An unforgettable chronicle from a groundbreaking journalist who covered Emmett Till's murder, the Little Rock Nine, and ten US presidents

Shocking Electricity is packed with sizzling zap-fillied facts to electrify every reader. Children can find out about the scientist who gave electric shocks to his eyeballs, that lightning can strike you with heat five times hotter than the sun and much more! Redesigned in a bold, funky new look for the next generation of Horrible Science fans.

The 90-second pseudointellectual Q&A series heard daily on public radio stations nationwide, Ask Dr. Science has amazed, enraged, and humorously enlightened legions of listeners since its inception in 1984. Now Dr. Science focuses his nonsensical energies on the home. 10 photos.

In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.

Combines up to the minute data about ecological issues with outstanding graphic imagery created by the award winning Barnbrook Studio.

Andie. Julie. Raven. Three very different women bound by more than friendship. They were only watching The mysterious lovers that the three girls spied on were engaged in a deadly sexual game no one else was supposed to know about. Especially not Andie and her friends, whose curiosity had deepened into a dangerous obsession Now, fifteen years later, someone is watching Andie. Someone who won't let her forget the unsolved murder of 'Mrs X' or the disappearance of 'Mr X'. Suddenly, Andie doesn't know who her friends are and realises that loyalty can mean murder.

Combining thought-provoking graphic imagery with truly alarming information culled from some of the most authoritative sources around the world, The Little Book of Shocking Food Facts is literally jam-packed with essential truths you need to know about global food politics, fast food culture and healthy nutrition. This startling yet visually stunning book is guaranteed to alter the way you think about food production, while also changing your personal eating habits for the better. How is it that malnutrition is so widespread in the developing world, while obesity is rife in the developed world? What exactly is the nutritional value of junk food versus the health benefits of fresh fruit and vegetables? Do you know what really goes into the production of the food on your plate? The Little Book of Shocking Food Facts will help answer these and many other questions surrounding food production and consumption today. The crucial information presented in this book through specially commissioned, state-of-the-art graphic design has been meticulously and painstakingly gleaned from some of the world's most authoritative and up-to-date scientific studies and government reports. Extended footnotes at the back provide full citations for all information sources, as well as easy-to-understand texts that explain the facts in concise detail.

For over 300 years, the chemical element phosphorus maimed, killed, polluted and burned - yet doctors prescribed it and whole industries were dedicated to its manufacture. This is a history of phosphorus, from its genesis through to its modern-day use in pesticides and household chemicals.

Elsa Schiaparelli (1890-1973), one of the leading fashion designers of the 1920s, '30s, and '40s, was known for her flair for the unusual. The first designer to use shoulder pads and animal prints, and the inventor of shocking pink, Schiaparelli collaborated with artists including Jean Cocteau, Alberto Giacometti, and Salvador Dal� to create extraordinary garments such as the Dal� Lobster Dress. Schiaparelli had an affluent clientele, from Katharine Hepburn to Marlene Dietrich, who embraced her outrageous but elegant designs. She designed aviator Amy Johnson's wardrobe for her solo flight to Cape Town in 1936 and the culottes for tennis champion Lil� �lvarez that outraged the lawn tennis establishment, and her clothes appeared in more than 30 films, including Every Day's a Holiday with Mae West and Moulin Rouge. Schiaparelli's fascinating autobiography charts her rise from resident of a rat-infested apartment to designer to the stars.

In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.