From the author of You Must Not Miss comes a haunting contemporary horror novel that explores themes of mental illness, rage, and grief, twisted with spine-chilling elements of Stephen King and Agatha Christie. Following her father's death, Jane North-Robinson and her mom move from sunny California to the dreary, dilapidated old house in Maine where her mother grew up. All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone . . . and more tormented. As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident "bad seed," struggling to tamp down her own worst nature in response. Jane's mom also seems to be spiraling with the return of her childhood home, but she won't reveal why. Then Jane discovers that the "storage room" her mom has kept locked isn't for storage at all -- it's a little girl's bedroom, left untouched for years and not quite as empty of inhabitants as it appears . . . Is it grief? Mental illness? Or something more . . . horrid?

Henry is up to his usual mischief: annoying his younger brother, ruining Moody Margaret's sleepover, and irritating his teacher, Mrs. Battleaxe—not to mention trying to manipulate his family into seeing his favorite band—the Killer Boy Rats. "Kids will love reading the laugh-out-loud funny stories about someone whose behavior is even worse than their own." —School Library Journal "Not since 'Nate the Great' has an early reader series created such a buzz." —Los Angeles Times "Will engage even the most reluctant readers." —Publishers Weekly

Ten favourite Horrid Henry stories, all about school. He gives the class nits, encounters a demon dinner lady, does his best to sabotage the school sports day, finds ingenious ways to get round doing his homework and reading books, and is publicly mortified by a pair of pink underpants. Francesca Simon has supplied extra material - complete lists of Horrid Henry's favourite and most hated teachers and classmates, accounts of his best and worst lessons, pages from his exercise book, school reports, a poem by himself, and more. Tony Ross has specially coloured some of the pictures and added some new ones, to make this a gorgeous new collection that all Horrid Henry fans will adore, even if they've read the stories already.

One of Us Is Lying meets Carrie in this suspenseful story of friendship, family, and revenge. Magpie Lewis started writing in her yellow notebook the day after her family self-destructed. The day her father ruined her mother's life. The day Magpie's sister, Eryn, skipped town and left her to fend for herself. The day of Brandon Phipp's party. Now Magpie is called a slut in the hallways of her high school, her former best friend won't speak to her, and she spends her lunch period with a group of misfits who've all been as socially exiled as she has. And so, feeling trapped and forgotten, Magpie retreats to her notebook, dreaming up a magical place called Near. Near is perfect - a place where her father never cheated, her mother never drank, and Magpie's own life never derailed so suddenly. She imagines Near so completely, so fully, that she writes it into existence, right in her own backyard. At first, Near is a peaceful escape, but soon it becomes something darker, somewhere nightmares lurk and hidden truths come to light. Soon it becomes a place where Magpie can do anything she wants...even get her revenge. You Must Not Miss is an intoxicating, twisted tale of magic, menace, and the monsters that live inside us all.

A record of literary properties sold at auction in the United States.

Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.