in ghetto schools, failed integration, and the loss of society's core values. The city emerges as a key site not only of ethnic and political tension but of social change. Maria Stehle illuminates these tensions and transformations by following the metaphor of the ghetto in literary works from the 1990s by Feridun Zaimoglu, in German ghettocentric films from the late 1990s and the early twenty-first century, and in hip-hop and rap music of the same periods. In their representations of ghettos, authors, filmmakers, musicians, and performers redefine and challenge provincialism and nationalism and employ transcultural frameworks for their diverging political agendas. By contextualizing these discussions within social and political developments, this study illuminates the complexities that define Germany today for scholars and students across the disciplines of German, European, cultural, urban, and media studies. Maria Stehle is Assistant Professor of German at the University of Tennessee, Knoxville.

In the southern German city of Stuttgart lives a pious Muslim population that has merged with the local population to create a meaningful shared existence. In this ethnographic account, the author introduces and examines the lives of ordinary residents, neighborhoods, and mosque communities to analyze moments and spaces where Muslims and non-Muslims engage with each other and accommodate their respective needs. These accounts show that even in the face of resentment and discrimination, this pious population has indeed become an integral part of the urban community.

Contemporary television fictions allow the audience to experience the reality of everyday life in audio-visual spaces. Thus, controversial issues discussed in German society such as homosexuality, racism or ‘clashes of cultures’ are revisited in the social drama films produced for German television through a mixture of generic conventions such as tragedy, thriller and melodrama. Consequently, the audio-visual representations of the people, who are the focus of these discussions, represent an interesting area of research. The book deals with the audio-visual spatiality of the Turkish diaspora in Berlin in three contemporary TV films in this format; namely Wut (Range, dir. Zuli Aladağ, 2006), Die Neue (The Newcomer, dir. Buket Alakuş, 2015) and Nachspielzeit (Extra-Time, dir. Andreas Pieper, 2015). Therewith, it brings a spatial approach to the issue of ‘polemical belonging of the Turkish Diaspora to the German national space’ within the audio-visual context. The proposed spatial approach presents an alternative argument to the assumptions of German politicians, who celebrate ‘a common German history that bases on Christian-Jewish identity, democracy and enlightenment’.

This cutting-edge account explores rap and Hiphop discourse within a trajectory of Black discourses. Looking at music videos, websites and billboards, it highlights how Black youth read the world they inhabit.

The Habitat International Series presents dissertations, proceedings and research findings on a wide range of development-related and sociocultural aspects of contemporary urbanization and architecture.

Emotions, especially those of impoverished migrant families, have long been underrepresented in German social and cultural studies. That Sinking Feeling raises the visibility of the emotional dimensions of exclusion processes and locates students in current social transformations. Drawing from a year of ethnographic fieldwork with grade ten students, Stefan Wellgraf’s study on an array of both classic emotions and affectively charged phenomena reveals a culture of devaluation and self-assertion of the youthful, post-migrant urban underclass in neoliberal times.

This work offers a fresh perspective to the study of 'Europe' by placing the discussion of 'What is Europe?' and 'What is it to be European?', in a wider context of the study of modernity through a collection of nine case studies.