First published in 2003. Built in 1628 at the Koto-in temple in the precincts of Daitoku-ji monastery in Kyoto, the Shoko-ken is a late medieval daime sukiya Japanese tea-house. It is attributed to Hosokawa Tadaoki, also known as Hosokawa Sansai, an aristocrat and daimyo military leader, and a disciple and friend of Sen no Riky?. This work is an extremely thorough look at one of the few remaining tea-houses of the Momoyama era tea-masters who studied with Sen no Rikyu. The English language sources on Hosokawa Sansai and his tea-houses have been exhaustively researched. Many facts and minute observations have been brought together to give even the reader unfamiliar with Tea a sense of the presence which the tea-house still manifests.

The Momoyama period of Japanese art history, at the turn of the 16th century, is perhaps best known to the West through the resplendent paintings of the Kano masters and their fellow artists. Yet this same period offers such a variety of architectural pleasures that, in at least one of its many facets, it makes an appeal to every taste. It ranges from the largest and most imposing castles to the smallest and most tastefully designed teahouses. Paintings and gardens are an integral part of it, as they are in all Japanese architecture, and here, also, the range extends from the gorgeous and elaborate to the utmost in simplicity and restraint. It is with this exuberant period in Japanese history that the present book is concerned. Its purpose is to present, against a background of colorful history, the architectural achievements of an elegant age. In the first part of this book, Mr. Kirby discusses and illustrates the principal forms of castle, shoin, and sukiya architecture that he considers to the most important contributions of the Momoyama period. The second part presents existing examples of Momoyama structures together with a brief section on developments of less importance in religious architecture and construction of an essentially engineering nature. All of these are pictured in a generous selection of excellent photographs accompanied by plans and elevations for a number of the structures discussed.

First published in 2003. Built in 1628 at the Koto-in temple in the precincts of Daitoku-ji monastery in Kyoto, the Shoko-ken is a late medieval daime sukiya Japanese tea-house. It is attributed to Hosokawa Tadaoki, also known as Hosokawa Sansai, an aristocrat and daimyo military leader, and a disciple and friend of Sen no Riky?. This work is an extremely thorough look at one of the few remaining tea-houses of the Momoyama era tea-masters who studied with Sen no Rikyu. The English language sources on Hosokawa Sansai and his tea-houses have been exhaustively researched. Many facts and minute observations have been brought together to give even the reader unfamiliar with Tea a sense of the presence which the tea-house still manifests.

The first English translation of Li Bozhong's pioneering study of GDP in early modern China.

This book explores rural political change in China from 1850 to 1949 to help us understand China’s transformation from a weak, decaying agrarian empire to a unified, strong nation-state during this period. Based on local gazetteers, contemporary field studies, government archives, personal memoirs and other primary sources, it systematically compares two key macro-regions of rural China – the North China plain and the Yangzi delta – to demonstrate the ways in which the forces of political change, shaped by different local conditions, operated to transform the country. It shows that on the North China plain, the village community composed mainly of owner-cultivators was the focal point for political mobilization, whilst in the Yangzi delta absentee landlordism was exploited by the state for local control and tax extraction. However, these both set the stage, in different ways, for the communist mobilization in the first half of the twentieth century. Peasants and Revolution in Rural China is an important addition to the literature on the history of the Chinese Revolution, and will be of interest to anyone seeking to understand the course of Chinese social and political development.

The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor's London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.