Preachers often think of prophetic preaching in the caricature of the prophet as the lonely outsider confronting the congregation, often angrily, with the congregation's complicity in social injustice and with a bracing call for repentance. The twenty-seven essays and sermons in this book offer a different perspective by viewing prophetic preaching specifically--and ministry, practical theology, and theological education more broadly--as pastoral care for the community in prophetic perspective. Such preaching does indeed bring a critical theological analysis of justice concerns to the center of the sermon, but in such a way as to invite the congregation to consider how the move toward justice is a pastoral move-- that is, a move that seeks to build up community. Rather than contributing to the polarization so rampant in today's social world, the preacher seeks to help the congregation build bridges along which concern for justice can travel. The contributions honor the work of the late Dale Andrews, a scholar of preaching and practical theology at the Divinity School, Vanderbilt University, whose seminal work inspires the notions of prophetic care and building bridges to justice.

If a river runs through it, somewhere there is bound to be a bridge. Little in the landscape remains untouched by human hands, and every touch, from the simplest ditch to the most intricate monument, reveals a political decision or design. This is how Martin Warnke, one of Germany's leading art historians, looks at landscape in this book, which leads to a new way of seeing nature as we have appropriated, represented, and transformed it over time. Covering nearly a thousand years and most of western Europe, Political Landscape provides a compelling summary history of modern humanity's ill-fated attempt to master nature.

Open Up the Sky is a unique and beautiful correspondence between two poets. Each writer takes up the verses of the other as an inspiration and a provocation, as an invitation to recall and reimagine and recreate the Canadian landscapes that have become home to them. This exchange of language and memory produces a poetry of intimate insight that transcends any particular location and speaks to the broader experience of being human in the world.

It began--and ended--in 1958 when seven desperate children searched in the drains beneath Derry for an evil creature, but in 1985, Mike Hanlon, once one of those children, makes six phone calls and disinters an unremembered promise that sets off the ultimate terror.

In the 1934 classic It Happened One Night, heiress Claudette Colbert races away from the altar and a conventional marriage and throws herself into a wisecracking rough-and-tumble affair with Clark Gable. The new brand of movies following in the wake of Capra's kooky masterpiece-and the women starring in them-are the focus of Kendall's The Runaway Bride, a look at the films that mirrored the climate of the Great Depression while at the same time helping Americans get through it. Kendall details the collaborations between the romantic comedy directors and the female stars, showing how such films as Alice Adams (with Katherine Hepburn), Swing Time (where Ginger Rogers enjoys "A Fine Romance" with Fred Astaire), The Awful Truth (with Irene Dunne), and The Lady Eve (wherein Barbara Stanwyck's shapely leg repeatedly trips naïve millionaire Henry Fonda) came to be, and what they said about the 1930s. Written with erudition and enthusiasm, The Runaway Bride is a trip through some of Hollywood's most memorable moments, and a key to the national issues of an era as revealed in its films.

A German educator travels to the U.S. and meets with fellow educators and makes observations on children in America, educational systems, and race relations.