In places, Shropshire has traditional patchwork fields and hedgerows; in others, small villages and market towns with black and white half-timbered buildings. But it also has places that are still wild - hills where heather and bracken cling to the rocks while peewits call overhead and strange rock formations just to the sky, casting their shadows over the countryside below. The thirty stories in this new collection have grown out of the county's diverse landscapes: tales of the strange and macabre; memories of magic and other worlds; proud recollections of folk history; stories to make you smile, sigh and shiver. Moulded by the land, weather and generations of tongues wagging, these traditional tales are full of Shropshire wit and wisdom, and will be enjoyed time and again. Honoured in the 'Storytelling Collections' at the Storytelling World Awards - See more at: http://www.thehistorypress.co.uk/index.php/shropshire-folk-tales.html#sthash.un5jLcDV.dpuf

In places, Shropshire has traditional patchwork fields and hedgerows; in others, small villages and market towns with black and white half-timbered buildings. But it also has places that are still wild – hills where heather and bracken cling to the rocks while peewits call overhead and strange rock formations jut to the sky, casting their shadows over the countryside below. The thirty stories in this new collection have grown out of the county's diverse landscapes: tales of the strange and macabre; memories of magic and other worlds; proud recollections of folk history; stories to make you smile, sigh and shiver. Moulded by the land, weather and generations of tongues wagging, these traditional tales are full of Shropshire wit and wisdom, and will be enjoyed time and again.

This is a children's book. But it is for real children. It is a book of buried treasure, people-eating giants, sleeping kings and a monster fish. There's fire, wee, milk and missing body parts. It's a book that's got the bits adults don't like left in. These are stories of Shropshire. They are old and wild, like the land itself. If you like giants having their heads lopped off, girls who won't do what they're told, knights fighting with lances, one-armed ghosts and grumpy witches, then this is the book for you.

John Shipley takes the reader on a grand tour of the curious and bizarre, the strange and the unusual from Shropshire's past. Here you will find out where an African Prince is interred; which pub is reputedly haunted by the ghost of John (Mad Jack) Mytton of Halston Hall; and which village lays claim to the oldest cottage in Europe. Along the way you will read about earthquakes and floods, giants and witches, highwaymen and bandits, scandalous residents and inventors. Richly illustrated, The A-Z of Curious Shropshire is great for dipping into, but can equally be enjoyed from cover to cover.

This dictionary is part of the Oxford Reference Collection: using sustainable print-on-demand technology to make the acclaimed backlist of the Oxford Reference programme perennially available in hardback format. An engrossing guide to English folklore and traditions, with over 1,250 entries. Folklore is connected to virtually every aspect of life, part of the country, age group, and occupation. From the bizarre to the seemingly mundane, it is as much a feature of the modern technological age as of the ancient world. BL Oral and Performance genres-Cheese rolling, Morris dancing, Well-dressingEL BL Superstitions-Charms, Rainbows, WishbonesEL BL Characters-Cinderella, Father Christmas, Robin Hood, Dick WhittingtonEL BL Supernatural Beliefs-Devil's hoofprints, Fairy rings, Frog showersEL BL Calendar Customs-April Fool's Day, Helston Furry Day, Valentine's DayEL

To many observers, folklore and book culture may appear to be opposites. Folklore, after all, involves orally circulated stories and traditions while book culture is concerned with the transmission of written texts. However, as Kevin J. Hayes points out, there are many instances where the two intersect, and exploring those intersections is the purpose of this fascinating and provocative study. Hayes shows that the acquisition of knowledge and the ownership of books have not displaced folklore but instead have given rise to new beliefs and superstitions. Some books have generated new proverbs; others have fostered their own legends. Occasionally the book has served as an important motif in folklore, and in one folk genre—the flyleaf rhyme—the book itself has become the place where folklore occurs, thus indicating a lively interaction between folk, print, and manuscript culture. The author begins by examining the tradition of the Volksbücher—cheaply printed books, often concerned with the occult, whose powers are said to transcend the written text. Hayes looks in depth at one particular Volksbuch—The Sixth and Seventh Books of Moses—and proceeds, in subsequent chapters, to discuss a variety of folktales and legends, placing them within the context of book culture and the history of education. He closes with an examination of flyleaf rhymes, the little verses that book owners have inscribed in their books, and considers what they reveal about the identity of the inscribers as well as about attitudes toward book lending, book borrowing, and the circulation of knowledge. Solidly researched and venturing into areas long neglected by scholars. Folklore and Book Culture is a work that will engage not only folklorists but historians and literary scholars as well.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.

In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.